Because He Lives | TBN

Because He Lives

Watch Because He Lives
September 26, 2020
57:29

Homecoming Friends join Bill and Gloria in this nostalgia-filled video journey.

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Because He Lives

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  • Bill Gaither:Life is made up of moments...
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  • ... like turning t
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  • ... like turning the pages of aLife iphotograph album. ts...
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  • Our memories preserve for us therelationships...
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  • ... and events that tell thestories of each of our lives.
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  • Happy, sad, joyful, and painful.
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  • The memories of our days make upthe fabric...
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  • ... of who we are.
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  • (Choir Singing)♪Precious Memories♪
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  • ♪How they linger♪
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  • ♪How they ever flood my soul♪
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  • Bill Gaither:An unforgettable memory was madewhen dozens of friends...
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  • ... who had spent their lives ingospel music...
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  • ... gathered to sings some songsfrom their own...
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  • ... personal treasure ofmemories.
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  • For these folks, many preciousmemories...
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  • ... had begun around a pianosomewhere.
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  • They're sharing songs about howtheir lives have been changed...
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  • ... by God's amazing grace.
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  • ♪Precious scenes unfold♪
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  • I'M MARK LOWRY, AND I'M SITTING
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  • I'M MARK LOWRY, AND I'M SITTINGIN THE FAMILY ROOM
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  • I'M MARK LOWRY, AND I'M SITTINGIN THE FAMILY ROOMOF BILL AND GLORIA GAITHER.
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  • IN THE FAMILY ROOMOF BILL AND GLORIA GAITHER.YOU KNOW, THIS IS THE VERY SPOT
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  • OF BILL AND GLORIA GAITHER.YOU KNOW, THIS IS THE VERY SPOTWHERE THEY WROTE
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  • YOU KNOW, THIS IS THE VERY SPOTWHERE THEY WROTEBECAUSE HE LIVES,
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  • WHERE THEY WROTEBECAUSE HE LIVES,THE KING IS COMING,
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  • BECAUSE HE LIVES,THE KING IS COMING,THERE'S SOMETHING
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  • THE KING IS COMING,THERE'S SOMETHINGABOUT THAT NAME,
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  • THERE'S SOMETHINGABOUT THAT NAME,HE TOUCHED ME,
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  • ABOUT THAT NAME,HE TOUCHED ME,AND WE'RE GOING
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  • HE TOUCHED ME,AND WE'RE GOINGTO BE HEARING A LOT
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  • AND WE'RE GOINGTO BE HEARING A LOTOF THOSE GREAT SONGS TONIGHT.
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  • TO BE HEARING A LOTOF THOSE GREAT SONGS TONIGHT.AND WE'RE GOING TO GET TO HEAR
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  • OF THOSE GREAT SONGS TONIGHT.AND WE'RE GOING TO GET TO HEARTHE STORIES BEHIND THOSE SONGS.
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  • AND WE'RE GOING TO GET TO HEARTHE STORIES BEHIND THOSE SONGS.AND ON TOP OF THAT,
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  • THE STORIES BEHIND THOSE SONGS.AND ON TOP OF THAT,I GET TO ASK THE QUESTIONS.
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  • AND ON TOP OF THAT,I GET TO ASK THE QUESTIONS.IT'S MY SHOW TONIGHT.
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  • I GET TO ASK THE QUESTIONS.IT'S MY SHOW TONIGHT.I'M SO EXCITED.
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  • IT'S MY SHOW TONIGHT.I'M SO EXCITED.BUT RIGHT NOW,
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  • I'M SO EXCITED.BUT RIGHT NOW,LET'S GO TO THE INDIANA ROOF
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  • BUT RIGHT NOW,LET'S GO TO THE INDIANA ROOFAND HEAR THE HOMECOMING FRIENDS
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  • LET'S GO TO THE INDIANA ROOFAND HEAR THE HOMECOMING FRIENDSSINGING THE SONGS
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  • [up-tempo guitar music]
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  • [up-tempo guitar music]- Homecoming Friends:
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  • [up-tempo guitar music]- Homecoming Friends:♪ I'M GOING TO THINK ♪
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  • - Homecoming Friends:♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪
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  • ♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪
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  • ♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪
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  • ♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪
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  • ♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪
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  • ♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪
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  • ♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪
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  • ♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪♪ I'M GOING TO THINK ♪
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  • ♪ IS WHAT I'M GOING TO BE. ♪♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪
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  • ♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪
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  • ♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪
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  • ♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪
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  • ♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪
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  • ♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪
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  • ♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪
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  • ♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪- Mel Tunney: ♪ I'M GOING ♪
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  • ♪ IS WHAT I'M GOING TO BE. ♪- Mel Tunney: ♪ I'M GOING ♪♪ TO FILL UP MY MIND ♪
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  • - Mel Tunney: ♪ I'M GOING ♪♪ TO FILL UP MY MIND ♪♪ WITH HAPPY SONGS OF PRAISE, ♪
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  • ♪ TO FILL UP MY MIND ♪♪ WITH HAPPY SONGS OF PRAISE, ♪- Stephen Hill:
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  • ♪ WITH HAPPY SONGS OF PRAISE, ♪- Stephen Hill:♪ REMIND MYSELF ♪
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  • - Stephen Hill:♪ REMIND MYSELF ♪♪ THAT HE'S FORGIVEN ME. ♪
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  • ♪ REMIND MYSELF ♪♪ THAT HE'S FORGIVEN ME. ♪- Ladye Love-Smith:
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  • ♪ THAT HE'S FORGIVEN ME. ♪- Ladye Love-Smith:♪ I'M GOING TO THINK ♪
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  • - Ladye Love-Smith:♪ I'M GOING TO THINK ♪♪ ABOUT THE THINGS ♪
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  • ♪ I'M GOING TO THINK ♪♪ ABOUT THE THINGS ♪♪ I KNOW WILL LIFT ME UP ♪
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  • ♪ ABOUT THE THINGS ♪♪ I KNOW WILL LIFT ME UP ♪- ♪ LIKE HOPE ♪
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  • ♪ I KNOW WILL LIFT ME UP ♪- ♪ LIKE HOPE ♪- ♪ AND PEACE ♪
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  • - ♪ LIKE HOPE ♪- ♪ AND PEACE ♪- ♪ AND TRUTH
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  • - ♪ AND PEACE ♪- ♪ AND TRUTH- together: ♪ AND LOVE ♪
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  • - ♪ AND TRUTH- together: ♪ AND LOVE ♪♪ AND SIMPLE HONESTY. ♪
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  • - together: ♪ AND LOVE ♪♪ AND SIMPLE HONESTY. ♪- Homecoming Friends:
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  • ♪ AND SIMPLE HONESTY. ♪- Homecoming Friends:♪ I'M GOING TO THINK ♪
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  • - Homecoming Friends:♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪
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  • ♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪
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  • ♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪
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  • ♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪
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  • ♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪
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  • ♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪
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  • ♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪
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  • ♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪- Amy Lambert:
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  • ♪ IS WHAT I'M GOING TO BE. ♪- Amy Lambert:♪ WHEN I THINK ABOUT DESPAIR, ♪
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  • - Amy Lambert:♪ WHEN I THINK ABOUT DESPAIR, ♪♪ I WILL ONLY GET DEPRESSED. ♪
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  • ♪ WHEN I THINK ABOUT DESPAIR, ♪♪ I WILL ONLY GET DEPRESSED. ♪- Wesley Pritchard:
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  • ♪ I WILL ONLY GET DEPRESSED. ♪- Wesley Pritchard:♪ WHEN I DWELL ON TROUBLE, ♪
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  • - Wesley Pritchard:♪ WHEN I DWELL ON TROUBLE, ♪♪ I WILL TROUBLED BE. ♪
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  • ♪ WHEN I DWELL ON TROUBLE, ♪♪ I WILL TROUBLED BE. ♪- Joy Gardner:
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  • ♪ I WILL TROUBLED BE. ♪- Joy Gardner:♪ IF I FILL UP MY MIND WITH ♪
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  • - Joy Gardner:♪ IF I FILL UP MY MIND WITH ♪♪ THE GOODNESS OF THE LORD, ♪
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  • ♪ IF I FILL UP MY MIND WITH ♪♪ THE GOODNESS OF THE LORD, ♪- together: ♪ HE WILL MAKE ♪
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  • ♪ THE GOODNESS OF THE LORD, ♪- together: ♪ HE WILL MAKE ♪♪ ME MORE LIKE HIM ♪
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  • - together: ♪ HE WILL MAKE ♪♪ ME MORE LIKE HIM ♪♪ AND MEET MY EVERY NEED. ♪
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  • ♪ ME MORE LIKE HIM ♪♪ AND MEET MY EVERY NEED. ♪- Homecoming Friends:
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  • ♪ AND MEET MY EVERY NEED. ♪- Homecoming Friends:♪ I'M GOING TO THINK ♪
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  • - Homecoming Friends:♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪
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  • ♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪
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  • ♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪
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  • ♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪
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  • ♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪
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  • ♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪
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  • ♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪
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  • ♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪♪ ♪
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  • ♪ IS WHAT I'M GOING TO BE. ♪♪ ♪♪ I'M GOING TO THINK ♪
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  • ♪ ♪♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪
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  • ♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪
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  • ♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪
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  • ♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪
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  • ♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪
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  • ♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪
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  • ♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪
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  • ♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪♪ I'M GOING TO THINK ♪
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  • ♪ IS WHAT I'M GOING TO BE. ♪♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪
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  • ♪ I'M GOING TO THINK ♪♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪
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  • ♪ ON THE GOOD THINGS, ♪♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪
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  • ♪ THINK ON WHAT ♪♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪
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  • ♪ THE LORD HAS DONE FOR ME. ♪♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪
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  • ♪ I'M GOING TO THINK ♪♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪
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  • ♪ 'BOUT THE GOOD, GOOD THINGS. ♪♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪
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  • ♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪♪ WHAT I THINK ♪
  • 00:04:48.945 --> 00:04:52.482
  • ♪ IS WHAT I'M GOING TO BE. ♪♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪
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  • ♪ WHAT I THINK ♪♪ IS WHAT I'M GOING TO BE. ♪♪ WHAT I THINK ♪
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  • - Lowry: █ BECAUSE HE LIVES,
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  • - Lowry: █ BECAUSE HE LIVES,I CAN FACE TOMORROW;
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  • - Lowry: █ BECAUSE HE LIVES,I CAN FACE TOMORROW;LOVING GOD, LOVING EACH OTHER;
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  • I CAN FACE TOMORROW;LOVING GOD, LOVING EACH OTHER;HE TOUCHED ME;
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  • LOVING GOD, LOVING EACH OTHER;HE TOUCHED ME;THE LONGER I SERVE HIM,
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  • HE TOUCHED ME;THE LONGER I SERVE HIM,THE SWEETER HE GROWS;
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  • THE LONGER I SERVE HIM,THE SWEETER HE GROWS;I'VE JUST SEEN JESUS;
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  • THE SWEETER HE GROWS;I'VE JUST SEEN JESUS;THE KING IS COMING:
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  • I'VE JUST SEEN JESUS;THE KING IS COMING:SOME OF THE MOST POWERFUL WORDS
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  • THE KING IS COMING:SOME OF THE MOST POWERFUL WORDSEVER SUNG FIRST GOT THEIR START
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  • SOME OF THE MOST POWERFUL WORDSEVER SUNG FIRST GOT THEIR STARTIN A SMALL INDIANA TOWN
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  • EVER SUNG FIRST GOT THEIR STARTIN A SMALL INDIANA TOWNWHEN TWO YOUNG SCHOOL TEACHERS
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  • IN A SMALL INDIANA TOWNWHEN TWO YOUNG SCHOOL TEACHERSTEAMED UP IN 1962
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  • WHEN TWO YOUNG SCHOOL TEACHERSTEAMED UP IN 1962TO FORM NOT ONLY A UNIQUE
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  • TEAMED UP IN 1962TO FORM NOT ONLY A UNIQUEAND LASTING MARRIAGE,
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  • TO FORM NOT ONLY A UNIQUEAND LASTING MARRIAGE,BUT POSSIBLY THE MOST PROLIFIC
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  • AND LASTING MARRIAGE,BUT POSSIBLY THE MOST PROLIFICSONGWRITING TEAM
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  • BUT POSSIBLY THE MOST PROLIFICSONGWRITING TEAMKNOWN TO GOSPEL MUSIC.
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  • SONGWRITING TEAMKNOWN TO GOSPEL MUSIC.PERHAPS IT IS THE SIMPLICITY
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  • KNOWN TO GOSPEL MUSIC.PERHAPS IT IS THE SIMPLICITYOF THEIR MUSIC
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  • PERHAPS IT IS THE SIMPLICITYOF THEIR MUSICTHAT FIRST CAUGHT OUR ATTENTION.
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  • OF THEIR MUSICTHAT FIRST CAUGHT OUR ATTENTION.THEIR SONGS HAVE PROVIDED HOPE,
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  • THAT FIRST CAUGHT OUR ATTENTION.THEIR SONGS HAVE PROVIDED HOPE,STRENGTH, AND SPIRITUAL GUIDANCE
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  • THEIR SONGS HAVE PROVIDED HOPE,STRENGTH, AND SPIRITUAL GUIDANCEFOR MILLIONS OF LISTENERS
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  • STRENGTH, AND SPIRITUAL GUIDANCEFOR MILLIONS OF LISTENERSACROSS THE GLOBE AND HAVE
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  • FOR MILLIONS OF LISTENERSACROSS THE GLOBE AND HAVEBRIDGED THE CHASM BETWEEN
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  • ACROSS THE GLOBE AND HAVEBRIDGED THE CHASM BETWEENDOCTRINES, CULTURES,
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  • BRIDGED THE CHASM BETWEENDOCTRINES, CULTURES,AND MUSICAL GENERATIONS,
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  • DOCTRINES, CULTURES,AND MUSICAL GENERATIONS,BUT WITHOUT A DOUBT,
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  • AND MUSICAL GENERATIONS,BUT WITHOUT A DOUBT,IT WAS THEIR SOURCE,
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  • BUT WITHOUT A DOUBT,IT WAS THEIR SOURCE,THE ENDLESS WELL OF TRUTH,
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  • IT WAS THEIR SOURCE,THE ENDLESS WELL OF TRUTH,THAT LITERALLY STARTED
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  • THE ENDLESS WELL OF TRUTH,THAT LITERALLY STARTEDTHE WHOLE WORLD SINGING.
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  • THAT LITERALLY STARTEDTHE WHOLE WORLD SINGING.BECAUSE HE LIVES:
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  • THE WHOLE WORLD SINGING.BECAUSE HE LIVES:THE STORIES BEHIND THE SONGS
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  • WELL, GLORIA AND BILL,
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  • WELL, GLORIA AND BILL,HERE WE ARE IN THE FAMILY ROOM.
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  • WELL, GLORIA AND BILL,HERE WE ARE IN THE FAMILY ROOM.AND NOW, THIS IS THE PIANO
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  • HERE WE ARE IN THE FAMILY ROOM.AND NOW, THIS IS THE PIANOWHERE YOU WROTE ALL THOSE SONGS,
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  • AND NOW, THIS IS THE PIANOWHERE YOU WROTE ALL THOSE SONGS,THOSE GREAT CLASSICS
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  • WHERE YOU WROTE ALL THOSE SONGS,THOSE GREAT CLASSICSTHAT WE LOVE AND SING.
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  • THOSE GREAT CLASSICSTHAT WE LOVE AND SING.- PRETTY MUCH RIGHT HERE
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  • THAT WE LOVE AND SING.- PRETTY MUCH RIGHT HEREAND USUALLY BEFORE NOON
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  • - PRETTY MUCH RIGHT HEREAND USUALLY BEFORE NOONRIGHT HERE IN THIS ROOM,
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  • AND USUALLY BEFORE NOONRIGHT HERE IN THIS ROOM,EXCEPT FOR MAYBE,
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  • RIGHT HERE IN THIS ROOM,EXCEPT FOR MAYBE,HE TOUCHED ME,
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  • EXCEPT FOR MAYBE,HE TOUCHED ME,WHICH WE WROTE IN A LITTLE
  • 00:06:27.844 --> 00:06:29.045
  • HE TOUCHED ME,WHICH WE WROTE IN A LITTLERENTED HOUSE THAT WE RENTED
  • 00:06:29.045 --> 00:06:30.079
  • WHICH WE WROTE IN A LITTLERENTED HOUSE THAT WE RENTEDFROM BILL'S DAD AND MOM
  • 00:06:30.079 --> 00:06:31.781
  • RENTED HOUSE THAT WE RENTEDFROM BILL'S DAD AND MOMWHEN WE FIRST GOT MARRIED.
  • 00:06:31.781 --> 00:06:32.849
  • FROM BILL'S DAD AND MOMWHEN WE FIRST GOT MARRIED.BUT MOST OF THEM HAVE
  • 00:06:32.849 --> 00:06:33.850
  • WHEN WE FIRST GOT MARRIED.BUT MOST OF THEM HAVEBEEN WRITTEN RIGHT HERE
  • 00:06:33.850 --> 00:06:34.650
  • BUT MOST OF THEM HAVEBEEN WRITTEN RIGHT HEREWITH THIS PIANO.
  • 00:06:34.650 --> 00:06:35.451
  • BEEN WRITTEN RIGHT HEREWITH THIS PIANO.- Mark: WELL, I HAVE
  • 00:06:35.451 --> 00:06:36.319
  • WITH THIS PIANO.- Mark: WELL, I HAVEBEEN LOOKING FORWARD TO THIS
  • 00:06:36.319 --> 00:06:37.487
  • - Mark: WELL, I HAVEBEEN LOOKING FORWARD TO THISMOMENT FOR A LONG TIME.
  • 00:06:37.487 --> 00:06:38.788
  • BEEN LOOKING FORWARD TO THISMOMENT FOR A LONG TIME.I FEEL LIKE ONE OF YOUR SONGS
  • 00:06:38.788 --> 00:06:40.556
  • MOMENT FOR A LONG TIME.I FEEL LIKE ONE OF YOUR SONGSTHAT I LOVE--
  • 00:06:40.556 --> 00:06:41.824
  • I FEEL LIKE ONE OF YOUR SONGSTHAT I LOVE--I JUST FEEL LIKE SOMETHING
  • 00:06:41.824 --> 00:06:42.959
  • THAT I LOVE--I JUST FEEL LIKE SOMETHINGGOOD'S ABOUT TO HAPPEN,
  • 00:06:42.959 --> 00:06:43.593
  • I JUST FEEL LIKE SOMETHINGGOOD'S ABOUT TO HAPPEN,'CAUSE I'VE GOT
  • 00:06:43.593 --> 00:06:44.727
  • GOOD'S ABOUT TO HAPPEN,'CAUSE I'VE GOTA LOT OF GOOD QUESTIONS.
  • 00:06:44.727 --> 00:06:45.795
  • 'CAUSE I'VE GOTA LOT OF GOOD QUESTIONS.HOW DID YOU WRITE THAT ONE?
  • 00:06:45.795 --> 00:06:47.096
  • A LOT OF GOOD QUESTIONS.HOW DID YOU WRITE THAT ONE?- Bill: YOU KNOW WHAT?
  • 00:06:47.096 --> 00:06:48.865
  • HOW DID YOU WRITE THAT ONE?- Bill: YOU KNOW WHAT?WE REALLY WROTE IT OUT
  • 00:06:48.865 --> 00:06:51.033
  • - Bill: YOU KNOW WHAT?WE REALLY WROTE IT OUTOF NECESSITY, BECAUSE WE NEEDED
  • 00:06:51.033 --> 00:06:53.569
  • WE REALLY WROTE IT OUTOF NECESSITY, BECAUSE WE NEEDEDA HAPPY SONG UP FRONT
  • 00:06:53.569 --> 00:06:54.303
  • OF NECESSITY, BECAUSE WE NEEDEDA HAPPY SONG UP FRONTIN OUR CONCERTS.
  • 00:06:54.303 --> 00:06:55.471
  • A HAPPY SONG UP FRONTIN OUR CONCERTS.SOMEHOW, PEOPLE COME IN--
  • 00:06:55.471 --> 00:06:56.172
  • IN OUR CONCERTS.SOMEHOW, PEOPLE COME IN--THEY'VE BEEN READING
  • 00:06:56.172 --> 00:06:57.240
  • SOMEHOW, PEOPLE COME IN--THEY'VE BEEN READINGA LOT OF NEWSPAPERS,
  • 00:06:57.240 --> 00:06:58.341
  • THEY'VE BEEN READINGA LOT OF NEWSPAPERS,A LOT OF BAD ARTICLES--
  • 00:06:58.341 --> 00:06:59.876
  • A LOT OF NEWSPAPERS,A LOT OF BAD ARTICLES--YOU KNOW, THEY'RE DEPRESSED,
  • 00:06:59.876 --> 00:07:00.376
  • A LOT OF BAD ARTICLES--YOU KNOW, THEY'RE DEPRESSED,YOU KNOW?
  • 00:07:00.376 --> 00:07:01.978
  • YOU KNOW, THEY'RE DEPRESSED,YOU KNOW?AND SO I TOLD GLORIA, "WE NEED
  • 00:07:01.978 --> 00:07:03.112
  • YOU KNOW?AND SO I TOLD GLORIA, "WE NEEDSOMETHING THAT SIMPLY SAYS,
  • 00:07:03.112 --> 00:07:05.648
  • AND SO I TOLD GLORIA, "WE NEEDSOMETHING THAT SIMPLY SAYS,♪ I JUST FEEL LIKE SOMETHING ♪
  • 00:07:05.648 --> 00:07:08.317
  • SOMETHING THAT SIMPLY SAYS,♪ I JUST FEEL LIKE SOMETHING ♪♪ GOOD IS ABOUT TO HAPPEN." ♪
  • 00:07:08.317 --> 00:07:09.051
  • ♪ I JUST FEEL LIKE SOMETHING ♪♪ GOOD IS ABOUT TO HAPPEN." ♪[Anaheim 1980]
  • 00:07:09.051 --> 00:07:09.852
  • ♪ GOOD IS ABOUT TO HAPPEN." ♪[Anaheim 1980]- ♪ I JUST FEEL ♪
  • 00:07:09.852 --> 00:07:10.887
  • [Anaheim 1980]- ♪ I JUST FEEL ♪♪ LIKE SOMETHING GOOD ♪
  • 00:07:10.887 --> 00:07:13.422
  • - ♪ I JUST FEEL ♪♪ LIKE SOMETHING GOOD ♪♪ IS ON ITS WAY. ♪
  • 00:07:13.422 --> 00:07:14.690
  • ♪ LIKE SOMETHING GOOD ♪♪ IS ON ITS WAY. ♪♪ HE HAS PROMISED ♪
  • 00:07:14.690 --> 00:07:16.025
  • ♪ IS ON ITS WAY. ♪♪ HE HAS PROMISED ♪♪ THAT HE'D OPEN ♪
  • 00:07:16.025 --> 00:07:18.528
  • ♪ HE HAS PROMISED ♪♪ THAT HE'D OPEN ♪♪ ALL OF HEAVEN, ♪
  • 00:07:18.528 --> 00:07:19.929
  • ♪ THAT HE'D OPEN ♪♪ ALL OF HEAVEN, ♪♪ AND BROTHER, ♪
  • 00:07:19.929 --> 00:07:23.766
  • ♪ ALL OF HEAVEN, ♪♪ AND BROTHER, ♪♪ IT COULD HAPPEN ANY DAY. ♪
  • 00:07:23.766 --> 00:07:25.701
  • ♪ AND BROTHER, ♪♪ IT COULD HAPPEN ANY DAY. ♪♪ WHEN GOD'S PEOPLE HUMBLE ♪
  • 00:07:25.701 --> 00:07:29.038
  • ♪ IT COULD HAPPEN ANY DAY. ♪♪ WHEN GOD'S PEOPLE HUMBLE ♪♪ THEMSELVES TO CALL ON JESUS, ♪
  • 00:07:29.038 --> 00:07:30.840
  • ♪ WHEN GOD'S PEOPLE HUMBLE ♪♪ THEMSELVES TO CALL ON JESUS, ♪♪ AND THEY LOOK TO HEAVEN, ♪
  • 00:07:30.840 --> 00:07:34.343
  • ♪ THEMSELVES TO CALL ON JESUS, ♪♪ AND THEY LOOK TO HEAVEN, ♪♪ EXPECTING AS THEY PRAY, ♪
  • 00:07:34.343 --> 00:07:36.178
  • ♪ AND THEY LOOK TO HEAVEN, ♪♪ EXPECTING AS THEY PRAY, ♪♪ I JUST FEEL LIKE SOMETHING ♪
  • 00:07:36.178 --> 00:07:40.316
  • ♪ EXPECTING AS THEY PRAY, ♪♪ I JUST FEEL LIKE SOMETHING ♪♪ GOOD IS ABOUT TO HAPPEN, ♪
  • 00:07:40.316 --> 00:07:41.050
  • ♪ I JUST FEEL LIKE SOMETHING ♪♪ GOOD IS ABOUT TO HAPPEN, ♪♪ AND BROTHER, ♪
  • 00:07:41.050 --> 00:07:44.120
  • ♪ GOOD IS ABOUT TO HAPPEN, ♪♪ AND BROTHER, ♪♪ THIS COULD BE THAT VERY DAY. ♪
  • 00:07:44.120 --> 00:07:44.987
  • ♪ AND BROTHER, ♪♪ THIS COULD BE THAT VERY DAY. ♪[Nashville 1996]
  • 00:07:44.987 --> 00:07:45.788
  • ♪ THIS COULD BE THAT VERY DAY. ♪[Nashville 1996]- ♪ I HAVE NOTICED ♪
  • 00:07:45.788 --> 00:07:47.590
  • [Nashville 1996]- ♪ I HAVE NOTICED ♪♪ ALL THE BAD NEWS ♪
  • 00:07:47.590 --> 00:07:50.092
  • - ♪ I HAVE NOTICED ♪♪ ALL THE BAD NEWS ♪♪ IN THE PAPER. ♪
  • 00:07:50.092 --> 00:07:51.427
  • ♪ ALL THE BAD NEWS ♪♪ IN THE PAPER. ♪♪ SEEMS LIKE THINGS ARE ♪
  • 00:07:51.427 --> 00:07:55.231
  • ♪ IN THE PAPER. ♪♪ SEEMS LIKE THINGS ARE ♪♪ GETTING BLEAKER EVERY DAY. ♪
  • 00:07:55.231 --> 00:07:55.998
  • ♪ SEEMS LIKE THINGS ARE ♪♪ GETTING BLEAKER EVERY DAY. ♪- ♪ JAKE, ♪
  • 00:07:55.998 --> 00:07:57.466
  • ♪ GETTING BLEAKER EVERY DAY. ♪- ♪ JAKE, ♪♪ FOR THIS CHILD OF GOD, ♪
  • 00:07:57.466 --> 00:08:00.303
  • - ♪ JAKE, ♪♪ FOR THIS CHILD OF GOD, ♪♪ IT MAKES NO DIFFERENCE, ♪
  • 00:08:00.303 --> 00:08:02.038
  • ♪ FOR THIS CHILD OF GOD, ♪♪ IT MAKES NO DIFFERENCE, ♪♪ 'CAUSE I KNOW IT'S GOING
  • 00:08:02.038 --> 00:08:05.775
  • ♪ IT MAKES NO DIFFERENCE, ♪♪ 'CAUSE I KNOW IT'S GOING♪ TO GET BETTER EITHER WAY. ♪
  • 00:08:05.775 --> 00:08:07.276
  • ♪ 'CAUSE I KNOW IT'S GOING♪ TO GET BETTER EITHER WAY. ♪- ♪ I HAVE NEVER BEEN ♪
  • 00:08:07.276 --> 00:08:08.244
  • ♪ TO GET BETTER EITHER WAY. ♪- ♪ I HAVE NEVER BEEN ♪♪ MORE THRILLED ♪
  • 00:08:08.244 --> 00:08:11.380
  • - ♪ I HAVE NEVER BEEN ♪♪ MORE THRILLED ♪♪ ABOUT TOMORROW. ♪
  • 00:08:11.380 --> 00:08:12.815
  • ♪ MORE THRILLED ♪♪ ABOUT TOMORROW. ♪♪ SUNSHINE'S ALWAYS BURSTING ♪
  • 00:08:12.815 --> 00:08:16.352
  • ♪ ABOUT TOMORROW. ♪♪ SUNSHINE'S ALWAYS BURSTING ♪♪ THROUGH SKIES OF GRAY. ♪
  • 00:08:16.352 --> 00:08:17.553
  • ♪ SUNSHINE'S ALWAYS BURSTING ♪♪ THROUGH SKIES OF GRAY. ♪♪ I JUST FEEL LIKE ♪
  • 00:08:17.553 --> 00:08:18.921
  • ♪ THROUGH SKIES OF GRAY. ♪♪ I JUST FEEL LIKE ♪♪ SOMETHING GOOD ♪
  • 00:08:18.921 --> 00:08:21.824
  • ♪ I JUST FEEL LIKE ♪♪ SOMETHING GOOD ♪♪ IS JUST ABOUT TO HAPPEN, ♪
  • 00:08:21.824 --> 00:08:22.925
  • ♪ SOMETHING GOOD ♪♪ IS JUST ABOUT TO HAPPEN, ♪♪ AND BROTHER, ♪
  • 00:08:22.925 --> 00:08:25.928
  • ♪ IS JUST ABOUT TO HAPPEN, ♪♪ AND BROTHER, ♪♪ IT COULD BE THAT VERY DAY. ♪
  • 00:08:25.928 --> 00:08:26.696
  • ♪ AND BROTHER, ♪♪ IT COULD BE THAT VERY DAY. ♪[700 Club 1981]
  • 00:08:26.696 --> 00:08:27.330
  • ♪ IT COULD BE THAT VERY DAY. ♪[700 Club 1981]- ♪ I JUST FEEL ♪
  • 00:08:27.330 --> 00:08:28.764
  • [700 Club 1981]- ♪ I JUST FEEL ♪♪ LIKE SOMETHING GOOD IS ♪
  • 00:08:28.764 --> 00:08:31.567
  • - ♪ I JUST FEEL ♪♪ LIKE SOMETHING GOOD IS ♪♪ ABOUT TO HAPPEN, ♪
  • 00:08:31.567 --> 00:08:32.368
  • ♪ LIKE SOMETHING GOOD IS ♪♪ ABOUT TO HAPPEN, ♪♪ AND BROTHER, ♪
  • 00:08:32.368 --> 00:08:33.402
  • ♪ ABOUT TO HAPPEN, ♪♪ AND BROTHER, ♪♪ THIS COULD BE ♪
  • 00:08:33.402 --> 00:08:36.272
  • ♪ AND BROTHER, ♪♪ THIS COULD BE ♪♪ THAT VERY DAY. ♪
  • 00:08:36.272 --> 00:08:37.440
  • ♪ THIS COULD BE ♪♪ THAT VERY DAY. ♪♪ AND BROTHER, ♪
  • 00:08:37.440 --> 00:08:38.541
  • ♪ THAT VERY DAY. ♪♪ AND BROTHER, ♪♪ THIS COULD BE ♪
  • 00:08:38.541 --> 00:08:47.984
  • - GLORIA, OF ALL THE SONGS
  • 00:08:58.494 --> 00:08:59.528
  • - GLORIA, OF ALL THE SONGSTHAT YOU AND BILL HAVE WRITTEN,
  • 00:08:59.528 --> 00:09:00.696
  • - GLORIA, OF ALL THE SONGSTHAT YOU AND BILL HAVE WRITTEN,WHY DO YOU THINK
  • 00:09:00.696 --> 00:09:02.531
  • THAT YOU AND BILL HAVE WRITTEN,WHY DO YOU THINKBECAUSE HE LIVES
  • 00:09:02.531 --> 00:09:03.399
  • WHY DO YOU THINKBECAUSE HE LIVESHAS HAD THE GREATEST IMPACT
  • 00:09:03.399 --> 00:09:05.167
  • BECAUSE HE LIVESHAS HAD THE GREATEST IMPACTON PEOPLE AROUND THE WORLD?
  • 00:09:05.167 --> 00:09:06.335
  • HAS HAD THE GREATEST IMPACTON PEOPLE AROUND THE WORLD?- THAT'S BEEN A BIG SURPRISE,
  • 00:09:06.335 --> 00:09:07.503
  • ON PEOPLE AROUND THE WORLD?- THAT'S BEEN A BIG SURPRISE,BECAUSE IT WAS SUCH A PERSONAL
  • 00:09:07.503 --> 00:09:11.674
  • - THAT'S BEEN A BIG SURPRISE,BECAUSE IT WAS SUCH A PERSONALSONG, AND MAYBE THAT--
  • 00:09:11.674 --> 00:09:12.908
  • BECAUSE IT WAS SUCH A PERSONALSONG, AND MAYBE THAT--MAYBE THAT IS THE REASON,
  • 00:09:12.908 --> 00:09:13.743
  • SONG, AND MAYBE THAT--MAYBE THAT IS THE REASON,MAYBE BECAUSE IT CAME
  • 00:09:13.743 --> 00:09:14.944
  • MAYBE THAT IS THE REASON,MAYBE BECAUSE IT CAMEOUT OF THE JUST--
  • 00:09:14.944 --> 00:09:16.812
  • MAYBE BECAUSE IT CAMEOUT OF THE JUST--SOME REAL REGULAR THINGS
  • 00:09:16.812 --> 00:09:17.513
  • OUT OF THE JUST--SOME REAL REGULAR THINGSIN OUR LIVES.
  • 00:09:17.513 --> 00:09:23.285
  • SOME REAL REGULAR THINGSIN OUR LIVES.IT WAS WRITTEN IN THE '70s.
  • 00:09:23.285 --> 00:09:25.054
  • IN OUR LIVES.IT WAS WRITTEN IN THE '70s.ACTUALLY, IN 1970,
  • 00:09:25.054 --> 00:09:26.822
  • IT WAS WRITTEN IN THE '70s.ACTUALLY, IN 1970,RIGHT AT THE END OF THE WHOLE
  • 00:09:26.822 --> 00:09:30.459
  • ACTUALLY, IN 1970,RIGHT AT THE END OF THE WHOLE'60s SITUATION IN THE WORLD.
  • 00:09:30.459 --> 00:09:31.761
  • RIGHT AT THE END OF THE WHOLE'60s SITUATION IN THE WORLD.THE VIETNAM WAR
  • 00:09:31.761 --> 00:09:33.596
  • '60s SITUATION IN THE WORLD.THE VIETNAM WARAND THE WHOLE CIVIL RIGHTS
  • 00:09:33.596 --> 00:09:37.566
  • THE VIETNAM WARAND THE WHOLE CIVIL RIGHTSMOVEMENT WAS AT THE PEAK
  • 00:09:37.566 --> 00:09:38.768
  • AND THE WHOLE CIVIL RIGHTSMOVEMENT WAS AT THE PEAKOF THE TURMOIL
  • 00:09:38.768 --> 00:09:41.103
  • MOVEMENT WAS AT THE PEAKOF THE TURMOILTHAT WAS TEARING AMERICA APART--
  • 00:09:41.103 --> 00:09:44.273
  • OF THE TURMOILTHAT WAS TEARING AMERICA APART--TURNED OUT TO BE A GOOD THING,
  • 00:09:44.273 --> 00:09:47.309
  • THAT WAS TEARING AMERICA APART--TURNED OUT TO BE A GOOD THING,BUT AT THE TIME, IT WAS CHAOTIC.
  • 00:09:47.309 --> 00:09:49.679
  • TURNED OUT TO BE A GOOD THING,BUT AT THE TIME, IT WAS CHAOTIC.AND WE WERE EXPECTING
  • 00:09:49.679 --> 00:09:50.646
  • BUT AT THE TIME, IT WAS CHAOTIC.AND WE WERE EXPECTINGOUR THIRD BABY,
  • 00:09:50.646 --> 00:09:51.447
  • AND WE WERE EXPECTINGOUR THIRD BABY,AND WE WERE READING
  • 00:09:51.447 --> 00:09:52.381
  • OUR THIRD BABY,AND WE WERE READINGTHE NEWSPAPER, SAYING,
  • 00:09:52.381 --> 00:09:52.982
  • AND WE WERE READINGTHE NEWSPAPER, SAYING,"WHY IN THE WORLD
  • 00:09:52.982 --> 00:09:54.316
  • THE NEWSPAPER, SAYING,"WHY IN THE WORLDWOULD ANYBODY BRING A BABY
  • 00:09:54.316 --> 00:09:55.685
  • "WHY IN THE WORLDWOULD ANYBODY BRING A BABYINTO A WORLD LIKE THIS?
  • 00:09:55.685 --> 00:09:56.585
  • WOULD ANYBODY BRING A BABYINTO A WORLD LIKE THIS?I MEAN, WHAT'S IT GOING TO BE
  • 00:09:56.585 --> 00:09:57.887
  • INTO A WORLD LIKE THIS?I MEAN, WHAT'S IT GOING TO BELIKE WHEN THIS CHILD
  • 00:09:57.887 --> 00:09:59.588
  • I MEAN, WHAT'S IT GOING TO BELIKE WHEN THIS CHILDHAS TO FACE IT?"
  • 00:09:59.588 --> 00:10:00.556
  • LIKE WHEN THIS CHILDHAS TO FACE IT?"WE WENT THROUGH
  • 00:10:00.556 --> 00:10:02.058
  • HAS TO FACE IT?"WE WENT THROUGHA REAL DRY SPELL IN OUR WRITING
  • 00:10:02.058 --> 00:10:03.592
  • WE WENT THROUGHA REAL DRY SPELL IN OUR WRITINGWHERE WE DIDN'T WRITE
  • 00:10:03.592 --> 00:10:05.494
  • A REAL DRY SPELL IN OUR WRITINGWHERE WE DIDN'T WRITEFOR SIX MONTHS OR MORE
  • 00:10:05.494 --> 00:10:06.829
  • WHERE WE DIDN'T WRITEFOR SIX MONTHS OR MOREAND WONDERED
  • 00:10:06.829 --> 00:10:08.397
  • FOR SIX MONTHS OR MOREAND WONDEREDIF THAT WELL WAS GONE,
  • 00:10:08.397 --> 00:10:09.632
  • AND WONDEREDIF THAT WELL WAS GONE,WAS DRIED UP.
  • 00:10:09.632 --> 00:10:12.568
  • IF THAT WELL WAS GONE,WAS DRIED UP.AND THROUGH A SERIES OF EVENTS,
  • 00:10:12.568 --> 00:10:15.838
  • WAS DRIED UP.AND THROUGH A SERIES OF EVENTS,AFTER BENJY WAS BORN,
  • 00:10:15.838 --> 00:10:17.707
  • AND THROUGH A SERIES OF EVENTS,AFTER BENJY WAS BORN,AND WE HELD THAT LITTLE BOY
  • 00:10:17.707 --> 00:10:18.307
  • AFTER BENJY WAS BORN,AND WE HELD THAT LITTLE BOYIN OUR ARMS,
  • 00:10:18.307 --> 00:10:19.809
  • AND WE HELD THAT LITTLE BOYIN OUR ARMS,IT SORT OF DAWNED ON US--
  • 00:10:19.809 --> 00:10:20.843
  • IN OUR ARMS,IT SORT OF DAWNED ON US--YOU KNOW HOW THEOLOGICAL THINGS
  • 00:10:20.843 --> 00:10:22.144
  • IT SORT OF DAWNED ON US--YOU KNOW HOW THEOLOGICAL THINGSTHAT YOU SAY ALL YOUR LIFE
  • 00:10:22.144 --> 00:10:25.281
  • YOU KNOW HOW THEOLOGICAL THINGSTHAT YOU SAY ALL YOUR LIFEKIND OF DAWN ON YOU, FINALLY,
  • 00:10:25.281 --> 00:10:27.717
  • THAT YOU SAY ALL YOUR LIFEKIND OF DAWN ON YOU, FINALLY,AND WE REALIZED THAT YOU DON'T
  • 00:10:27.717 --> 00:10:29.318
  • KIND OF DAWN ON YOU, FINALLY,AND WE REALIZED THAT YOU DON'TDO WHAT YOU DO AND GET MARRIED
  • 00:10:29.318 --> 00:10:30.252
  • AND WE REALIZED THAT YOU DON'TDO WHAT YOU DO AND GET MARRIEDAND HAVE KIDS AND GO ON
  • 00:10:30.252 --> 00:10:30.853
  • DO WHAT YOU DO AND GET MARRIEDAND HAVE KIDS AND GO ONWITH YOUR LIFE
  • 00:10:30.853 --> 00:10:33.489
  • AND HAVE KIDS AND GO ONWITH YOUR LIFEBECAUSE THE WORLD IS STABLE.
  • 00:10:33.489 --> 00:10:34.523
  • WITH YOUR LIFEBECAUSE THE WORLD IS STABLE.YOU DO ALL THAT
  • 00:10:34.523 --> 00:10:36.959
  • BECAUSE THE WORLD IS STABLE.YOU DO ALL THATBECAUSE CHRIST IS REAL,
  • 00:10:36.959 --> 00:10:38.794
  • YOU DO ALL THATBECAUSE CHRIST IS REAL,AND THE RESURRECTION IS TRUE,
  • 00:10:38.794 --> 00:10:40.196
  • BECAUSE CHRIST IS REAL,AND THE RESURRECTION IS TRUE,AND LIFE WINS.
  • 00:10:40.196 --> 00:10:41.931
  • AND THE RESURRECTION IS TRUE,AND LIFE WINS.THE VERSE THAT CAME FIRST
  • 00:10:41.931 --> 00:10:45.534
  • AND LIFE WINS.THE VERSE THAT CAME FIRSTWAS THE CHILD VERSE
  • 00:10:45.534 --> 00:10:47.269
  • THE VERSE THAT CAME FIRSTWAS THE CHILD VERSEWITH OUR CHILD,
  • 00:10:47.269 --> 00:10:47.803
  • WAS THE CHILD VERSEWITH OUR CHILD,"HOW SWEET TO HOLD
  • 00:10:47.803 --> 00:10:49.238
  • WITH OUR CHILD,"HOW SWEET TO HOLDOUR NEWBORN BABY
  • 00:10:49.238 --> 00:10:50.106
  • "HOW SWEET TO HOLDOUR NEWBORN BABYAND FEEL THE PRIDE
  • 00:10:50.106 --> 00:10:51.440
  • OUR NEWBORN BABYAND FEEL THE PRIDEAND JOY HE GIVES,
  • 00:10:51.440 --> 00:10:52.208
  • AND FEEL THE PRIDEAND JOY HE GIVES,BUT GREATER STILL
  • 00:10:52.208 --> 00:10:53.309
  • AND JOY HE GIVES,BUT GREATER STILLTHE CALM ASSURANCE;
  • 00:10:53.309 --> 00:10:54.443
  • BUT GREATER STILLTHE CALM ASSURANCE;THIS CHILD CAN FACE
  • 00:10:54.443 --> 00:10:55.311
  • THE CALM ASSURANCE;THIS CHILD CAN FACEUNCERTAIN DAYS
  • 00:10:55.311 --> 00:10:56.312
  • THIS CHILD CAN FACEUNCERTAIN DAYSBECAUSE HE LIVES."
  • 00:10:56.312 --> 00:10:58.481
  • UNCERTAIN DAYSBECAUSE HE LIVES."AND THEN THE OTHER TWO VERSES
  • 00:10:58.481 --> 00:11:00.549
  • BECAUSE HE LIVES."AND THEN THE OTHER TWO VERSESCAME AFTERWARDS,
  • 00:11:00.549 --> 00:11:04.620
  • AND THEN THE OTHER TWO VERSESCAME AFTERWARDS,AND KIND OF THE FINAL--
  • 00:11:04.620 --> 00:11:05.688
  • CAME AFTERWARDS,AND KIND OF THE FINAL--AN END TO THAT STORY
  • 00:11:05.688 --> 00:11:07.423
  • AND KIND OF THE FINAL--AN END TO THAT STORYWAS FIVE OR SIX YEARS LATER,
  • 00:11:07.423 --> 00:11:09.859
  • AN END TO THAT STORYWAS FIVE OR SIX YEARS LATER,MY FATHER DIED.
  • 00:11:09.859 --> 00:11:12.862
  • WAS FIVE OR SIX YEARS LATER,MY FATHER DIED.AND HE DIED ON A FRIDAY NIGHT,
  • 00:11:12.862 --> 00:11:14.430
  • MY FATHER DIED.AND HE DIED ON A FRIDAY NIGHT,AND WE HAD--WE CAME HOME,
  • 00:11:14.430 --> 00:11:15.664
  • AND HE DIED ON A FRIDAY NIGHT,AND WE HAD--WE CAME HOME,MADE FUNERAL ARRANGEMENTS
  • 00:11:15.664 --> 00:11:17.166
  • AND WE HAD--WE CAME HOME,MADE FUNERAL ARRANGEMENTSAND THEN FLEW OUT
  • 00:11:17.166 --> 00:11:18.634
  • MADE FUNERAL ARRANGEMENTSAND THEN FLEW OUTTO OUR CONCERT THAT NIGHT
  • 00:11:18.634 --> 00:11:19.935
  • AND THEN FLEW OUTTO OUR CONCERT THAT NIGHTIN McCORMICK'S PLACE IN CHICAGO.
  • 00:11:19.935 --> 00:11:22.972
  • TO OUR CONCERT THAT NIGHTIN McCORMICK'S PLACE IN CHICAGO.AND WE HAD ALWAYS ENDED
  • 00:11:22.972 --> 00:11:24.206
  • IN McCORMICK'S PLACE IN CHICAGO.AND WE HAD ALWAYS ENDEDTHE FIRST HALF OF THE CONCERT
  • 00:11:24.206 --> 00:11:26.709
  • AND WE HAD ALWAYS ENDEDTHE FIRST HALF OF THE CONCERTWITH THAT SONG.
  • 00:11:26.709 --> 00:11:27.743
  • THE FIRST HALF OF THE CONCERTWITH THAT SONG.AND I THOUGHT I HAD
  • 00:11:27.743 --> 00:11:28.778
  • WITH THAT SONG.AND I THOUGHT I HADWRITTEN THOSE WORDS
  • 00:11:28.778 --> 00:11:34.283
  • AND I THOUGHT I HADWRITTEN THOSE WORDSABOUT THE DEATH OF A SAINT FOR--
  • 00:11:34.283 --> 00:11:36.185
  • WRITTEN THOSE WORDSABOUT THE DEATH OF A SAINT FOR--JUST TO MAKE THE SONG COMPLETE.
  • 00:11:36.185 --> 00:11:38.053
  • ABOUT THE DEATH OF A SAINT FOR--JUST TO MAKE THE SONG COMPLETE.BUT THAT NIGHT,
  • 00:11:38.053 --> 00:11:39.088
  • JUST TO MAKE THE SONG COMPLETE.BUT THAT NIGHT,IT WAS LIKE I'D NEVER HEARD IT.
  • 00:11:39.088 --> 00:11:42.658
  • BUT THAT NIGHT,IT WAS LIKE I'D NEVER HEARD IT.AND DANNY BEGAN TO SING:
  • 00:11:42.658 --> 00:11:43.592
  • IT WAS LIKE I'D NEVER HEARD IT.AND DANNY BEGAN TO SING:"AND THEN ONE DAY,
  • 00:11:43.592 --> 00:11:44.860
  • AND DANNY BEGAN TO SING:"AND THEN ONE DAY,I'LL CROSS THAT RIVER.
  • 00:11:44.860 --> 00:11:45.427
  • "AND THEN ONE DAY,I'LL CROSS THAT RIVER.I'LL FIGHT LIFE'S
  • 00:11:45.427 --> 00:11:46.695
  • I'LL CROSS THAT RIVER.I'LL FIGHT LIFE'SFINAL WAR WITH PAIN,
  • 00:11:46.695 --> 00:11:47.730
  • I'LL FIGHT LIFE'SFINAL WAR WITH PAIN,AND THEN AS DEATH
  • 00:11:47.730 --> 00:11:49.298
  • FINAL WAR WITH PAIN,AND THEN AS DEATHGIVES WAY TO VICTORY,
  • 00:11:49.298 --> 00:11:50.199
  • AND THEN AS DEATHGIVES WAY TO VICTORY,I'LL SEE THE LIGHTS OF GLORY,
  • 00:11:50.199 --> 00:11:51.901
  • GIVES WAY TO VICTORY,I'LL SEE THE LIGHTS OF GLORY,AND I'LL KNOW HE REIGNS."
  • 00:11:51.901 --> 00:11:54.103
  • I'LL SEE THE LIGHTS OF GLORY,AND I'LL KNOW HE REIGNS."AND THAT--
  • 00:11:54.103 --> 00:11:55.604
  • AND I'LL KNOW HE REIGNS."AND THAT--THOSE WORDS THAT I DID,
  • 00:11:55.604 --> 00:11:57.206
  • AND THAT--THOSE WORDS THAT I DID,I THOUGHT TO CRAFT A SONG,
  • 00:11:57.206 --> 00:11:58.240
  • THOSE WORDS THAT I DID,I THOUGHT TO CRAFT A SONG,TURNED AROUND
  • 00:11:58.240 --> 00:12:01.644
  • I THOUGHT TO CRAFT A SONG,TURNED AROUNDAND BECAME A MINISTRY FOR ME,
  • 00:12:01.644 --> 00:12:04.280
  • TURNED AROUNDAND BECAME A MINISTRY FOR ME,WHICH JUST GOES TO SHOW YOU
  • 00:12:04.280 --> 00:12:05.447
  • AND BECAME A MINISTRY FOR ME,WHICH JUST GOES TO SHOW YOUTHAT WHEN GOD
  • 00:12:05.447 --> 00:12:06.649
  • WHICH JUST GOES TO SHOW YOUTHAT WHEN GODGIVES YOU SOMETHING,
  • 00:12:06.649 --> 00:12:10.219
  • THAT WHEN GODGIVES YOU SOMETHING,IT'S TRUER THAN YOU THINK.
  • 00:12:10.219 --> 00:12:12.288
  • GIVES YOU SOMETHING,IT'S TRUER THAN YOU THINK.IT'S NOT ABOUT YOUR SKILL.
  • 00:12:12.288 --> 00:12:13.856
  • IT'S TRUER THAN YOU THINK.IT'S NOT ABOUT YOUR SKILL.- Bill: AND IN ALL FAIRNESS,
  • 00:12:13.856 --> 00:12:15.291
  • IT'S NOT ABOUT YOUR SKILL.- Bill: AND IN ALL FAIRNESS,THAT NIGHT,
  • 00:12:15.291 --> 00:12:16.125
  • - Bill: AND IN ALL FAIRNESS,THAT NIGHT,WE DID THE WHOLE CONCERT
  • 00:12:16.125 --> 00:12:18.861
  • THAT NIGHT,WE DID THE WHOLE CONCERTAND SAID NOTHING ABOUT IT,
  • 00:12:18.861 --> 00:12:20.396
  • WE DID THE WHOLE CONCERTAND SAID NOTHING ABOUT IT,AND IT WAS TOUGH, WASN'T IT?
  • 00:12:20.396 --> 00:12:21.130
  • AND SAID NOTHING ABOUT IT,AND IT WAS TOUGH, WASN'T IT?- UNTIL THE END.
  • 00:12:21.130 --> 00:12:22.731
  • AND IT WAS TOUGH, WASN'T IT?- UNTIL THE END.- UNTIL THE VERY END, AND I--
  • 00:12:22.731 --> 00:12:24.400
  • - UNTIL THE END.- UNTIL THE VERY END, AND I--AT THE VERY END, I SAID, "THANKS
  • 00:12:24.400 --> 00:12:25.868
  • - UNTIL THE VERY END, AND I--AT THE VERY END, I SAID, "THANKSFOR YOUR KINDNESS TONIGHT."
  • 00:12:25.868 --> 00:12:27.736
  • AT THE VERY END, I SAID, "THANKSFOR YOUR KINDNESS TONIGHT."I SAID, "GLORIA HAS DONE THIS
  • 00:12:27.736 --> 00:12:29.338
  • FOR YOUR KINDNESS TONIGHT."I SAID, "GLORIA HAS DONE THISUNDER VERY TOUGH CIRCUMSTANCES.
  • 00:12:29.338 --> 00:12:31.340
  • I SAID, "GLORIA HAS DONE THISUNDER VERY TOUGH CIRCUMSTANCES.SHE LOST HER FATHER YESTERDAY,
  • 00:12:31.340 --> 00:12:33.609
  • UNDER VERY TOUGH CIRCUMSTANCES.SHE LOST HER FATHER YESTERDAY,AND YOU'VE BEEN VERY KIND."
  • 00:12:33.609 --> 00:12:35.444
  • SHE LOST HER FATHER YESTERDAY,AND YOU'VE BEEN VERY KIND."AND THE SONG'S STILL TRUE.
  • 00:12:35.444 --> 00:12:36.679
  • AND YOU'VE BEEN VERY KIND."AND THE SONG'S STILL TRUE.[CFTO-TV 1972]
  • 00:12:36.679 --> 00:12:39.415
  • AND THE SONG'S STILL TRUE.[CFTO-TV 1972]- ♪ AND THEN ONE DAY, ♪
  • 00:12:39.415 --> 00:12:40.783
  • [CFTO-TV 1972]- ♪ AND THEN ONE DAY, ♪- ♪ THEN ONE DAY ♪
  • 00:12:40.783 --> 00:12:42.251
  • - ♪ AND THEN ONE DAY, ♪- ♪ THEN ONE DAY ♪♪ I'LL CROSS THAT RIVER. ♪
  • 00:12:42.251 --> 00:12:47.323
  • - ♪ THEN ONE DAY ♪♪ I'LL CROSS THAT RIVER. ♪- ♪ I'LL CROSS THAT RIVER. ♪
  • 00:12:47.323 --> 00:12:48.557
  • ♪ I'LL CROSS THAT RIVER. ♪- ♪ I'LL CROSS THAT RIVER. ♪- ♪ I'LL FIGHT LIFE'S ♪
  • 00:12:48.557 --> 00:12:50.392
  • - ♪ I'LL CROSS THAT RIVER. ♪- ♪ I'LL FIGHT LIFE'S ♪♪ FINAL WAR WITH PAIN. ♪
  • 00:12:50.392 --> 00:12:52.795
  • - ♪ I'LL FIGHT LIFE'S ♪♪ FINAL WAR WITH PAIN. ♪- ♪ I'LL FIGHT LIFE'S ♪
  • 00:12:52.795 --> 00:13:02.104
  • ♪ FINAL WAR WITH PAIN. ♪- ♪ I'LL FIGHT LIFE'S ♪♪ FINAL WAR WITH PAIN. ♪
  • 00:13:02.104 --> 00:13:03.005
  • - ♪ I'LL FIGHT LIFE'S ♪♪ FINAL WAR WITH PAIN. ♪- ♪ AND THEN AS DEATH ♪
  • 00:13:03.005 --> 00:13:04.940
  • ♪ FINAL WAR WITH PAIN. ♪- ♪ AND THEN AS DEATH ♪♪ GIVES WAY TO VICTORY, ♪
  • 00:13:04.940 --> 00:13:11.380
  • - ♪ AND THEN AS DEATH ♪♪ GIVES WAY TO VICTORY, ♪- ♪ AND THEN AS DEATH ♪
  • 00:13:11.380 --> 00:13:17.586
  • ♪ GIVES WAY TO VICTORY, ♪- ♪ AND THEN AS DEATH ♪♪ GIVES WAY TO VICTORY, ♪
  • 00:13:17.586 --> 00:13:18.320
  • - ♪ AND THEN AS DEATH ♪♪ GIVES WAY TO VICTORY, ♪- ♪ I'LL SEE ♪
  • 00:13:18.320 --> 00:13:19.922
  • ♪ GIVES WAY TO VICTORY, ♪- ♪ I'LL SEE ♪♪ THE LIGHTS OF GLORY, ♪
  • 00:13:19.922 --> 00:13:21.724
  • - ♪ I'LL SEE ♪♪ THE LIGHTS OF GLORY, ♪- ♪ I'LL SEE ♪
  • 00:13:21.724 --> 00:13:26.328
  • ♪ THE LIGHTS OF GLORY, ♪- ♪ I'LL SEE ♪♪ THE LIGHTS OF GLORY, ♪
  • 00:13:26.328 --> 00:13:28.864
  • - ♪ I'LL SEE ♪♪ THE LIGHTS OF GLORY, ♪- ♪ AND I'LL KNOW HE REIGNS. ♪
  • 00:13:28.864 --> 00:13:31.467
  • ♪ THE LIGHTS OF GLORY, ♪- ♪ AND I'LL KNOW HE REIGNS. ♪- ♪ I'LL KNOW HE REIGNS. ♪
  • 00:13:31.467 --> 00:13:32.635
  • - ♪ AND I'LL KNOW HE REIGNS. ♪- ♪ I'LL KNOW HE REIGNS. ♪- ♪ BECAUSE HE LIVES, ♪
  • 00:13:32.635 --> 00:13:34.270
  • - ♪ I'LL KNOW HE REIGNS. ♪- ♪ BECAUSE HE LIVES, ♪♪ I CAN FACE TOMORROW. ♪
  • 00:13:34.270 --> 00:13:41.644
  • - ♪ BECAUSE HE LIVES, ♪♪ I CAN FACE TOMORROW. ♪- ♪ BECAUSE HE LIVES, ♪
  • 00:13:41.644 --> 00:13:49.818
  • ♪ I CAN FACE TOMORROW. ♪- ♪ BECAUSE HE LIVES, ♪♪ I CAN FACE TOMORROW. ♪
  • 00:13:49.818 --> 00:13:56.525
  • - ♪ BECAUSE HE LIVES, ♪♪ I CAN FACE TOMORROW. ♪♪ BECAUSE HE LIVES, ♪
  • 00:13:56.525 --> 00:14:04.466
  • ♪ I CAN FACE TOMORROW. ♪♪ BECAUSE HE LIVES, ♪♪ ALL FEAR IS GONE. ♪
  • 00:14:04.466 --> 00:14:13.375
  • ♪ BECAUSE HE LIVES, ♪♪ ALL FEAR IS GONE. ♪♪ BECAUSE I KNOW ♪
  • 00:14:13.375 --> 00:14:19.615
  • ♪ ALL FEAR IS GONE. ♪♪ BECAUSE I KNOW ♪♪ HE HOLDS THE FUTURE, ♪
  • 00:14:19.615 --> 00:14:26.221
  • ♪ BECAUSE I KNOW ♪♪ HE HOLDS THE FUTURE, ♪♪ AND LIFE IS WORTH THE LIVING ♪
  • 00:14:26.221 --> 00:14:34.129
  • ♪ HE HOLDS THE FUTURE, ♪♪ AND LIFE IS WORTH THE LIVING ♪♪ JUST BECAUSE HE LIVES. ♪
  • 00:14:34.129 --> 00:14:34.663
  • ♪ AND LIFE IS WORTH THE LIVING ♪♪ JUST BECAUSE HE LIVES. ♪♪
  • 00:14:34.663 --> 00:14:41.470
  • ♪ JUST BECAUSE HE LIVES. ♪♪♪ NOW LIFE IS WORTH THE LIVING ♪
  • 00:14:41.470 --> 00:14:53.549
  • - Bill: MARK, HERE'S WHERE
  • 00:14:59.388 --> 00:15:00.255
  • - Bill: MARK, HERE'S WHEREI USED TO PLAY BASKETBALL
  • 00:15:00.255 --> 00:15:01.824
  • - Bill: MARK, HERE'S WHEREI USED TO PLAY BASKETBALLAS A KID ON THE OLD BARN.
  • 00:15:01.824 --> 00:15:03.258
  • I USED TO PLAY BASKETBALLAS A KID ON THE OLD BARN.SEE THOSE FOUR LITTLE HOLES
  • 00:15:03.258 --> 00:15:04.126
  • AS A KID ON THE OLD BARN.SEE THOSE FOUR LITTLE HOLESUP THERE?
  • 00:15:04.126 --> 00:15:04.693
  • SEE THOSE FOUR LITTLE HOLESUP THERE?THAT'S WHERE
  • 00:15:04.693 --> 00:15:05.427
  • UP THERE?THAT'S WHERETHE BASKETBALL GOAL WAS,
  • 00:15:05.427 --> 00:15:07.396
  • THAT'S WHERETHE BASKETBALL GOAL WAS,AND I'D PLAY OUT HERE
  • 00:15:07.396 --> 00:15:08.263
  • THE BASKETBALL GOAL WAS,AND I'D PLAY OUT HEREWITH THE NEIGHBORHOOD KIDS.
  • 00:15:08.263 --> 00:15:08.931
  • AND I'D PLAY OUT HEREWITH THE NEIGHBORHOOD KIDS.BUT I TELL YOU WHAT,
  • 00:15:08.931 --> 00:15:10.065
  • WITH THE NEIGHBORHOOD KIDS.BUT I TELL YOU WHAT,WHEN YOU DROVE IN REAL HARD
  • 00:15:10.065 --> 00:15:10.899
  • BUT I TELL YOU WHAT,WHEN YOU DROVE IN REAL HARDTO THE BUCKET,
  • 00:15:10.899 --> 00:15:11.867
  • WHEN YOU DROVE IN REAL HARDTO THE BUCKET,YOU BETTER BE REAL CAREFUL,
  • 00:15:11.867 --> 00:15:13.669
  • TO THE BUCKET,YOU BETTER BE REAL CAREFUL,BECAUSE THIS WAS A SUDDEN STOP,
  • 00:15:13.669 --> 00:15:15.204
  • YOU BETTER BE REAL CAREFUL,BECAUSE THIS WAS A SUDDEN STOP,AND YOU COULD GET HURT
  • 00:15:15.204 --> 00:15:16.905
  • BECAUSE THIS WAS A SUDDEN STOP,AND YOU COULD GET HURTPRETTY BAD.
  • 00:15:16.905 --> 00:15:17.940
  • AND YOU COULD GET HURTPRETTY BAD.BUT HERE IS THE OLD BARN,
  • 00:15:17.940 --> 00:15:19.108
  • PRETTY BAD.BUT HERE IS THE OLD BARN,SO COME ON IN.
  • 00:15:19.108 --> 00:15:20.009
  • BUT HERE IS THE OLD BARN,SO COME ON IN.- Mark:
  • 00:15:20.009 --> 00:15:21.210
  • SO COME ON IN.- Mark:OKAY, WHERE WAS THE RADIO?
  • 00:15:21.210 --> 00:15:22.511
  • - Mark:OKAY, WHERE WAS THE RADIO?WHERE WERE THE COWS?
  • 00:15:22.511 --> 00:15:23.212
  • OKAY, WHERE WAS THE RADIO?WHERE WERE THE COWS?I'VE HEARD THIS STORY
  • 00:15:23.212 --> 00:15:24.480
  • WHERE WERE THE COWS?I'VE HEARD THIS STORYEVERY NIGHT FOR TEN YEARS.
  • 00:15:24.480 --> 00:15:25.381
  • I'VE HEARD THIS STORYEVERY NIGHT FOR TEN YEARS.I WANT TO KNOW.
  • 00:15:25.381 --> 00:15:26.281
  • EVERY NIGHT FOR TEN YEARS.I WANT TO KNOW.- THE COWS WOULD COME IN
  • 00:15:26.281 --> 00:15:26.749
  • I WANT TO KNOW.- THE COWS WOULD COME INFROM THERE.
  • 00:15:26.749 --> 00:15:28.283
  • - THE COWS WOULD COME INFROM THERE.THAT WAS THEIR OVERNIGHT LODGING
  • 00:15:28.283 --> 00:15:30.185
  • FROM THERE.THAT WAS THEIR OVERNIGHT LODGINGQUARTERS IN THERE.
  • 00:15:30.185 --> 00:15:31.653
  • THAT WAS THEIR OVERNIGHT LODGINGQUARTERS IN THERE.WE'D HAVE TO PUT STRAW DOWN
  • 00:15:31.653 --> 00:15:32.721
  • QUARTERS IN THERE.WE'D HAVE TO PUT STRAW DOWNSO THEY'D HAVE A WARM PLACE
  • 00:15:32.721 --> 00:15:35.024
  • WE'D HAVE TO PUT STRAW DOWNSO THEY'D HAVE A WARM PLACETO SLEEP, AND THEN WE WOULD
  • 00:15:35.024 --> 00:15:37.359
  • SO THEY'D HAVE A WARM PLACETO SLEEP, AND THEN WE WOULDTHROW DOWN HAY FROM UPSTAIRS
  • 00:15:37.359 --> 00:15:39.094
  • TO SLEEP, AND THEN WE WOULDTHROW DOWN HAY FROM UPSTAIRSIN A MOUND, IN THE MANGER,
  • 00:15:39.094 --> 00:15:40.029
  • THROW DOWN HAY FROM UPSTAIRSIN A MOUND, IN THE MANGER,AND THEY WOULD EAT THERE.
  • 00:15:40.029 --> 00:15:41.063
  • IN A MOUND, IN THE MANGER,AND THEY WOULD EAT THERE.THEN THEY WOULD COME IN HERE
  • 00:15:41.063 --> 00:15:43.265
  • AND THEY WOULD EAT THERE.THEN THEY WOULD COME IN HEREIN THE MORNINGS,
  • 00:15:43.265 --> 00:15:44.700
  • THEN THEY WOULD COME IN HEREIN THE MORNINGS,AND THIS WAS LIKE, REMEMBER,
  • 00:15:44.700 --> 00:15:46.368
  • IN THE MORNINGS,AND THIS WAS LIKE, REMEMBER,5:30, 6:00 IN THE MORNING--
  • 00:15:46.368 --> 00:15:47.302
  • AND THIS WAS LIKE, REMEMBER,5:30, 6:00 IN THE MORNING--REAL COLD MORNINGS.
  • 00:15:47.302 --> 00:15:49.138
  • 5:30, 6:00 IN THE MORNING--REAL COLD MORNINGS.AND THEY'VE TAKEN AWAY
  • 00:15:49.138 --> 00:15:50.672
  • REAL COLD MORNINGS.AND THEY'VE TAKEN AWAYTHE OLD STANCHION,
  • 00:15:50.672 --> 00:15:51.640
  • AND THEY'VE TAKEN AWAYTHE OLD STANCHION,BUT YOU'RE STANDING
  • 00:15:51.640 --> 00:15:52.608
  • THE OLD STANCHION,BUT YOU'RE STANDINGRIGHT WHERE--
  • 00:15:52.608 --> 00:15:54.443
  • BUT YOU'RE STANDINGRIGHT WHERE--THE COW WOULD FACE THIS WAY,
  • 00:15:54.443 --> 00:15:55.644
  • RIGHT WHERE--THE COW WOULD FACE THIS WAY,PUT HER HEAD DOWN IN THERE,
  • 00:15:55.644 --> 00:15:57.780
  • THE COW WOULD FACE THIS WAY,PUT HER HEAD DOWN IN THERE,AND EAT GRAIN THAT WE'D THROW
  • 00:15:57.780 --> 00:15:58.313
  • PUT HER HEAD DOWN IN THERE,AND EAT GRAIN THAT WE'D THROWDOWN THERE.
  • 00:15:58.313 --> 00:15:59.415
  • AND EAT GRAIN THAT WE'D THROWDOWN THERE.THAT WOULD KEEP HER BUSY
  • 00:15:59.415 --> 00:16:00.349
  • DOWN THERE.THAT WOULD KEEP HER BUSYWHILE I'D TURN ON
  • 00:16:00.349 --> 00:16:01.850
  • THAT WOULD KEEP HER BUSYWHILE I'D TURN ONTHE OLD BARN RADIO
  • 00:16:01.850 --> 00:16:03.752
  • WHILE I'D TURN ONTHE OLD BARN RADIOAND THEY WOULD DO THAT ARPEGGIO:
  • 00:16:03.752 --> 00:16:06.255
  • THE OLD BARN RADIOAND THEY WOULD DO THAT ARPEGGIO:♪ BUM, BADA-LA. ♪
  • 00:16:06.255 --> 00:16:09.758
  • AND THEY WOULD DO THAT ARPEGGIO:♪ BUM, BADA-LA. ♪♪ "GIVE THE WORLD ♪
  • 00:16:09.758 --> 00:16:12.361
  • ♪ BUM, BADA-LA. ♪♪ "GIVE THE WORLD ♪♪ A SMILE EACH DAY"-- ♪
  • 00:16:12.361 --> 00:16:13.062
  • ♪ "GIVE THE WORLD ♪♪ A SMILE EACH DAY"-- ♪[laughing]
  • 00:16:13.062 --> 00:16:15.764
  • ♪ A SMILE EACH DAY"-- ♪[laughing]AND THAT'S THE WAY IT HAPPENED.
  • 00:16:15.764 --> 00:16:16.365
  • [laughing]AND THAT'S THE WAY IT HAPPENED.- AND YOU'D DREAM
  • 00:16:16.365 --> 00:16:18.367
  • AND THAT'S THE WAY IT HAPPENED.- AND YOU'D DREAMOF SINGING WITH HOVIE AND JAKE.
  • 00:16:18.367 --> 00:16:19.301
  • - AND YOU'D DREAMOF SINGING WITH HOVIE AND JAKE.- I WOULD DREAM
  • 00:16:19.301 --> 00:16:20.602
  • OF SINGING WITH HOVIE AND JAKE.- I WOULD DREAMOF SINGING WITH JAKE AND HOVIE,
  • 00:16:20.602 --> 00:16:24.173
  • - I WOULD DREAMOF SINGING WITH JAKE AND HOVIE,AND IN FACT, JUST SMELLING
  • 00:16:24.173 --> 00:16:25.774
  • OF SINGING WITH JAKE AND HOVIE,AND IN FACT, JUST SMELLINGTHE OLD BARN HERE
  • 00:16:25.774 --> 00:16:27.609
  • AND IN FACT, JUST SMELLINGTHE OLD BARN HEREBRINGS BACK MEMORIES OF ME
  • 00:16:27.609 --> 00:16:29.278
  • THE OLD BARN HEREBRINGS BACK MEMORIES OF MESAYING, "ONE OF THESE DAYS,
  • 00:16:29.278 --> 00:16:30.446
  • BRINGS BACK MEMORIES OF MESAYING, "ONE OF THESE DAYS,I'M GOING TO GET OUT OF HERE,
  • 00:16:30.446 --> 00:16:31.780
  • SAYING, "ONE OF THESE DAYS,I'M GOING TO GET OUT OF HERE,AND THEY'RE GOING TO ASK ME
  • 00:16:31.780 --> 00:16:32.514
  • I'M GOING TO GET OUT OF HERE,AND THEY'RE GOING TO ASK METO SING WITH THEM."
  • 00:16:32.514 --> 00:16:34.650
  • AND THEY'RE GOING TO ASK METO SING WITH THEM."IN FACT, WE WOULD HAVE CORN
  • 00:16:34.650 --> 00:16:35.851
  • TO SING WITH THEM."IN FACT, WE WOULD HAVE CORNIN THAT FIELD RIGHT
  • 00:16:35.851 --> 00:16:37.119
  • IN FACT, WE WOULD HAVE CORNIN THAT FIELD RIGHTTHROUGH THE WINDOW,
  • 00:16:37.119 --> 00:16:38.821
  • IN THAT FIELD RIGHTTHROUGH THE WINDOW,AND THAT WAS MY FIELD OF DREAMS.
  • 00:16:38.821 --> 00:16:41.090
  • THROUGH THE WINDOW,AND THAT WAS MY FIELD OF DREAMS.I COULD JUST SEE JAKE AND HOVIE
  • 00:16:41.090 --> 00:16:42.257
  • AND THAT WAS MY FIELD OF DREAMS.I COULD JUST SEE JAKE AND HOVIEAND CHIEF COMING OUT
  • 00:16:42.257 --> 00:16:43.292
  • I COULD JUST SEE JAKE AND HOVIEAND CHIEF COMING OUTOF THOSE FIELDS AND SAY,
  • 00:16:43.292 --> 00:16:44.493
  • AND CHIEF COMING OUTOF THOSE FIELDS AND SAY,"HEY, SON, YOU WANT
  • 00:16:44.493 --> 00:16:45.394
  • OF THOSE FIELDS AND SAY,"HEY, SON, YOU WANTTO JOIN OUR GROUP?"
  • 00:16:45.394 --> 00:16:47.763
  • "HEY, SON, YOU WANTTO JOIN OUR GROUP?"- YOU BUILD IT, THEY WILL COME.
  • 00:16:47.763 --> 00:16:48.897
  • TO JOIN OUR GROUP?"- YOU BUILD IT, THEY WILL COME.[laughing]
  • 00:16:48.897 --> 00:16:50.032
  • - YOU BUILD IT, THEY WILL COME.[laughing]AND YOU BUILT IT.
  • 00:16:50.032 --> 00:16:51.333
  • [laughing]AND YOU BUILT IT.- THAT CRAZY?
  • 00:16:51.333 --> 00:16:52.034
  • AND YOU BUILT IT.- THAT CRAZY?A LOT OF PEOPLE SAY,
  • 00:16:52.034 --> 00:16:53.869
  • - THAT CRAZY?A LOT OF PEOPLE SAY,"DID YOU EVER WRITE ANY SONGS
  • 00:16:53.869 --> 00:16:54.903
  • A LOT OF PEOPLE SAY,"DID YOU EVER WRITE ANY SONGSTHAT DIDNYWHERE?"
  • 00:16:54.903 --> 00:16:57.072
  • "DID YOU EVER WRITE ANY SONGSTHAT DIDNYWHERE?"[laughing]
  • 00:16:57.072 --> 00:16:59.541
  • THAT DIDNYWHERE?"[laughing]WE GOT A WHOLE BACKYARD OF SONGS
  • 00:16:59.541 --> 00:17:01.477
  • [laughing]WE GOT A WHOLE BACKYARD OF SONGSTHAT DIDN'T GO ANYWHERE.
  • 00:17:01.477 --> 00:17:03.078
  • WE GOT A WHOLE BACKYARD OF SONGSTHAT DIDN'T GO ANYWHERE.BUT I--THEY SAY,
  • 00:17:03.078 --> 00:17:03.912
  • THAT DIDN'T GO ANYWHERE.BUT I--THEY SAY,"WHAT IS THE WORST SONG,
  • 00:17:03.912 --> 00:17:05.214
  • BUT I--THEY SAY,"WHAT IS THE WORST SONG,MAYBE, THAT YOU EVER WROTE?"
  • 00:17:05.214 --> 00:17:09.218
  • "WHAT IS THE WORST SONG,MAYBE, THAT YOU EVER WROTE?"AND MAYBE THIS COMES CLOSER--
  • 00:17:09.218 --> 00:17:11.987
  • MAYBE, THAT YOU EVER WROTE?"AND MAYBE THIS COMES CLOSER--AND MARK GETS BLESSED
  • 00:17:11.987 --> 00:17:13.555
  • AND MAYBE THIS COMES CLOSER--AND MARK GETS BLESSEDEVERY TIME I BRING UP THIS SONG.
  • 00:17:13.555 --> 00:17:14.890
  • AND MARK GETS BLESSEDEVERY TIME I BRING UP THIS SONG.[laughing]
  • 00:17:14.890 --> 00:17:15.624
  • EVERY TIME I BRING UP THIS SONG.[laughing]THIS COMES
  • 00:17:15.624 --> 00:17:16.458
  • [laughing]THIS COMESTHE CLOSEST TO PROBABLY
  • 00:17:16.458 --> 00:17:18.360
  • THIS COMESTHE CLOSEST TO PROBABLYTHE WORST SONG I EVER WROTE.
  • 00:17:18.360 --> 00:17:19.495
  • THE CLOSEST TO PROBABLYTHE WORST SONG I EVER WROTE.AND I WROTE IT
  • 00:17:19.495 --> 00:17:20.662
  • THE WORST SONG I EVER WROTE.AND I WROTE ITBECAUSE AN EVANGELIST
  • 00:17:20.662 --> 00:17:21.864
  • AND I WROTE ITBECAUSE AN EVANGELISTCAME THROUGH TOWN
  • 00:17:21.864 --> 00:17:23.599
  • BECAUSE AN EVANGELISTCAME THROUGH TOWNPREACHING ABOUT COMPROMISE,
  • 00:17:23.599 --> 00:17:23.999
  • CAME THROUGH TOWNPREACHING ABOUT COMPROMISE,AND HE USED
  • 00:17:23.999 --> 00:17:27.903
  • PREACHING ABOUT COMPROMISE,AND HE USEDTHE OLD TESTAMENT SCRIPTURE
  • 00:17:27.903 --> 00:17:30.539
  • AND HE USEDTHE OLD TESTAMENT SCRIPTURETHAT SAID, "THERE'S NOT A HOOF
  • 00:17:30.539 --> 00:17:32.608
  • THE OLD TESTAMENT SCRIPTURETHAT SAID, "THERE'S NOT A HOOFSHALL BE LEFT BEHIND,"
  • 00:17:32.608 --> 00:17:35.344
  • THAT SAID, "THERE'S NOT A HOOFSHALL BE LEFT BEHIND,"WHICH WAS ABOUT PHARAOH
  • 00:17:35.344 --> 00:17:37.212
  • SHALL BE LEFT BEHIND,"WHICH WAS ABOUT PHARAOHAND MOSES NEGOTIATING
  • 00:17:37.212 --> 00:17:38.747
  • WHICH WAS ABOUT PHARAOHAND MOSES NEGOTIATINGABOUT GETTING THE CHILDREN
  • 00:17:38.747 --> 00:17:41.416
  • AND MOSES NEGOTIATINGABOUT GETTING THE CHILDRENOUT OF EGYPT LAND
  • 00:17:41.416 --> 00:17:42.584
  • ABOUT GETTING THE CHILDRENOUT OF EGYPT LANDINTO THE PROMISED LAND.
  • 00:17:42.584 --> 00:17:43.118
  • OUT OF EGYPT LANDINTO THE PROMISED LAND.AND HE'D SAY,
  • 00:17:43.118 --> 00:17:44.419
  • INTO THE PROMISED LAND.AND HE'D SAY,"OKAY, YOU CAN GO,"
  • 00:17:44.419 --> 00:17:45.821
  • AND HE'D SAY,"OKAY, YOU CAN GO,"PHARAOH WOULD SAY, "BUT LEAVE
  • 00:17:45.821 --> 00:17:48.557
  • "OKAY, YOU CAN GO,"PHARAOH WOULD SAY, "BUT LEAVEYOUR POSSESSIONS HERE,"
  • 00:17:48.557 --> 00:17:50.025
  • PHARAOH WOULD SAY, "BUT LEAVEYOUR POSSESSIONS HERE,"OR "LEAVE YOUR HORSES HERE,"
  • 00:17:50.025 --> 00:17:54.296
  • YOUR POSSESSIONS HERE,"OR "LEAVE YOUR HORSES HERE,"OR "LEAVE A COUPLE KIDS HERE."
  • 00:17:54.296 --> 00:17:55.230
  • OR "LEAVE YOUR HORSES HERE,"OR "LEAVE A COUPLE KIDS HERE."AND THERE WERE A COUPLE
  • 00:17:55.230 --> 00:17:56.632
  • OR "LEAVE A COUPLE KIDS HERE."AND THERE WERE A COUPLEOF KIDS THAT VOLUNTEERED TO STAY
  • 00:17:56.632 --> 00:17:57.699
  • AND THERE WERE A COUPLEOF KIDS THAT VOLUNTEERED TO STAYTHERE, TOO, I THINK.
  • 00:17:57.699 --> 00:17:59.201
  • OF KIDS THAT VOLUNTEERED TO STAYTHERE, TOO, I THINK.BUT FINALLY MOSES SAID,
  • 00:17:59.201 --> 00:18:01.136
  • THERE, TOO, I THINK.BUT FINALLY MOSES SAID,"NO, WE ARE GOING--
  • 00:18:01.136 --> 00:18:02.838
  • BUT FINALLY MOSES SAID,"NO, WE ARE GOING--THE WHOLE BUNCH IS GOING,
  • 00:18:02.838 --> 00:18:04.373
  • "NO, WE ARE GOING--THE WHOLE BUNCH IS GOING,AND THERE'S NOT ONE HOOF
  • 00:18:04.373 --> 00:18:05.841
  • THE WHOLE BUNCH IS GOING,AND THERE'S NOT ONE HOOFGONNA BE LEFT BEHIND."
  • 00:18:05.841 --> 00:18:07.142
  • AND THERE'S NOT ONE HOOFGONNA BE LEFT BEHIND."AND I GOT SO EXCITED.
  • 00:18:07.142 --> 00:18:09.478
  • GONNA BE LEFT BEHIND."AND I GOT SO EXCITED.I THOUGHT, "MAN, WHAT AN"--
  • 00:18:09.478 --> 00:18:11.280
  • AND I GOT SO EXCITED.I THOUGHT, "MAN, WHAT AN"--I COULDN'T WAIT TO GET TO THE
  • 00:18:11.280 --> 00:18:16.218
  • I THOUGHT, "MAN, WHAT AN"--I COULDN'T WAIT TO GET TO THEPIANO TO WRITE THIS STIRRING,
  • 00:18:16.218 --> 00:18:17.653
  • I COULDN'T WAIT TO GET TO THEPIANO TO WRITE THIS STIRRING,STIRRING MESSAGE
  • 00:18:17.653 --> 00:18:18.987
  • PIANO TO WRITE THIS STIRRING,STIRRING MESSAGEABOUT COMPROMISE.
  • 00:18:18.987 --> 00:18:20.255
  • STIRRING MESSAGEABOUT COMPROMISE.AND I KNEW WHO COULD SING IT.
  • 00:18:20.255 --> 00:18:21.857
  • ABOUT COMPROMISE.AND I KNEW WHO COULD SING IT.JAKE HESS AND HOVIE
  • 00:18:21.857 --> 00:18:22.658
  • AND I KNEW WHO COULD SING IT.JAKE HESS AND HOVIEAND THE STATESMEN.
  • 00:18:22.658 --> 00:18:23.358
  • JAKE HESS AND HOVIEAND THE STATESMEN.YOU COULD SING THIS,
  • 00:18:23.358 --> 00:18:24.226
  • AND THE STATESMEN.YOU COULD SING THIS,AND YOU COULD JUST MAKE A HIT
  • 00:18:24.226 --> 00:18:25.294
  • YOU COULD SING THIS,AND YOU COULD JUST MAKE A HITOUT OF IT.
  • 00:18:25.294 --> 00:18:26.228
  • AND YOU COULD JUST MAKE A HITOUT OF IT.AND SO HERE'S THE WAY
  • 00:18:26.228 --> 00:18:27.162
  • OUT OF IT.AND SO HERE'S THE WAYTHE SONG WENT.
  • 00:18:27.162 --> 00:18:29.231
  • AND SO HERE'S THE WAYTHE SONG WENT.[bouncy piano music]
  • 00:18:29.231 --> 00:18:30.132
  • THE SONG WENT.[bouncy piano music]♪ OH, PHARAOH HAD ♪
  • 00:18:30.132 --> 00:18:32.868
  • [bouncy piano music]♪ OH, PHARAOH HAD ♪♪ GOD'S PEOPLE IN BONDAGE. ♪
  • 00:18:32.868 --> 00:18:34.436
  • ♪ OH, PHARAOH HAD ♪♪ GOD'S PEOPLE IN BONDAGE. ♪♪ HE WOULD NOT LET ♪
  • 00:18:34.436 --> 00:18:36.705
  • ♪ GOD'S PEOPLE IN BONDAGE. ♪♪ HE WOULD NOT LET ♪♪ HIS PEOPLE GO, ♪
  • 00:18:36.705 --> 00:18:38.040
  • ♪ HE WOULD NOT LET ♪♪ HIS PEOPLE GO, ♪♪ GOD'S PEOPLE GO. ♪
  • 00:18:38.040 --> 00:18:39.808
  • ♪ HIS PEOPLE GO, ♪♪ GOD'S PEOPLE GO. ♪[laughing]
  • 00:18:39.808 --> 00:18:41.210
  • ♪ GOD'S PEOPLE GO. ♪[laughing]♪ MOSES DID PRAY ♪
  • 00:18:41.210 --> 00:18:43.445
  • [laughing]♪ MOSES DID PRAY ♪♪ FOR VICTORY THAT DAY ♪
  • 00:18:43.445 --> 00:18:44.513
  • ♪ MOSES DID PRAY ♪♪ FOR VICTORY THAT DAY ♪♪ THAT GOD ♪
  • 00:18:44.513 --> 00:18:47.616
  • ♪ FOR VICTORY THAT DAY ♪♪ THAT GOD ♪♪ HIS MIGHT WOULD SHOW. ♪
  • 00:18:47.616 --> 00:18:49.017
  • ♪ THAT GOD ♪♪ HIS MIGHT WOULD SHOW. ♪♪ SO PHARAOH SAID, ♪
  • 00:18:49.017 --> 00:18:52.187
  • ♪ HIS MIGHT WOULD SHOW. ♪♪ SO PHARAOH SAID, ♪♪ "MOSES, YOU'RE FREE ♪
  • 00:18:52.187 --> 00:18:53.522
  • ♪ SO PHARAOH SAID, ♪♪ "MOSES, YOU'RE FREE ♪♪ IF ALL YOUR CATTLE, ♪
  • 00:18:53.522 --> 00:18:56.091
  • ♪ "MOSES, YOU'RE FREE ♪♪ IF ALL YOUR CATTLE, ♪♪ YOU LEAVE HERE WITH ME." ♪
  • 00:18:56.091 --> 00:19:00.362
  • ♪ IF ALL YOUR CATTLE, ♪♪ YOU LEAVE HERE WITH ME." ♪[laughing]
  • 00:19:00.362 --> 00:19:02.531
  • ♪ YOU LEAVE HERE WITH ME." ♪[laughing]♪ MOSES DECLINED. ♪
  • 00:19:02.531 --> 00:19:04.366
  • [laughing]♪ MOSES DECLINED. ♪♪ HE WOULD NOT RESIGN. ♪
  • 00:19:04.366 --> 00:19:05.667
  • ♪ MOSES DECLINED. ♪♪ HE WOULD NOT RESIGN. ♪♪ "THERE'S NOT A HOOF ♪
  • 00:19:05.667 --> 00:19:08.437
  • ♪ HE WOULD NOT RESIGN. ♪♪ "THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND." ♪
  • 00:19:08.437 --> 00:19:12.407
  • ♪ "THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND." ♪[laughing and applause]
  • 00:19:12.407 --> 00:19:19.915
  • ♪ SHALL BE LEFT BEHIND." ♪[laughing and applause][cheering]
  • 00:19:19.915 --> 00:19:20.616
  • [laughing and applause][cheering]♪ THERE'S NOT A HOOF ♪
  • 00:19:20.616 --> 00:19:24.052
  • [cheering]♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪
  • 00:19:24.052 --> 00:19:25.621
  • ♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪♪ WHEN GOD SPEAKS, ♪
  • 00:19:25.621 --> 00:19:28.290
  • ♪ SHALL BE LEFT BEHIND. ♪♪ WHEN GOD SPEAKS, ♪♪ HIS WILL MUST BE DONE. ♪
  • 00:19:28.290 --> 00:19:30.993
  • ♪ WHEN GOD SPEAKS, ♪♪ HIS WILL MUST BE DONE. ♪♪ THE LORD JEHOVAH IS REIGNING ♪
  • 00:19:30.993 --> 00:19:32.961
  • ♪ HIS WILL MUST BE DONE. ♪♪ THE LORD JEHOVAH IS REIGNING ♪♪ AND HIM ALONE, I'LL SERVE. ♪
  • 00:19:32.961 --> 00:19:34.396
  • ♪ THE LORD JEHOVAH IS REIGNING ♪♪ AND HIM ALONE, I'LL SERVE. ♪♪ THERE'S NOT A HOOF ♪
  • 00:19:34.396 --> 00:19:36.365
  • ♪ AND HIM ALONE, I'LL SERVE. ♪♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪
  • 00:19:36.365 --> 00:19:39.368
  • ♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪[applause and laughter]
  • 00:19:39.368 --> 00:19:42.304
  • IT'S MY SONG, OKAY?
  • 00:19:54.116 --> 00:19:55.284
  • IT'S MY SONG, OKAY?HERE'S THE APPLICATION VERSE:
  • 00:19:55.284 --> 00:19:56.218
  • IT'S MY SONG, OKAY?HERE'S THE APPLICATION VERSE:♪ SO MEN TODAY ♪
  • 00:19:56.218 --> 00:19:59.521
  • HERE'S THE APPLICATION VERSE:♪ SO MEN TODAY ♪♪ WOULD STILL COMPROMISE. ♪
  • 00:19:59.521 --> 00:20:01.156
  • ♪ SO MEN TODAY ♪♪ WOULD STILL COMPROMISE. ♪♪ IT HAS BEEN SAID ♪
  • 00:20:01.156 --> 00:20:04.559
  • ♪ WOULD STILL COMPROMISE. ♪♪ IT HAS BEEN SAID ♪♪ THAT EACH HAS HIS PRICE. ♪
  • 00:20:04.559 --> 00:20:07.863
  • ♪ IT HAS BEEN SAID ♪♪ THAT EACH HAS HIS PRICE. ♪♪ THE WORLD OR ITS-- ♪
  • 00:20:07.863 --> 00:20:09.498
  • ♪ THAT EACH HAS HIS PRICE. ♪♪ THE WORLD OR ITS-- ♪♪ CATTLE OR FARMS, ♪
  • 00:20:09.498 --> 00:20:11.400
  • ♪ THE WORLD OR ITS-- ♪♪ CATTLE OR FARMS, ♪♪ THE WORLD OR ITS CHARMS, ♪
  • 00:20:11.400 --> 00:20:12.501
  • ♪ CATTLE OR FARMS, ♪♪ THE WORLD OR ITS CHARMS, ♪♪ THEIR CHRIST, ♪
  • 00:20:12.501 --> 00:20:15.070
  • ♪ THE WORLD OR ITS CHARMS, ♪♪ THEIR CHRIST, ♪♪ THEY CRUCIFY. ♪
  • 00:20:15.070 --> 00:20:16.438
  • ♪ THEIR CHRIST, ♪♪ THEY CRUCIFY. ♪♪ GOD, GIVE US MEN ♪
  • 00:20:16.438 --> 00:20:19.141
  • ♪ THEY CRUCIFY. ♪♪ GOD, GIVE US MEN ♪♪ LIKE MOSES OF OLD ♪
  • 00:20:19.141 --> 00:20:20.575
  • ♪ GOD, GIVE US MEN ♪♪ LIKE MOSES OF OLD ♪♪ WHO WON'T SELL OUT ♪
  • 00:20:20.575 --> 00:20:23.545
  • ♪ LIKE MOSES OF OLD ♪♪ WHO WON'T SELL OUT ♪♪ FOR THE WORLD OR ITS GOLD. ♪
  • 00:20:23.545 --> 00:20:26.281
  • ♪ WHO WON'T SELL OUT ♪♪ FOR THE WORLD OR ITS GOLD. ♪♪ WHEN SATAN WOULD LURE, ♪
  • 00:20:26.281 --> 00:20:28.283
  • ♪ FOR THE WORLD OR ITS GOLD. ♪♪ WHEN SATAN WOULD LURE, ♪♪ THEY'LL STAND FAST SECURE, ♪
  • 00:20:28.283 --> 00:20:29.584
  • ♪ WHEN SATAN WOULD LURE, ♪♪ THEY'LL STAND FAST SECURE, ♪♪ THERE'S NOT A HOOF ♪
  • 00:20:29.584 --> 00:20:31.753
  • ♪ THEY'LL STAND FAST SECURE, ♪♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪
  • 00:20:31.753 --> 00:20:32.254
  • ♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪SING IT:
  • 00:20:32.254 --> 00:20:32.988
  • ♪ SHALL BE LEFT BEHIND. ♪SING IT:- Homecoming Friends:
  • 00:20:32.988 --> 00:20:33.689
  • SING IT:- Homecoming Friends:♪ THERE'S NOT A HOOF ♪
  • 00:20:33.689 --> 00:20:36.358
  • - Homecoming Friends:♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪
  • 00:20:36.358 --> 00:20:38.060
  • ♪ THERE'S NOT A HOOF ♪♪ SHALL BE LEFT BEHIND. ♪♪ WHEN GOD SPEAKS, ♪
  • 00:20:38.060 --> 00:20:41.063
  • ♪ SHALL BE LEFT BEHIND. ♪♪ WHEN GOD SPEAKS, ♪♪ HIS WILL MUST BE DONE. ♪
  • 00:20:41.063 --> 00:20:43.365
  • ♪ WHEN GOD SPEAKS, ♪♪ HIS WILL MUST BE DONE. ♪♪ THE LORD JEHOVAH IS REIGNING ♪
  • 00:20:43.365 --> 00:20:45.167
  • ♪ HIS WILL MUST BE DONE. ♪♪ THE LORD JEHOVAH IS REIGNING ♪♪ AND HIM ALONE, I'LL SERVE. ♪
  • 00:20:45.167 --> 00:20:46.568
  • ♪ THE LORD JEHOVAH IS REIGNING ♪♪ AND HIM ALONE, I'LL SERVE. ♪♪ THERE'S NOT A HOOF ♪
  • 00:20:46.568 --> 00:20:52.574
  • [applause]
  • 00:20:53.642 --> 00:20:56.478
  • [applause]
  • 00:21:02.451 --> 00:21:04.119
  • [applause]REX...
  • 00:21:04.119 --> 00:21:07.122
  • [applause]REX...[Homecoming Friends mooing]
  • 00:21:07.122 --> 00:21:08.623
  • REX...[Homecoming Friends mooing]REX, YOU CAN HAVE
  • 00:21:08.623 --> 00:21:09.558
  • [Homecoming Friends mooing]REX, YOU CAN HAVETHE PUBLISHING ON THAT,
  • 00:21:09.558 --> 00:21:18.900
  • REX, YOU CAN HAVETHE PUBLISHING ON THAT,IF YOU LIKE IT.
  • 00:21:18.900 --> 00:21:21.737
  • THE PUBLISHING ON THAT,IF YOU LIKE IT.DOTTIE JUST SAID I STOLE
  • 00:21:21.737 --> 00:21:24.139
  • IF YOU LIKE IT.DOTTIE JUST SAID I STOLETHAT FIRST VERSE FROM HER.
  • 00:21:24.139 --> 00:21:27.776
  • [moderate tempo music]
  • 00:21:30.412 --> 00:21:31.313
  • [moderate tempo music]- ♪ THERE ARE DAYS ♪
  • 00:21:31.313 --> 00:21:32.247
  • [moderate tempo music]- ♪ THERE ARE DAYS ♪♪ FILLED WITH SORROW ♪
  • 00:21:32.247 --> 00:21:33.482
  • - ♪ THERE ARE DAYS ♪♪ FILLED WITH SORROW ♪♪ AND PLANS FOR TOMORROW, ♪
  • 00:21:33.482 --> 00:21:36.518
  • ♪ FILLED WITH SORROW ♪♪ AND PLANS FOR TOMORROW, ♪♪ BUT THIS IS THE TIME ♪
  • 00:21:36.518 --> 00:21:39.788
  • ♪ AND PLANS FOR TOMORROW, ♪♪ BUT THIS IS THE TIME ♪♪ I MUST SING, ♪
  • 00:21:39.788 --> 00:21:42.257
  • ♪ BUT THIS IS THE TIME ♪♪ I MUST SING, ♪♪ AND I KNOW THERE'S A REASON ♪
  • 00:21:42.257 --> 00:21:45.227
  • ♪ I MUST SING, ♪♪ AND I KNOW THERE'S A REASON ♪♪ WHY IN HIS OWN SEASON ♪
  • 00:21:45.227 --> 00:21:47.929
  • ♪ AND I KNOW THERE'S A REASON ♪♪ WHY IN HIS OWN SEASON ♪♪ GOD GIVES ME A SONG ♪
  • 00:21:47.929 --> 00:21:50.365
  • ♪ WHY IN HIS OWN SEASON ♪♪ GOD GIVES ME A SONG ♪♪ I CAN SING. ♪
  • 00:21:50.365 --> 00:21:52.200
  • ♪ GOD GIVES ME A SONG ♪♪ I CAN SING. ♪♪ OH, KEEP SILENT ♪
  • 00:21:52.200 --> 00:21:54.002
  • ♪ I CAN SING. ♪♪ OH, KEEP SILENT ♪♪ YE MOUNTAINS, ♪
  • 00:21:54.002 --> 00:21:56.571
  • ♪ OH, KEEP SILENT ♪♪ YE MOUNTAINS, ♪♪ YE FIELDS, AND YE FOUNTAINS, ♪
  • 00:21:56.571 --> 00:21:59.107
  • ♪ YE MOUNTAINS, ♪♪ YE FIELDS, AND YE FOUNTAINS, ♪♪ FOR THIS IS THE TIME ♪
  • 00:21:59.107 --> 00:22:01.743
  • ♪ YE FIELDS, AND YE FOUNTAINS, ♪♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪
  • 00:22:01.743 --> 00:22:03.345
  • ♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪♪ OH, IT'S THE TIME ♪
  • 00:22:03.345 --> 00:22:05.280
  • ♪ I MUST SING. ♪♪ OH, IT'S THE TIME ♪♪ TO SING PRAISES ♪
  • 00:22:05.280 --> 00:22:07.883
  • ♪ OH, IT'S THE TIME ♪♪ TO SING PRAISES ♪♪ TO THE ROCK OF THE AGES, ♪
  • 00:22:07.883 --> 00:22:10.352
  • ♪ TO SING PRAISES ♪♪ TO THE ROCK OF THE AGES, ♪♪ FOR THIS IS THE TIME ♪
  • 00:22:10.352 --> 00:22:14.156
  • ♪ TO THE ROCK OF THE AGES, ♪♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪
  • 00:22:14.156 --> 00:22:19.561
  • ♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪- ♪ LA, LA, LA, LA-LA. ♪
  • 00:22:19.561 --> 00:22:20.862
  • ♪ I MUST SING. ♪- ♪ LA, LA, LA, LA-LA. ♪- ♪ IF I'VE SEEN ♪
  • 00:22:20.862 --> 00:22:22.197
  • - ♪ LA, LA, LA, LA-LA. ♪- ♪ IF I'VE SEEN ♪♪ AND I'VE DONE ♪
  • 00:22:22.197 --> 00:22:25.333
  • - ♪ IF I'VE SEEN ♪♪ AND I'VE DONE ♪♪ AND I'VE GAINED AND I'VE WON ♪
  • 00:22:25.333 --> 00:22:26.868
  • ♪ AND I'VE DONE ♪♪ AND I'VE GAINED AND I'VE WON ♪♪ ALL THE GOOD THINGS ♪
  • 00:22:26.868 --> 00:22:29.771
  • ♪ AND I'VE GAINED AND I'VE WON ♪♪ ALL THE GOOD THINGS ♪♪ THAT LIFE EVER BRINGS. ♪
  • 00:22:29.771 --> 00:22:31.072
  • ♪ ALL THE GOOD THINGS ♪♪ THAT LIFE EVER BRINGS. ♪YOU KNOW WHAT?
  • 00:22:31.072 --> 00:22:33.608
  • ♪ THAT LIFE EVER BRINGS. ♪YOU KNOW WHAT?♪ I'VE STILL TASTED ENOUGH ♪
  • 00:22:33.608 --> 00:22:36.511
  • YOU KNOW WHAT?♪ I'VE STILL TASTED ENOUGH ♪♪ OF LIFE'S MIRACLE STUFF ♪
  • 00:22:36.511 --> 00:22:38.146
  • ♪ I'VE STILL TASTED ENOUGH ♪♪ OF LIFE'S MIRACLE STUFF ♪♪ THAT FOREVER ♪
  • 00:22:38.146 --> 00:22:41.583
  • ♪ OF LIFE'S MIRACLE STUFF ♪♪ THAT FOREVER ♪♪ I JUST HAVE TO SING. ♪
  • 00:22:41.583 --> 00:22:43.151
  • ♪ THAT FOREVER ♪♪ I JUST HAVE TO SING. ♪- ♪ OH, KEEP SILENT ♪
  • 00:22:43.151 --> 00:22:44.920
  • ♪ I JUST HAVE TO SING. ♪- ♪ OH, KEEP SILENT ♪♪ YE MOUNTAINS, ♪
  • 00:22:44.920 --> 00:22:48.056
  • - ♪ OH, KEEP SILENT ♪♪ YE MOUNTAINS, ♪♪ YE FIELDS, AND YE FOUNTAINS, ♪
  • 00:22:48.056 --> 00:22:49.958
  • ♪ YE MOUNTAINS, ♪♪ YE FIELDS, AND YE FOUNTAINS, ♪♪ FOR THIS IS THE TIME ♪
  • 00:22:49.958 --> 00:22:52.994
  • ♪ YE FIELDS, AND YE FOUNTAINS, ♪♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪
  • 00:22:52.994 --> 00:22:54.863
  • ♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪♪ OH, IT'S THE TIME ♪
  • 00:22:54.863 --> 00:22:56.398
  • ♪ I MUST SING. ♪♪ OH, IT'S THE TIME ♪♪ TO SING PRAISES ♪
  • 00:22:56.398 --> 00:22:59.100
  • ♪ OH, IT'S THE TIME ♪♪ TO SING PRAISES ♪♪ TO THE ROCK OF THE AGES, ♪
  • 00:22:59.100 --> 00:23:01.570
  • ♪ TO SING PRAISES ♪♪ TO THE ROCK OF THE AGES, ♪♪ FOR THIS IS THE TIME ♪
  • 00:23:01.570 --> 00:23:04.306
  • ♪ TO THE ROCK OF THE AGES, ♪♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪
  • 00:23:04.306 --> 00:23:06.241
  • ♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪- ♪ IF THE ROCKS ♪
  • 00:23:06.241 --> 00:23:07.509
  • ♪ I MUST SING. ♪- ♪ IF THE ROCKS ♪♪ WOULD CRY OUT ♪
  • 00:23:07.509 --> 00:23:10.178
  • - ♪ IF THE ROCKS ♪♪ WOULD CRY OUT ♪♪ SHOULD HIS PRAISES DIE OUT, ♪
  • 00:23:10.178 --> 00:23:11.746
  • ♪ WOULD CRY OUT ♪♪ SHOULD HIS PRAISES DIE OUT, ♪♪ THEN THE STONES ♪
  • 00:23:11.746 --> 00:23:13.915
  • ♪ SHOULD HIS PRAISES DIE OUT, ♪♪ THEN THE STONES ♪♪ MUST KEEP SILENT. ♪
  • 00:23:13.915 --> 00:23:17.619
  • ♪ THEN THE STONES ♪♪ MUST KEEP SILENT. ♪♪ AS LONG AS I'VE BREATH ♪
  • 00:23:17.619 --> 00:23:19.454
  • ♪ MUST KEEP SILENT. ♪♪ AS LONG AS I'VE BREATH ♪♪ FOR THE SINGING, ♪
  • 00:23:19.454 --> 00:23:20.155
  • ♪ AS LONG AS I'VE BREATH ♪♪ FOR THE SINGING, ♪♪ HIS PRAISE ♪
  • 00:23:20.155 --> 00:23:21.923
  • ♪ FOR THE SINGING, ♪♪ HIS PRAISE ♪♪ WILL KEEP RINGING, ♪
  • 00:23:21.923 --> 00:23:24.426
  • ♪ HIS PRAISE ♪♪ WILL KEEP RINGING, ♪♪ AND I WILL ♪
  • 00:23:24.426 --> 00:23:32.400
  • ♪ WILL KEEP RINGING, ♪♪ AND I WILL ♪♪ KEEP SINGING MY SONG. ♪
  • 00:23:32.400 --> 00:23:35.403
  • ♪ AND I WILL ♪♪ KEEP SINGING MY SONG. ♪♪ KEEP SILENT YE MOUNTAINS, ♪
  • 00:23:35.403 --> 00:23:38.073
  • ♪ KEEP SINGING MY SONG. ♪♪ KEEP SILENT YE MOUNTAINS, ♪♪ YE FIELDS, AND YE FOUNTAINS, ♪
  • 00:23:38.073 --> 00:23:40.375
  • ♪ KEEP SILENT YE MOUNTAINS, ♪♪ YE FIELDS, AND YE FOUNTAINS, ♪♪ FOR THIS IS THE TIME ♪
  • 00:23:40.375 --> 00:23:42.744
  • ♪ YE FIELDS, AND YE FOUNTAINS, ♪♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪
  • 00:23:42.744 --> 00:23:44.613
  • ♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪♪ OH, IT'S THE TIME ♪
  • 00:23:44.613 --> 00:23:46.281
  • ♪ I MUST SING. ♪♪ OH, IT'S THE TIME ♪♪ TO SING PRAISES ♪
  • 00:23:46.281 --> 00:23:48.783
  • ♪ OH, IT'S THE TIME ♪♪ TO SING PRAISES ♪♪ TO THE ROCK OF THE AGES, ♪
  • 00:23:48.783 --> 00:23:51.219
  • ♪ TO SING PRAISES ♪♪ TO THE ROCK OF THE AGES, ♪♪ FOR THIS IS THE TIME ♪
  • 00:23:51.219 --> 00:23:54.923
  • ♪ TO THE ROCK OF THE AGES, ♪♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪
  • 00:23:54.923 --> 00:24:00.629
  • ♪ FOR THIS IS THE TIME ♪♪ I MUST SING. ♪♪ THIS IS THE TIME, ♪
  • 00:24:00.629 --> 00:24:06.167
  • ♪ I MUST SING. ♪♪ THIS IS THE TIME, ♪♪ THIS IS THE TIME, ♪
  • 00:24:06.167 --> 00:24:14.576
  • ♪ THIS IS THE TIME, ♪♪ THIS IS THE TIME, ♪♪ THIS IS THE TIME ♪
  • 00:24:14.576 --> 00:24:27.289
  • - WELL, BILL,
  • 00:24:36.798 --> 00:24:38.166
  • - WELL, BILL,HERE'S A MELODY YOU DIDN'T
  • 00:24:38.166 --> 00:24:39.200
  • - WELL, BILL,HERE'S A MELODY YOU DIDN'TFINISH ON YOUR SCRATCHINGS.
  • 00:24:39.200 --> 00:24:40.468
  • HERE'S A MELODY YOU DIDN'TFINISH ON YOUR SCRATCHINGS.WHAT IS THAT?
  • 00:24:40.468 --> 00:24:43.271
  • FINISH ON YOUR SCRATCHINGS.WHAT IS THAT?- WHERE'D YOU FIND THAT?
  • 00:24:43.271 --> 00:24:46.141
  • WHAT IS THAT?- WHERE'D YOU FIND THAT?- IN THIS PILE OF STUFF.
  • 00:24:46.141 --> 00:24:48.009
  • - WHERE'D YOU FIND THAT?- IN THIS PILE OF STUFF.- OKAY, HERE IT IS.
  • 00:24:48.009 --> 00:24:49.010
  • - IN THIS PILE OF STUFF.- OKAY, HERE IT IS.[playing piano]
  • 00:24:49.010 --> 00:24:56.952
  • - Mark: I GUESS YOU DID
  • 00:25:01.156 --> 00:25:01.957
  • - Mark: I GUESS YOU DIDFINISH THAT ONE.
  • 00:25:01.957 --> 00:25:04.492
  • - Mark: I GUESS YOU DIDFINISH THAT ONE.[laughing]
  • 00:25:04.492 --> 00:25:12.434
  • - Mark:
  • 00:25:20.909 --> 00:25:22.844
  • - Mark:AND THAT WOULD BE CALLED...
  • 00:25:22.844 --> 00:25:26.748
  • - Mark:AND THAT WOULD BE CALLED...- ♪ JESUS... ♪
  • 00:25:26.748 --> 00:25:27.983
  • AND THAT WOULD BE CALLED...- ♪ JESUS... ♪AND I SUPPOSE NOBODY SANG THAT
  • 00:25:27.983 --> 00:25:28.850
  • - ♪ JESUS... ♪AND I SUPPOSE NOBODY SANG THATANY MORE BEAUTIFULLY
  • 00:25:28.850 --> 00:25:31.653
  • AND I SUPPOSE NOBODY SANG THATANY MORE BEAUTIFULLYTHAN DANNY DID.
  • 00:25:31.653 --> 00:25:32.687
  • ANY MORE BEAUTIFULLYTHAN DANNY DID.[The Cathedral of Tomorrow 1968]
  • 00:25:32.687 --> 00:25:42.030
  • THAN DANNY DID.[The Cathedral of Tomorrow 1968]- ♪ JESUS, JESUS, JESUS. ♪
  • 00:25:42.030 --> 00:25:45.133
  • [The Cathedral of Tomorrow 1968]- ♪ JESUS, JESUS, JESUS. ♪♪ THERE'S JUST SOMETHING ♪
  • 00:25:45.133 --> 00:25:52.507
  • - ♪ JESUS, JESUS, JESUS. ♪♪ THERE'S JUST SOMETHING ♪♪ ABOUT THAT NAME. ♪
  • 00:25:52.507 --> 00:26:02.317
  • ♪ THERE'S JUST SOMETHING ♪♪ ABOUT THAT NAME. ♪♪ MASTER, SAVIOR, JESUS, ♪
  • 00:26:02.317 --> 00:26:05.654
  • ♪ ABOUT THAT NAME. ♪♪ MASTER, SAVIOR, JESUS, ♪♪ LIKE THE FRAGRANCE ♪
  • 00:26:05.654 --> 00:26:12.961
  • ♪ MASTER, SAVIOR, JESUS, ♪♪ LIKE THE FRAGRANCE ♪♪ AFTER THE RAIN. ♪
  • 00:26:12.961 --> 00:26:23.004
  • ♪ LIKE THE FRAGRANCE ♪♪ AFTER THE RAIN. ♪♪ JESUS, JESUS, OH, JESUS, ♪
  • 00:26:23.004 --> 00:26:25.907
  • ♪ AFTER THE RAIN. ♪♪ JESUS, JESUS, OH, JESUS, ♪♪ LET ALL HEAVEN ♪
  • 00:26:25.907 --> 00:26:33.281
  • ♪ JESUS, JESUS, OH, JESUS, ♪♪ LET ALL HEAVEN ♪♪ AND EARTH PROCLAIM. ♪
  • 00:26:33.281 --> 00:26:38.019
  • ♪ LET ALL HEAVEN ♪♪ AND EARTH PROCLAIM. ♪- ♪ KINGS AND KINGDOMS ♪
  • 00:26:38.019 --> 00:26:43.058
  • ♪ AND EARTH PROCLAIM. ♪- ♪ KINGS AND KINGDOMS ♪♪ MAY ALL PASS AWAY, ♪
  • 00:26:43.058 --> 00:26:45.326
  • - ♪ KINGS AND KINGDOMS ♪♪ MAY ALL PASS AWAY, ♪♪ BUT THERE'S SOMETHING ♪
  • 00:26:45.326 --> 00:26:51.933
  • ♪ MAY ALL PASS AWAY, ♪♪ BUT THERE'S SOMETHING ♪♪ ABOUT THAT NAME. ♪
  • 00:26:51.933 --> 00:26:52.967
  • ♪ BUT THERE'S SOMETHING ♪♪ ABOUT THAT NAME. ♪[Nashville-Christmas 1996]
  • 00:26:52.967 --> 00:26:56.438
  • ♪ ABOUT THAT NAME. ♪[Nashville-Christmas 1996]- JESUS: THE MERE MENTION
  • 00:26:56.438 --> 00:26:58.840
  • [Nashville-Christmas 1996]- JESUS: THE MERE MENTIONOF HIS NAME CAN CALM THE STORM,
  • 00:26:58.840 --> 00:27:02.077
  • - JESUS: THE MERE MENTIONOF HIS NAME CAN CALM THE STORM,HEAL THE BROKEN, RAISE THE DEAD.
  • 00:27:02.077 --> 00:27:03.011
  • OF HIS NAME CAN CALM THE STORM,HEAL THE BROKEN, RAISE THE DEAD.AT THE NAME OF JESUS,
  • 00:27:03.011 --> 00:27:04.312
  • HEAL THE BROKEN, RAISE THE DEAD.AT THE NAME OF JESUS,I'VE SEEN SIN-HARDENED MEN
  • 00:27:04.312 --> 00:27:06.881
  • AT THE NAME OF JESUS,I'VE SEEN SIN-HARDENED MENMELTED, DERELICTS TRANSFORMED,
  • 00:27:06.881 --> 00:27:08.550
  • I'VE SEEN SIN-HARDENED MENMELTED, DERELICTS TRANSFORMED,THE LIGHTS OF HOPE
  • 00:27:08.550 --> 00:27:09.417
  • MELTED, DERELICTS TRANSFORMED,THE LIGHTS OF HOPEPUT INTO THE EYES
  • 00:27:09.417 --> 00:27:11.286
  • THE LIGHTS OF HOPEPUT INTO THE EYESOF A HOPELESS CHILD.
  • 00:27:11.286 --> 00:27:12.587
  • PUT INTO THE EYESOF A HOPELESS CHILD.AT THE NAME OF JESUS,
  • 00:27:12.587 --> 00:27:14.122
  • OF A HOPELESS CHILD.AT THE NAME OF JESUS,HATRED AND BITTERNESS
  • 00:27:14.122 --> 00:27:16.725
  • AT THE NAME OF JESUS,HATRED AND BITTERNESSTURN TO LOVE AND FORGIVENESS.
  • 00:27:16.725 --> 00:27:18.827
  • HATRED AND BITTERNESSTURN TO LOVE AND FORGIVENESS.ARGUMENTS CEASE.
  • 00:27:18.827 --> 00:27:19.627
  • TURN TO LOVE AND FORGIVENESS.ARGUMENTS CEASE.I'VE HEARD A MOTHER
  • 00:27:19.627 --> 00:27:20.995
  • ARGUMENTS CEASE.I'VE HEARD A MOTHERSOFTLY BREATHE HIS NAME
  • 00:27:20.995 --> 00:27:22.630
  • I'VE HEARD A MOTHERSOFTLY BREATHE HIS NAMEAT THE BEDSIDE OF A CHILD
  • 00:27:22.630 --> 00:27:24.432
  • SOFTLY BREATHE HIS NAMEAT THE BEDSIDE OF A CHILDDELIRIOUS FROM FEVER,
  • 00:27:24.432 --> 00:27:25.100
  • AT THE BEDSIDE OF A CHILDDELIRIOUS FROM FEVER,AND I'VE WATCHED
  • 00:27:25.100 --> 00:27:26.367
  • DELIRIOUS FROM FEVER,AND I'VE WATCHEDAS THAT LITTLE BODY GREW QUIET
  • 00:27:26.367 --> 00:27:29.471
  • AND I'VE WATCHEDAS THAT LITTLE BODY GREW QUIETAND THE FEVERED BROW COOL.
  • 00:27:29.471 --> 00:27:31.372
  • AS THAT LITTLE BODY GREW QUIETAND THE FEVERED BROW COOL.I'VE SAT BESIDE A DYING SAINT,
  • 00:27:31.372 --> 00:27:33.575
  • AND THE FEVERED BROW COOL.I'VE SAT BESIDE A DYING SAINT,HER BODY WRACKED WITH PAIN.
  • 00:27:33.575 --> 00:27:34.642
  • I'VE SAT BESIDE A DYING SAINT,HER BODY WRACKED WITH PAIN.WHEN THOSE FINAL,
  • 00:27:34.642 --> 00:27:36.177
  • HER BODY WRACKED WITH PAIN.WHEN THOSE FINAL,FLEETING SECONDS SUMMONED HER
  • 00:27:36.177 --> 00:27:37.712
  • WHEN THOSE FINAL,FLEETING SECONDS SUMMONED HERLAST OUNCE OF EBBING STRENGTH
  • 00:27:37.712 --> 00:27:39.080
  • FLEETING SECONDS SUMMONED HERLAST OUNCE OF EBBING STRENGTHTO WHISPER EARTH'S
  • 00:27:39.080 --> 00:27:41.082
  • LAST OUNCE OF EBBING STRENGTHTO WHISPER EARTH'SSWEETEST NAME:
  • 00:27:41.082 --> 00:27:44.919
  • TO WHISPER EARTH'SSWEETEST NAME:"JESUS, JESUS."
  • 00:27:44.919 --> 00:27:45.453
  • SWEETEST NAME:"JESUS, JESUS."EMPERORS HAVE
  • 00:27:45.453 --> 00:27:47.155
  • "JESUS, JESUS."EMPERORS HAVETRIED TO DESTROY IT.
  • 00:27:47.155 --> 00:27:47.722
  • EMPERORS HAVETRIED TO DESTROY IT.PHILOSOPHIES HAVE
  • 00:27:47.722 --> 00:27:49.491
  • TRIED TO DESTROY IT.PHILOSOPHIES HAVETRIED TO STAMP IT OUT.
  • 00:27:49.491 --> 00:27:50.925
  • PHILOSOPHIES HAVETRIED TO STAMP IT OUT.TYRANTS HAVE TRIED TO WASH IT
  • 00:27:50.925 --> 00:27:52.160
  • TRIED TO STAMP IT OUT.TYRANTS HAVE TRIED TO WASH ITFROM THE FACE OF THE EARTH
  • 00:27:52.160 --> 00:27:53.128
  • TYRANTS HAVE TRIED TO WASH ITFROM THE FACE OF THE EARTHWITH THE VERY BLOOD
  • 00:27:53.128 --> 00:27:54.763
  • FROM THE FACE OF THE EARTHWITH THE VERY BLOODOF THOSE WHO CLAIMED IT,
  • 00:27:54.763 --> 00:27:56.965
  • WITH THE VERY BLOODOF THOSE WHO CLAIMED IT,YET IT STILL STANDS.
  • 00:27:56.965 --> 00:27:57.699
  • OF THOSE WHO CLAIMED IT,YET IT STILL STANDS.AND THERE SHALL BE
  • 00:27:57.699 --> 00:27:58.600
  • YET IT STILL STANDS.AND THERE SHALL BETHAT FINAL DAY
  • 00:27:58.600 --> 00:27:59.667
  • AND THERE SHALL BETHAT FINAL DAYWHEN EVERY VOICE
  • 00:27:59.667 --> 00:28:01.169
  • THAT FINAL DAYWHEN EVERY VOICETHAT HAS EVER UTTERED A SOUND,
  • 00:28:01.169 --> 00:28:02.837
  • WHEN EVERY VOICETHAT HAS EVER UTTERED A SOUND,EVERY VOICE OF ADAM'S RACE
  • 00:28:02.837 --> 00:28:04.773
  • THAT HAS EVER UTTERED A SOUND,EVERY VOICE OF ADAM'S RACESHALL RAISE IN ONE MIGHTY CHORUS
  • 00:28:04.773 --> 00:28:06.875
  • EVERY VOICE OF ADAM'S RACESHALL RAISE IN ONE MIGHTY CHORUSTO PROCLAIM THE NAME OF JESUS.
  • 00:28:06.875 --> 00:28:07.909
  • SHALL RAISE IN ONE MIGHTY CHORUSTO PROCLAIM THE NAME OF JESUS.FOR IN THAT DAY,
  • 00:28:07.909 --> 00:28:09.544
  • TO PROCLAIM THE NAME OF JESUS.FOR IN THAT DAY,EVERY KNEE SHALL BOW
  • 00:28:09.544 --> 00:28:10.879
  • FOR IN THAT DAY,EVERY KNEE SHALL BOWAND EVERY TONGUE SHALL CONFESS
  • 00:28:10.879 --> 00:28:14.916
  • EVERY KNEE SHALL BOWAND EVERY TONGUE SHALL CONFESSTHAT JESUS CHRIST IS TRULY LORD.
  • 00:28:14.916 --> 00:28:15.350
  • AND EVERY TONGUE SHALL CONFESSTHAT JESUS CHRIST IS TRULY LORD.SO YOU SEE,
  • 00:28:15.350 --> 00:28:17.485
  • THAT JESUS CHRIST IS TRULY LORD.SO YOU SEE,IT WAS NOT MERE CHANCE
  • 00:28:17.485 --> 00:28:18.453
  • SO YOU SEE,IT WAS NOT MERE CHANCETHAT CAUSED AN ANGEL
  • 00:28:18.453 --> 00:28:20.722
  • IT WAS NOT MERE CHANCETHAT CAUSED AN ANGELONE NIGHT LONG AGO TO SAY
  • 00:28:20.722 --> 00:28:22.991
  • THAT CAUSED AN ANGELONE NIGHT LONG AGO TO SAYTO A VIRGIN MAIDEN,
  • 00:28:22.991 --> 00:28:27.295
  • ONE NIGHT LONG AGO TO SAYTO A VIRGIN MAIDEN,"HIS NAME SHALL BE CALLED
  • 00:28:27.295 --> 00:28:30.031
  • TO A VIRGIN MAIDEN,"HIS NAME SHALL BE CALLEDJESUS."
  • 00:28:30.031 --> 00:28:31.866
  • "HIS NAME SHALL BE CALLEDJESUS."JESUS.
  • 00:28:31.866 --> 00:28:34.002
  • JESUS."JESUS.SAY IT WITH ME.
  • 00:28:34.002 --> 00:28:36.971
  • JESUS.SAY IT WITH ME.- Homecoming Friends: JESUS.
  • 00:28:36.971 --> 00:28:39.107
  • SAY IT WITH ME.- Homecoming Friends: JESUS.- THERE IS SOMETHING,
  • 00:28:39.107 --> 00:28:41.209
  • - Homecoming Friends: JESUS.- THERE IS SOMETHING,SOMETHING ABOUT THAT NAME.
  • 00:28:41.209 --> 00:28:42.043
  • - THERE IS SOMETHING,SOMETHING ABOUT THAT NAME.- Homecoming Friends:
  • 00:28:42.043 --> 00:28:46.181
  • SOMETHING ABOUT THAT NAME.- Homecoming Friends:♪ KINGS AND KINGDOMS ♪
  • 00:28:46.181 --> 00:28:50.418
  • - Homecoming Friends:♪ KINGS AND KINGDOMS ♪♪ WILL ALL PASS AWAY, ♪
  • 00:28:50.418 --> 00:28:53.321
  • ♪ KINGS AND KINGDOMS ♪♪ WILL ALL PASS AWAY, ♪♪ BUT THERE'S SOMETHING ♪
  • 00:28:53.321 --> 00:29:02.964
  • - WHEN WE WERE YOUNGER,
  • 00:29:12.607 --> 00:29:13.641
  • - WHEN WE WERE YOUNGER,WE ABUSED OUR KIDS
  • 00:29:13.641 --> 00:29:16.878
  • - WHEN WE WERE YOUNGER,WE ABUSED OUR KIDSLIKE MANY OF YOU DO,
  • 00:29:16.878 --> 00:29:18.146
  • WE ABUSED OUR KIDSLIKE MANY OF YOU DO,AND HAD 'EM TO SING EVERY NIGHT,
  • 00:29:18.146 --> 00:29:19.581
  • LIKE MANY OF YOU DO,AND HAD 'EM TO SING EVERY NIGHT,ESPECIALLY IF THE AUDIENCE
  • 00:29:19.581 --> 00:29:23.251
  • AND HAD 'EM TO SING EVERY NIGHT,ESPECIALLY IF THE AUDIENCEWAS TOUGH.
  • 00:29:23.251 --> 00:29:24.085
  • ESPECIALLY IF THE AUDIENCEWAS TOUGH.IF NOTHING ELSE WORKED,
  • 00:29:24.085 --> 00:29:28.590
  • WAS TOUGH.IF NOTHING ELSE WORKED,BRING OUT AMY.
  • 00:29:28.590 --> 00:29:29.490
  • IF NOTHING ELSE WORKED,BRING OUT AMY.WE'D ALWAYS HAVE THE SAME
  • 00:29:29.490 --> 00:29:31.659
  • BRING OUT AMY.WE'D ALWAYS HAVE THE SAMELITTLE BANTER BETWEEN US.
  • 00:29:31.659 --> 00:29:32.393
  • WE'D ALWAYS HAVE THE SAMELITTLE BANTER BETWEEN US.I'D SAY,
  • 00:29:32.393 --> 00:29:33.494
  • LITTLE BANTER BETWEEN US.I'D SAY,"AMY, WHO IS YOUR FAVORITE DADDY
  • 00:29:33.494 --> 00:29:34.863
  • I'D SAY,"AMY, WHO IS YOUR FAVORITE DADDYIN ALL THE WHOLE WIDE WORLD?"
  • 00:29:34.863 --> 00:29:35.630
  • "AMY, WHO IS YOUR FAVORITE DADDYIN ALL THE WHOLE WIDE WORLD?"AND SHE'D SAYS,
  • 00:29:35.630 --> 00:29:36.965
  • IN ALL THE WHOLE WIDE WORLD?"AND SHE'D SAYS,"YOU ARE, DADDY."
  • 00:29:36.965 --> 00:29:39.133
  • AND SHE'D SAYS,"YOU ARE, DADDY.""WHO'S YOUR FAVORITE PIANO
  • 00:29:39.133 --> 00:29:40.435
  • "YOU ARE, DADDY.""WHO'S YOUR FAVORITE PIANOPLAYER IN ALL THE WORLD?"
  • 00:29:40.435 --> 00:29:42.270
  • "WHO'S YOUR FAVORITE PIANOPLAYER IN ALL THE WORLD?""YOU ARE, DADDY."
  • 00:29:42.270 --> 00:29:43.371
  • PLAYER IN ALL THE WORLD?""YOU ARE, DADDY."I SAID, "WHO'S YOUR FAVORITE
  • 00:29:43.371 --> 00:29:44.739
  • "YOU ARE, DADDY."I SAID, "WHO'S YOUR FAVORITESONGWRITER IN ALL THE WORLD?"
  • 00:29:44.739 --> 00:29:46.641
  • I SAID, "WHO'S YOUR FAVORITESONGWRITER IN ALL THE WORLD?""YOU ARE, DADDY."
  • 00:29:46.641 --> 00:29:48.743
  • SONGWRITER IN ALL THE WORLD?""YOU ARE, DADDY.""WHO'S YOUR FAVORITE SINGER
  • 00:29:48.743 --> 00:29:49.277
  • "YOU ARE, DADDY.""WHO'S YOUR FAVORITE SINGERIN ALL THE WORLD?"
  • 00:29:49.277 --> 00:29:52.247
  • "WHO'S YOUR FAVORITE SINGERIN ALL THE WORLD?""UNCLE DANNY IS, DADDY."
  • 00:29:52.247 --> 00:29:55.550
  • IN ALL THE WORLD?""UNCLE DANNY IS, DADDY."IT WAS ALWAYS THE SAME THING.
  • 00:29:55.550 --> 00:29:56.985
  • "UNCLE DANNY IS, DADDY."IT WAS ALWAYS THE SAME THING.IT WAS FUN.
  • 00:29:56.985 --> 00:29:58.519
  • IT WAS ALWAYS THE SAME THING.IT WAS FUN.WE WROTE THIS SONG FOR KIDS.
  • 00:29:58.519 --> 00:29:59.287
  • IT WAS FUN.WE WROTE THIS SONG FOR KIDS.SING ALONG:
  • 00:29:59.287 --> 00:30:00.054
  • WE WROTE THIS SONG FOR KIDS.SING ALONG:[up-tempo piano music]
  • 00:30:00.054 --> 00:30:01.990
  • SING ALONG:[up-tempo piano music]♪ I AM A PROMISE. ♪
  • 00:30:01.990 --> 00:30:03.858
  • [up-tempo piano music]♪ I AM A PROMISE. ♪♪ I AM A POSSIBILITY. ♪
  • 00:30:03.858 --> 00:30:05.894
  • ♪ I AM A PROMISE. ♪♪ I AM A POSSIBILITY. ♪♪ I AM A PROMISE ♪
  • 00:30:05.894 --> 00:30:07.695
  • ♪ I AM A POSSIBILITY. ♪♪ I AM A PROMISE ♪♪ WITH A CAPITAL "P." ♪
  • 00:30:07.695 --> 00:30:08.563
  • ♪ I AM A PROMISE ♪♪ WITH A CAPITAL "P." ♪- Homecoming Friends:
  • 00:30:08.563 --> 00:30:09.330
  • ♪ WITH A CAPITAL "P." ♪- Homecoming Friends:♪ I AM A GREAT BIG ♪
  • 00:30:09.330 --> 00:30:15.603
  • - Homecoming Friends:♪ I AM A GREAT BIG ♪♪ BUNDLE OF POTENTIALITY. ♪
  • 00:30:15.603 --> 00:30:17.972
  • ♪ I AM A GREAT BIG ♪♪ BUNDLE OF POTENTIALITY. ♪- ♪ AND I AM LEARNING ♪
  • 00:30:17.972 --> 00:30:19.607
  • ♪ BUNDLE OF POTENTIALITY. ♪- ♪ AND I AM LEARNING ♪♪ TO HEAR GOD'S VOICE, ♪
  • 00:30:19.607 --> 00:30:22.243
  • - ♪ AND I AM LEARNING ♪♪ TO HEAR GOD'S VOICE, ♪♪ AND I AM TRYING ♪
  • 00:30:22.243 --> 00:30:23.678
  • ♪ TO HEAR GOD'S VOICE, ♪♪ AND I AM TRYING ♪♪ TO MAKE THE RIGHT CHOICE. ♪
  • 00:30:23.678 --> 00:30:26.414
  • ♪ AND I AM TRYING ♪♪ TO MAKE THE RIGHT CHOICE. ♪♪ YES, I'M A PROMISE TO BE ♪
  • 00:30:26.414 --> 00:30:28.049
  • ♪ TO MAKE THE RIGHT CHOICE. ♪♪ YES, I'M A PROMISE TO BE ♪♪ ANYTHING HE WANTS ME-- ♪
  • 00:30:28.049 --> 00:30:30.251
  • ♪ YES, I'M A PROMISE TO BE ♪♪ ANYTHING HE WANTS ME-- ♪♪ I'M A PROMISE TO BE ♪
  • 00:30:30.251 --> 00:30:31.886
  • ♪ ANYTHING HE WANTS ME-- ♪♪ I'M A PROMISE TO BE ♪♪ ANYTHING HE WANTS ME-- ♪
  • 00:30:31.886 --> 00:30:33.421
  • ♪ I'M A PROMISE TO BE ♪♪ ANYTHING HE WANTS ME-- ♪♪ I'M A PROMISE TO BE ♪
  • 00:30:33.421 --> 00:30:36.958
  • ♪ ANYTHING HE WANTS ME-- ♪♪ I'M A PROMISE TO BE ♪- ANYTHING!
  • 00:30:36.958 --> 00:30:41.896
  • ♪ I'M A PROMISE TO BE ♪- ANYTHING!- ♪ HE WANTS ME TO BE. ♪
  • 00:30:41.896 --> 00:30:42.764
  • - ANYTHING!- ♪ HE WANTS ME TO BE. ♪[Amy Gaither-Age 9,
  • 00:30:42.764 --> 00:30:43.464
  • - ♪ HE WANTS ME TO BE. ♪[Amy Gaither-Age 9,Billy Graham Crusade]
  • 00:30:43.464 --> 00:30:45.767
  • [Amy Gaither-Age 9,Billy Graham Crusade]- ♪ I AM A PROMISE. ♪
  • 00:30:45.767 --> 00:30:47.669
  • Billy Graham Crusade]- ♪ I AM A PROMISE. ♪♪ I AM A POSSIBILITY. ♪
  • 00:30:47.669 --> 00:30:49.837
  • - ♪ I AM A PROMISE. ♪♪ I AM A POSSIBILITY. ♪♪ I AM A PROMISE ♪
  • 00:30:49.837 --> 00:30:51.572
  • ♪ I AM A POSSIBILITY. ♪♪ I AM A PROMISE ♪♪ WITH A CAPITAL "P." ♪
  • 00:30:51.572 --> 00:30:53.274
  • ♪ I AM A PROMISE ♪♪ WITH A CAPITAL "P." ♪♪ I AM A GREAT BIG ♪
  • 00:30:53.274 --> 00:30:59.113
  • ♪ WITH A CAPITAL "P." ♪♪ I AM A GREAT BIG ♪♪ BUNDLE OF POTENTIALITY. ♪
  • 00:30:59.113 --> 00:31:01.482
  • ♪ I AM A GREAT BIG ♪♪ BUNDLE OF POTENTIALITY. ♪♪ AND I AM LEARNING ♪
  • 00:31:01.482 --> 00:31:02.984
  • ♪ BUNDLE OF POTENTIALITY. ♪♪ AND I AM LEARNING ♪♪ TO HEAR GOD'S VOICE, ♪
  • 00:31:02.984 --> 00:31:04.585
  • ♪ AND I AM LEARNING ♪♪ TO HEAR GOD'S VOICE, ♪♪ AND I AM TRYING ♪
  • 00:31:04.585 --> 00:31:06.354
  • ♪ TO HEAR GOD'S VOICE, ♪♪ AND I AM TRYING ♪♪ TO MAKE THE RIGHT CHOICE. ♪
  • 00:31:06.354 --> 00:31:08.890
  • ♪ AND I AM TRYING ♪♪ TO MAKE THE RIGHT CHOICE. ♪♪ YES, I'M A PROMISE TO BE ♪
  • 00:31:08.890 --> 00:31:10.391
  • ♪ TO MAKE THE RIGHT CHOICE. ♪♪ YES, I'M A PROMISE TO BE ♪♪ ANYTHING GOD WANTS ME-- ♪
  • 00:31:10.391 --> 00:31:11.092
  • ♪ YES, I'M A PROMISE TO BE ♪♪ ANYTHING GOD WANTS ME-- ♪- The Gaither Trio:
  • 00:31:11.092 --> 00:31:12.660
  • ♪ ANYTHING GOD WANTS ME-- ♪- The Gaither Trio:♪ YOU'RE A PROMISE TO BE ♪
  • 00:31:12.660 --> 00:31:14.162
  • - The Gaither Trio:♪ YOU'RE A PROMISE TO BE ♪♪ ANYTHING GOD WANT YOU TO-- ♪
  • 00:31:14.162 --> 00:31:16.230
  • ♪ YOU'RE A PROMISE TO BE ♪♪ ANYTHING GOD WANT YOU TO-- ♪- ♪ I'M A PROMISE TO BE ♪
  • 00:31:16.230 --> 00:31:17.865
  • ♪ ANYTHING GOD WANT YOU TO-- ♪- ♪ I'M A PROMISE TO BE ♪ANYTHING!
  • 00:31:17.865 --> 00:31:19.000
  • - ♪ I'M A PROMISE TO BE ♪ANYTHING!- Bill: ANYTHING.
  • 00:31:19.000 --> 00:31:23.771
  • [The Statler Brothers]
  • 00:31:28.476 --> 00:31:29.410
  • [The Statler Brothers]- I'D LIKE TO START OFF
  • 00:31:29.410 --> 00:31:31.646
  • [The Statler Brothers]- I'D LIKE TO START OFFBY SAYING THAT SINGLE-HANDEDLY,
  • 00:31:31.646 --> 00:31:32.814
  • - I'D LIKE TO START OFFBY SAYING THAT SINGLE-HANDEDLY,FOR AN INDUSTRY,
  • 00:31:32.814 --> 00:31:33.715
  • BY SAYING THAT SINGLE-HANDEDLY,FOR AN INDUSTRY,THAT BILL GARTERS
  • 00:31:33.715 --> 00:31:34.949
  • FOR AN INDUSTRY,THAT BILL GARTERSHAS DONE MORE FOR--
  • 00:31:34.949 --> 00:31:35.683
  • THAT BILL GARTERSHAS DONE MORE FOR--[laughing]
  • 00:31:35.683 --> 00:31:36.217
  • HAS DONE MORE FOR--[laughing]- GAITHER.
  • 00:31:36.217 --> 00:31:38.419
  • [laughing]- GAITHER.- BILL GAITHER, GAITHER.
  • 00:31:38.419 --> 00:31:39.153
  • - GAITHER.- BILL GAITHER, GAITHER.WELL, THAT'S REALLY NOT
  • 00:31:39.153 --> 00:31:40.121
  • - BILL GAITHER, GAITHER.WELL, THAT'S REALLY NOTMY FAULT, BECAUSE, YOU KNOW,
  • 00:31:40.121 --> 00:31:40.955
  • WELL, THAT'S REALLY NOTMY FAULT, BECAUSE, YOU KNOW,TILL ABOUT FOUR MONTHS AGO,
  • 00:31:40.955 --> 00:31:41.823
  • MY FAULT, BECAUSE, YOU KNOW,TILL ABOUT FOUR MONTHS AGO,I COULDN'T TELL THE DIFFERENCE
  • 00:31:41.823 --> 00:31:42.557
  • TILL ABOUT FOUR MONTHS AGO,I COULDN'T TELL THE DIFFERENCEBETWEEN BILL GAITHER
  • 00:31:42.557 --> 00:31:43.358
  • I COULDN'T TELL THE DIFFERENCEBETWEEN BILL GAITHERAND BOB VILA.
  • 00:31:43.358 --> 00:31:46.394
  • BETWEEN BILL GAITHERAND BOB VILA.[laughing]
  • 00:31:46.394 --> 00:31:48.029
  • AND BOB VILA.[laughing]I JUST--I DIDN'T KNOW.
  • 00:31:48.029 --> 00:31:49.597
  • [laughing]I JUST--I DIDN'T KNOW.YOU UNDERSTAND THAT.
  • 00:31:49.597 --> 00:31:50.631
  • I JUST--I DIDN'T KNOW.YOU UNDERSTAND THAT.I KNOW ONE OF 'EM BUILDS PIANOS,
  • 00:31:50.631 --> 00:31:54.469
  • YOU UNDERSTAND THAT.I KNOW ONE OF 'EM BUILDS PIANOS,THE OTHER DESTROYS THEM.
  • 00:31:54.469 --> 00:31:55.069
  • I KNOW ONE OF 'EM BUILDS PIANOS,THE OTHER DESTROYS THEM.- NOW, BILL--
  • 00:31:55.069 --> 00:31:55.770
  • THE OTHER DESTROYS THEM.- NOW, BILL--- BUT WE'RE NOT HERE
  • 00:31:55.770 --> 00:31:56.704
  • - NOW, BILL--- BUT WE'RE NOT HERETO HONOR HIM.
  • 00:31:56.704 --> 00:31:57.405
  • - BUT WE'RE NOT HERETO HONOR HIM.- NO.
  • 00:31:57.405 --> 00:31:58.973
  • TO HONOR HIM.- NO.BILL GARD--IT'S GAITHER?
  • 00:31:58.973 --> 00:31:59.807
  • - NO.BILL GARD--IT'S GAITHER?- GAITHER, BILL GAITHER.
  • 00:31:59.807 --> 00:32:00.808
  • BILL GARD--IT'S GAITHER?- GAITHER, BILL GAITHER.- HE'S TOTALLY
  • 00:32:00.808 --> 00:32:01.943
  • - GAITHER, BILL GAITHER.- HE'S TOTALLYDEDICATED TO GOSPEL MUSIC.
  • 00:32:01.943 --> 00:32:02.910
  • - HE'S TOTALLYDEDICATED TO GOSPEL MUSIC.HE'S THE ONLY GUY I KNOW
  • 00:32:02.910 --> 00:32:04.545
  • DEDICATED TO GOSPEL MUSIC.HE'S THE ONLY GUY I KNOWTHAT WANTS HIS NATURAL HAIR
  • 00:32:04.545 --> 00:32:05.813
  • HE'S THE ONLY GUY I KNOWTHAT WANTS HIS NATURAL HAIRTO LOOK LIKE A WIG.
  • 00:32:05.813 --> 00:32:07.815
  • THAT WANTS HIS NATURAL HAIRTO LOOK LIKE A WIG.[laughing]
  • 00:32:07.815 --> 00:32:08.683
  • TO LOOK LIKE A WIG.[laughing]- AND HE'S SUCCESSFUL AT IT.
  • 00:32:08.683 --> 00:32:09.317
  • [laughing]- AND HE'S SUCCESSFUL AT IT.- HE IS.
  • 00:32:09.317 --> 00:32:13.054
  • - Mark: WHY DO YOU HAVE
  • 00:32:14.455 --> 00:32:17.091
  • - Mark: WHY DO YOU HAVESO MUCH HUMOR AT YOUR CONCERTS?
  • 00:32:17.091 --> 00:32:17.792
  • - Mark: WHY DO YOU HAVESO MUCH HUMOR AT YOUR CONCERTS?- YOU KNOW, WE HAVE
  • 00:32:17.792 --> 00:32:18.659
  • SO MUCH HUMOR AT YOUR CONCERTS?- YOU KNOW, WE HAVEDONE THAT FROM THE BEGINNING.
  • 00:32:18.659 --> 00:32:19.394
  • - YOU KNOW, WE HAVEDONE THAT FROM THE BEGINNING.A LOT OF PEOPLE THINK
  • 00:32:19.394 --> 00:32:20.395
  • DONE THAT FROM THE BEGINNING.A LOT OF PEOPLE THINKI JUST STARTED WITH MARK LOWRY.
  • 00:32:20.395 --> 00:32:21.329
  • A LOT OF PEOPLE THINKI JUST STARTED WITH MARK LOWRY.THAT WAS NOT TRUE.
  • 00:32:21.329 --> 00:32:23.131
  • I JUST STARTED WITH MARK LOWRY.THAT WAS NOT TRUE.- I WAS THE FIRST ONE.
  • 00:32:23.131 --> 00:32:23.831
  • THAT WAS NOT TRUE.- I WAS THE FIRST ONE.- IT GOT REALLY SHARP.
  • 00:32:23.831 --> 00:32:24.532
  • - I WAS THE FIRST ONE.- IT GOT REALLY SHARP.- Bill: WE TOOK IT
  • 00:32:24.532 --> 00:32:25.867
  • - IT GOT REALLY SHARP.- Bill: WE TOOK ITTO ANOTHER LEVEL WHEN YOU CAME.
  • 00:32:25.867 --> 00:32:27.435
  • - Bill: WE TOOK ITTO ANOTHER LEVEL WHEN YOU CAME.- YES, WELL, ANOTHER LEVEL.
  • 00:32:27.435 --> 00:32:28.503
  • TO ANOTHER LEVEL WHEN YOU CAME.- YES, WELL, ANOTHER LEVEL.- I CAN REMEMBER IN THE EARLY
  • 00:32:28.503 --> 00:32:31.906
  • - YES, WELL, ANOTHER LEVEL.- I CAN REMEMBER IN THE EARLYDAYS WITH THE TRIO--
  • 00:32:31.906 --> 00:32:32.907
  • - I CAN REMEMBER IN THE EARLYDAYS WITH THE TRIO--WELL, EVEN BEFORE
  • 00:32:32.907 --> 00:32:34.842
  • DAYS WITH THE TRIO--WELL, EVEN BEFOREGLORIA CAME ALONG WHEN DANNY
  • 00:32:34.842 --> 00:32:36.644
  • WELL, EVEN BEFOREGLORIA CAME ALONG WHEN DANNYAND MARY ANN AND I WOULD GO
  • 00:32:36.644 --> 00:32:38.413
  • GLORIA CAME ALONG WHEN DANNYAND MARY ANN AND I WOULD GOTO CHURCHES, I WOULD SAY,
  • 00:32:38.413 --> 00:32:39.547
  • AND MARY ANN AND I WOULD GOTO CHURCHES, I WOULD SAY,"WE'RE GLAD TO BE HERE."
  • 00:32:39.547 --> 00:32:40.615
  • TO CHURCHES, I WOULD SAY,"WE'RE GLAD TO BE HERE."I'D SAY,
  • 00:32:40.615 --> 00:32:41.749
  • "WE'RE GLAD TO BE HERE."I'D SAY,"THIS IS MY LITTLE SISTER.
  • 00:32:41.749 --> 00:32:44.085
  • I'D SAY,"THIS IS MY LITTLE SISTER.SHE'S 11 YEARS OLD.
  • 00:32:44.085 --> 00:32:45.586
  • "THIS IS MY LITTLE SISTER.SHE'S 11 YEARS OLD.AND THIS IS MY BROTHER, DANNY.
  • 00:32:45.586 --> 00:32:48.289
  • SHE'S 11 YEARS OLD.AND THIS IS MY BROTHER, DANNY.HE'S 16 YEARS OLD"--
  • 00:32:48.289 --> 00:32:50.291
  • AND THIS IS MY BROTHER, DANNY.HE'S 16 YEARS OLD"--OR 17 YEARS--18 BY THEN.
  • 00:32:50.291 --> 00:32:53.161
  • HE'S 16 YEARS OLD"--OR 17 YEARS--18 BY THEN."18 YEARS OLD.
  • 00:32:53.161 --> 00:32:56.998
  • OR 17 YEARS--18 BY THEN."18 YEARS OLD.AND I'M HIS BROTHER, BILL.
  • 00:32:56.998 --> 00:32:59.100
  • "18 YEARS OLD.AND I'M HIS BROTHER, BILL.A LOT OF PEOPLE ASK
  • 00:32:59.100 --> 00:33:00.735
  • AND I'M HIS BROTHER, BILL.A LOT OF PEOPLE ASKIF DANNY'S MARRIED,
  • 00:33:00.735 --> 00:33:03.771
  • A LOT OF PEOPLE ASKIF DANNY'S MARRIED,AND THE ANSWER IS NO."
  • 00:33:03.771 --> 00:33:04.639
  • IF DANNY'S MARRIED,AND THE ANSWER IS NO."AND THERE'D BE A LITTLE PAUSE
  • 00:33:04.639 --> 00:33:05.873
  • AND THE ANSWER IS NO."AND THERE'D BE A LITTLE PAUSEAND A LITTLE CHUCKLE,
  • 00:33:05.873 --> 00:33:06.874
  • AND THERE'D BE A LITTLE PAUSEAND A LITTLE CHUCKLE,AND I'D SAY,
  • 00:33:06.874 --> 00:33:07.975
  • AND A LITTLE CHUCKLE,AND I'D SAY,"AND I'M NOT EITHER."
  • 00:33:07.975 --> 00:33:09.077
  • AND I'D SAY,"AND I'M NOT EITHER."AND THERE'D BE A BIGGER LAUGH
  • 00:33:09.077 --> 00:33:10.244
  • "AND I'M NOT EITHER."AND THERE'D BE A BIGGER LAUGHTHEN, YOU KNOW.
  • 00:33:10.244 --> 00:33:11.746
  • AND THERE'D BE A BIGGER LAUGHTHEN, YOU KNOW.AND IT REALLY STARTED THERE
  • 00:33:11.746 --> 00:33:13.481
  • THEN, YOU KNOW.AND IT REALLY STARTED THERETO REALLY REALIZE
  • 00:33:13.481 --> 00:33:15.116
  • AND IT REALLY STARTED THERETO REALLY REALIZETHAT IF YOU WERE GOING TO BE
  • 00:33:15.116 --> 00:33:17.852
  • TO REALLY REALIZETHAT IF YOU WERE GOING TO BEABLE TO FEED SOME SERIOUS IDEAS
  • 00:33:17.852 --> 00:33:18.486
  • THAT IF YOU WERE GOING TO BEABLE TO FEED SOME SERIOUS IDEASTO A CROWD,
  • 00:33:18.486 --> 00:33:20.455
  • ABLE TO FEED SOME SERIOUS IDEASTO A CROWD,YOU HAD TO SOME WAY MAKE FRIENDS
  • 00:33:20.455 --> 00:33:22.457
  • TO A CROWD,YOU HAD TO SOME WAY MAKE FRIENDSWITH THEM AND DO IT WITH HUMOR.
  • 00:33:22.457 --> 00:33:22.990
  • YOU HAD TO SOME WAY MAKE FRIENDSWITH THEM AND DO IT WITH HUMOR.THEN LATER ON
  • 00:33:22.990 --> 00:33:24.859
  • WITH THEM AND DO IT WITH HUMOR.THEN LATER ONWHEN WE GOT TOGETHER,
  • 00:33:24.859 --> 00:33:26.627
  • THEN LATER ONWHEN WE GOT TOGETHER,THERE WAS QUITE A BIT OF HUMOR.
  • 00:33:26.627 --> 00:33:27.929
  • WHEN WE GOT TOGETHER,THERE WAS QUITE A BIT OF HUMOR.I CAN REMEMBER THE LINES LIKE,
  • 00:33:27.929 --> 00:33:29.530
  • THERE WAS QUITE A BIT OF HUMOR.I CAN REMEMBER THE LINES LIKE,"HOW MANY OF YOU THOUGHT YOUR
  • 00:33:29.530 --> 00:33:32.266
  • I CAN REMEMBER THE LINES LIKE,"HOW MANY OF YOU THOUGHT YOURMOM LIKED YOUR BROTHER BETTER
  • 00:33:32.266 --> 00:33:33.835
  • "HOW MANY OF YOU THOUGHT YOURMOM LIKED YOUR BROTHER BETTERTHAN SHE LIKED YOU?"
  • 00:33:33.835 --> 00:33:35.970
  • MOM LIKED YOUR BROTHER BETTERTHAN SHE LIKED YOU?"AND THEY'D RAISE THEIR HANDS.
  • 00:33:35.970 --> 00:33:38.840
  • THAN SHE LIKED YOU?"AND THEY'D RAISE THEIR HANDS."HOW MANY OF YOU KNEW YOUR
  • 00:33:38.840 --> 00:33:40.741
  • AND THEY'D RAISE THEIR HANDS."HOW MANY OF YOU KNEW YOURMOTHER LIKED YOUR BROTHER BETTER
  • 00:33:40.741 --> 00:33:41.576
  • "HOW MANY OF YOU KNEW YOURMOTHER LIKED YOUR BROTHER BETTERTHAN SHE LIKED YOU?"
  • 00:33:41.576 --> 00:33:43.478
  • MOTHER LIKED YOUR BROTHER BETTERTHAN SHE LIKED YOU?"THEN SOME MORE HANDS RAISED
  • 00:33:43.478 --> 00:33:44.612
  • THAN SHE LIKED YOU?"THEN SOME MORE HANDS RAISEDAND A BIGGER LAUGH, YOU KNOW.
  • 00:33:44.612 --> 00:33:46.714
  • THEN SOME MORE HANDS RAISEDAND A BIGGER LAUGH, YOU KNOW."HOW MANY OF YOUR MOTHERS
  • 00:33:46.714 --> 00:33:48.216
  • AND A BIGGER LAUGH, YOU KNOW."HOW MANY OF YOUR MOTHERSTOLD YOU SHE LIKED YOUR BROTHER
  • 00:33:48.216 --> 00:33:48.916
  • "HOW MANY OF YOUR MOTHERSTOLD YOU SHE LIKED YOUR BROTHERBETTER THAN..."
  • 00:33:48.916 --> 00:33:49.784
  • TOLD YOU SHE LIKED YOUR BROTHERBETTER THAN..."[laughing]
  • 00:33:49.784 --> 00:33:51.152
  • BETTER THAN..."[laughing]AND IT WOULD LEAD INTO THE SONG
  • 00:33:51.152 --> 00:33:52.920
  • [laughing]AND IT WOULD LEAD INTO THE SONGI AM SOMETHING SPECIAL.
  • 00:33:52.920 --> 00:33:54.689
  • AND IT WOULD LEAD INTO THE SONGI AM SOMETHING SPECIAL.HUMOR HAS ALWAYS BEEN
  • 00:33:54.689 --> 00:33:57.725
  • I AM SOMETHING SPECIAL.HUMOR HAS ALWAYS BEENA WAY TO GET DEFENSES DOWN,
  • 00:33:57.725 --> 00:33:59.093
  • HUMOR HAS ALWAYS BEENA WAY TO GET DEFENSES DOWN,BECAUSE PEOPLE KIND OF COME IN,
  • 00:33:59.093 --> 00:34:03.264
  • A WAY TO GET DEFENSES DOWN,BECAUSE PEOPLE KIND OF COME IN,I THINK, WITH SOME WALLS.
  • 00:34:03.264 --> 00:34:03.798
  • BECAUSE PEOPLE KIND OF COME IN,I THINK, WITH SOME WALLS.AND IT'S A WAY
  • 00:34:03.798 --> 00:34:04.699
  • I THINK, WITH SOME WALLS.AND IT'S A WAYTO KNOCKS SOME WALLS DOWN;
  • 00:34:04.699 --> 00:34:06.400
  • AND IT'S A WAYTO KNOCKS SOME WALLS DOWN;TO SAY, "HEY, WE GOT SOMETHING
  • 00:34:06.400 --> 00:34:07.335
  • TO KNOCKS SOME WALLS DOWN;TO SAY, "HEY, WE GOT SOMETHINGSERIOUS WE WANT TO SAY."
  • 00:34:07.335 --> 00:34:08.970
  • TO SAY, "HEY, WE GOT SOMETHINGSERIOUS WE WANT TO SAY."AND PEOPLE OFTEN SAY TO ME,
  • 00:34:08.970 --> 00:34:10.705
  • SERIOUS WE WANT TO SAY."AND PEOPLE OFTEN SAY TO ME,"HOW'S MARK LOWRY TO LIVE WITH
  • 00:34:10.705 --> 00:34:12.006
  • AND PEOPLE OFTEN SAY TO ME,"HOW'S MARK LOWRY TO LIVE WITHON THE BUS?"
  • 00:34:12.006 --> 00:34:12.874
  • "HOW'S MARK LOWRY TO LIVE WITHON THE BUS?"WELL, FOR CRYING OUT LOUD,
  • 00:34:12.874 --> 00:34:13.574
  • ON THE BUS?"WELL, FOR CRYING OUT LOUD,IF THEY'RE THINKING
  • 00:34:13.574 --> 00:34:14.442
  • WELL, FOR CRYING OUT LOUD,IF THEY'RE THINKINGHE'S LIKE HE IS ON THE STAGE
  • 00:34:14.442 --> 00:34:15.810
  • IF THEY'RE THINKINGHE'S LIKE HE IS ON THE STAGEALL THE TIME ON THE BUS--
  • 00:34:15.810 --> 00:34:16.878
  • HE'S LIKE HE IS ON THE STAGEALL THE TIME ON THE BUS--"HE'S ONE OF THE MOST SERIOUS
  • 00:34:16.878 --> 00:34:18.312
  • ALL THE TIME ON THE BUS--"HE'S ONE OF THE MOST SERIOUSYOUNG MEN I KNOW.
  • 00:34:18.312 --> 00:34:19.514
  • "HE'S ONE OF THE MOST SERIOUSYOUNG MEN I KNOW.HE'S A VERY CARING PERSON.
  • 00:34:19.514 --> 00:34:21.549
  • YOUNG MEN I KNOW.HE'S A VERY CARING PERSON.HE'S A VERY CHARITABLE PERSON."
  • 00:34:21.549 --> 00:34:23.184
  • HE'S A VERY CARING PERSON.HE'S A VERY CHARITABLE PERSON."I'M TEARING YOU UP, HERE.
  • 00:34:23.184 --> 00:34:25.686
  • HE'S A VERY CHARITABLE PERSON."I'M TEARING YOU UP, HERE.BUT THE HUMOR IS A TECHNIQUE
  • 00:34:25.686 --> 00:34:27.755
  • I'M TEARING YOU UP, HERE.BUT THE HUMOR IS A TECHNIQUEFOR YOU TO COMMUNICATE TO PEOPLE
  • 00:34:27.755 --> 00:34:30.091
  • BUT THE HUMOR IS A TECHNIQUEFOR YOU TO COMMUNICATE TO PEOPLETHAT GOD LOVES THEM
  • 00:34:30.091 --> 00:34:30.791
  • FOR YOU TO COMMUNICATE TO PEOPLETHAT GOD LOVES THEMAND CARES ABOUT THEM
  • 00:34:30.791 --> 00:34:31.492
  • THAT GOD LOVES THEMAND CARES ABOUT THEMAND THINKS THEY'RE--
  • 00:34:31.492 --> 00:34:32.527
  • AND CARES ABOUT THEMAND THINKS THEY'RE--- Mark: AND PEOPLE CAN'T LAUGH
  • 00:34:32.527 --> 00:34:33.361
  • AND THINKS THEY'RE--- Mark: AND PEOPLE CAN'T LAUGHWITH THEIR ARMS FOLDED.
  • 00:34:33.361 --> 00:34:34.061
  • - Mark: AND PEOPLE CAN'T LAUGHWITH THEIR ARMS FOLDED.- Bill: THEY CAN'T.
  • 00:34:34.061 --> 00:34:34.662
  • WITH THEIR ARMS FOLDED.- Bill: THEY CAN'T.- THEY'VE GOTTA
  • 00:34:34.662 --> 00:34:35.530
  • - Bill: THEY CAN'T.- THEY'VE GOTTABRING THEIR ARMS DOWN.
  • 00:34:35.530 --> 00:34:36.230
  • - THEY'VE GOTTABRING THEIR ARMS DOWN.- Gloria: I THINK
  • 00:34:36.230 --> 00:34:37.765
  • BRING THEIR ARMS DOWN.- Gloria: I THINKIT'S VERY IMPORTANT
  • 00:34:37.765 --> 00:34:40.368
  • - Gloria: I THINKIT'S VERY IMPORTANTTHAT WE TAKE GOD VERY SERIOUSLY,
  • 00:34:40.368 --> 00:34:41.802
  • IT'S VERY IMPORTANTTHAT WE TAKE GOD VERY SERIOUSLY,AND I THINK IT'S VERY IMPORTANT
  • 00:34:41.802 --> 00:34:42.737
  • THAT WE TAKE GOD VERY SERIOUSLY,AND I THINK IT'S VERY IMPORTANTTHAT WE TAKE OURSELVES
  • 00:34:42.737 --> 00:34:45.540
  • AND I THINK IT'S VERY IMPORTANTTHAT WE TAKE OURSELVESA WHOLE LOT LESS SERIOUSLY.
  • 00:34:45.540 --> 00:34:46.574
  • THAT WE TAKE OURSELVESA WHOLE LOT LESS SERIOUSLY.WE'RE NOT GOD.
  • 00:34:46.574 --> 00:34:48.576
  • A WHOLE LOT LESS SERIOUSLY.WE'RE NOT GOD.WE'RE JUST PARENTS.
  • 00:34:48.576 --> 00:34:49.510
  • WE'RE NOT GOD.WE'RE JUST PARENTS.WE'RE JUST WIVES.
  • 00:34:49.510 --> 00:34:51.145
  • WE'RE JUST PARENTS.WE'RE JUST WIVES.WE'RE JUST PEOPLE.
  • 00:34:51.145 --> 00:34:52.446
  • WE'RE JUST WIVES.WE'RE JUST PEOPLE.AND I THINK A LOT OF TIMES,
  • 00:34:52.446 --> 00:34:54.182
  • WE'RE JUST PEOPLE.AND I THINK A LOT OF TIMES,WE TAKE OURSELVES TOO SERIOUSLY
  • 00:34:54.182 --> 00:34:54.782
  • AND I THINK A LOT OF TIMES,WE TAKE OURSELVES TOO SERIOUSLYAND DON'T TAKE GOD
  • 00:34:54.782 --> 00:34:55.316
  • WE TAKE OURSELVES TOO SERIOUSLYAND DON'T TAKE GODSERIOUSLY ENOUGH.
  • 00:34:55.316 --> 00:34:55.683
  • AND DON'T TAKE GODSERIOUSLY ENOUGH.- Bill:
  • 00:34:55.683 --> 00:34:56.384
  • SERIOUSLY ENOUGH.- Bill:AND WHEN PEOPLE WRITE ME
  • 00:34:56.384 --> 00:34:57.084
  • - Bill:AND WHEN PEOPLE WRITE MEAND SAY, "YOU KNOW,
  • 00:34:57.084 --> 00:34:57.785
  • AND WHEN PEOPLE WRITE MEAND SAY, "YOU KNOW,WHEN YOU MAKE THAT JOKE
  • 00:34:57.785 --> 00:34:58.786
  • AND SAY, "YOU KNOW,WHEN YOU MAKE THAT JOKEABOUT HAIR, THERE ARE PEOPLE
  • 00:34:58.786 --> 00:35:00.087
  • WHEN YOU MAKE THAT JOKEABOUT HAIR, THERE ARE PEOPLEWHO HAVE GOT BALDING PROBLEMS."
  • 00:35:00.087 --> 00:35:00.788
  • ABOUT HAIR, THERE ARE PEOPLEWHO HAVE GOT BALDING PROBLEMS."WELL, JOIN THE CLUB.
  • 00:35:00.788 --> 00:35:02.456
  • WHO HAVE GOT BALDING PROBLEMS."WELL, JOIN THE CLUB.I'VE GOT A BALDING PROBLEM,
  • 00:35:02.456 --> 00:35:04.025
  • WELL, JOIN THE CLUB.I'VE GOT A BALDING PROBLEM,DANNY HAS A BALDING PROBLEM,
  • 00:35:04.025 --> 00:35:05.326
  • I'VE GOT A BALDING PROBLEM,DANNY HAS A BALDING PROBLEM,"AND WHEN YOU SAY SOMETHING
  • 00:35:05.326 --> 00:35:06.360
  • DANNY HAS A BALDING PROBLEM,"AND WHEN YOU SAY SOMETHINGABOUT BILL'S WEIGHT
  • 00:35:06.360 --> 00:35:07.161
  • "AND WHEN YOU SAY SOMETHINGABOUT BILL'S WEIGHTOR YOUR WEIGHT,
  • 00:35:07.161 --> 00:35:07.862
  • ABOUT BILL'S WEIGHTOR YOUR WEIGHT,OR PEOPLE GOT WEIGHT"--
  • 00:35:07.862 --> 00:35:08.396
  • OR YOUR WEIGHT,OR PEOPLE GOT WEIGHT"--JOIN THE CLUB.
  • 00:35:08.396 --> 00:35:09.263
  • OR PEOPLE GOT WEIGHT"--JOIN THE CLUB.- Gloria: JUST DON'T SAY
  • 00:35:09.263 --> 00:35:10.431
  • JOIN THE CLUB.- Gloria: JUST DON'T SAYANYTHING ABOUT MINE--JUST HUSH.
  • 00:35:10.431 --> 00:35:11.933
  • - Gloria: JUST DON'T SAYANYTHING ABOUT MINE--JUST HUSH.- I MEAN WE ALL HAVE
  • 00:35:11.933 --> 00:35:14.735
  • ANYTHING ABOUT MINE--JUST HUSH.- I MEAN WE ALL HAVETHOSE PROBLEMS, AND TO GET
  • 00:35:14.735 --> 00:35:16.037
  • - I MEAN WE ALL HAVETHOSE PROBLEMS, AND TO GETTHEM OUT AND LAUGH ABOUT THEM--
  • 00:35:16.037 --> 00:35:17.972
  • THOSE PROBLEMS, AND TO GETTHEM OUT AND LAUGH ABOUT THEM--OR STUTTERING, OR NOT BEING ABLE
  • 00:35:17.972 --> 00:35:19.574
  • THEM OUT AND LAUGH ABOUT THEM--OR STUTTERING, OR NOT BEING ABLETO THINK FAST ENOUGH--
  • 00:35:19.574 --> 00:35:20.975
  • OR STUTTERING, OR NOT BEING ABLETO THINK FAST ENOUGH--LET'S LAUGH ABOUT THEM.
  • 00:35:20.975 --> 00:35:21.943
  • TO THINK FAST ENOUGH--LET'S LAUGH ABOUT THEM.CELEBRATE THEM.
  • 00:35:21.943 --> 00:35:23.644
  • LET'S LAUGH ABOUT THEM.CELEBRATE THEM.IT'S PART OF OUR HUMANITY.
  • 00:35:23.644 --> 00:35:24.712
  • CELEBRATE THEM.IT'S PART OF OUR HUMANITY.GIVE 'EM TO THE LORD
  • 00:35:24.712 --> 00:35:26.380
  • IT'S PART OF OUR HUMANITY.GIVE 'EM TO THE LORDAND HAVE A GOOD TIME.
  • 00:35:26.380 --> 00:35:27.014
  • GIVE 'EM TO THE LORDAND HAVE A GOOD TIME.BUT I CAN REMEMBER
  • 00:35:27.014 --> 00:35:28.049
  • AND HAVE A GOOD TIME.BUT I CAN REMEMBERONE OF THE THINGS WE DID
  • 00:35:28.049 --> 00:35:30.818
  • BUT I CAN REMEMBERONE OF THE THINGS WE DIDTO SEE IF OUR NEW SONGS
  • 00:35:30.818 --> 00:35:31.652
  • ONE OF THE THINGS WE DIDTO SEE IF OUR NEW SONGSWERE ANY GOOD OR NOT.
  • 00:35:31.652 --> 00:35:33.254
  • TO SEE IF OUR NEW SONGSWERE ANY GOOD OR NOT.WE'D MIMEOGRAPH OFF
  • 00:35:33.254 --> 00:35:35.656
  • WERE ANY GOOD OR NOT.WE'D MIMEOGRAPH OFFONE OF OUR NEW SONGS AT WORK
  • 00:35:35.656 --> 00:35:37.391
  • WE'D MIMEOGRAPH OFFONE OF OUR NEW SONGS AT WORKOR AT SCHOOL DURING THE WEEK--
  • 00:35:37.391 --> 00:35:38.092
  • ONE OF OUR NEW SONGS AT WORKOR AT SCHOOL DURING THE WEEK--JUST STAY WITH ME.
  • 00:35:38.092 --> 00:35:39.427
  • OR AT SCHOOL DURING THE WEEK--JUST STAY WITH ME.I'M GONNA--
  • 00:35:39.427 --> 00:35:41.996
  • JUST STAY WITH ME.I'M GONNA--[laughing]
  • 00:35:41.996 --> 00:35:47.301
  • I'M GONNA--[laughing]I'M CIRCLING THE FIELD.
  • 00:35:47.301 --> 00:35:48.236
  • [laughing]I'M CIRCLING THE FIELD.IT DOESN'T MEAN
  • 00:35:48.236 --> 00:35:49.203
  • I'M CIRCLING THE FIELD.IT DOESN'T MEANI'M GOING TO LAND,
  • 00:35:49.203 --> 00:35:53.107
  • IT DOESN'T MEANI'M GOING TO LAND,BUT I COULD COME IN ANY TIME.
  • 00:35:53.107 --> 00:35:58.279
  • I'M GOING TO LAND,BUT I COULD COME IN ANY TIME.[applause]
  • 00:35:58.279 --> 00:35:58.813
  • BUT I COULD COME IN ANY TIME.[applause]GLORIA AND I WERE
  • 00:35:58.813 --> 00:35:59.680
  • [applause]GLORIA AND I WEREBOTH TEACHING SCHOOL.
  • 00:35:59.680 --> 00:36:01.816
  • GLORIA AND I WEREBOTH TEACHING SCHOOL.SHE WAS A FRENCH TEACHER,
  • 00:36:01.816 --> 00:36:02.783
  • BOTH TEACHING SCHOOL.SHE WAS A FRENCH TEACHER,AND I WAS TEACHING ENGLISH
  • 00:36:02.783 --> 00:36:04.318
  • SHE WAS A FRENCH TEACHER,AND I WAS TEACHING ENGLISHDOWN THE HALL AT THE HIGH SCHOOL
  • 00:36:04.318 --> 00:36:04.885
  • AND I WAS TEACHING ENGLISHDOWN THE HALL AT THE HIGH SCHOOLTHERE AT HOME.
  • 00:36:04.885 --> 00:36:05.786
  • DOWN THE HALL AT THE HIGH SCHOOLTHERE AT HOME.I HADN'T MET HER YET,
  • 00:36:05.786 --> 00:36:06.520
  • THERE AT HOME.I HADN'T MET HER YET,BUT I WAS EXCITED
  • 00:36:06.520 --> 00:36:07.989
  • I HADN'T MET HER YET,BUT I WAS EXCITEDABOUT MEETING HER.
  • 00:36:07.989 --> 00:36:10.224
  • BUT I WAS EXCITEDABOUT MEETING HER.NOT AS EXCITED AS SHE WAS
  • 00:36:10.224 --> 00:36:11.859
  • ABOUT MEETING HER.NOT AS EXCITED AS SHE WASABOUT MEETING ME, BUT--
  • 00:36:11.859 --> 00:36:13.394
  • NOT AS EXCITED AS SHE WASABOUT MEETING ME, BUT--[laughing]
  • 00:36:13.394 --> 00:36:14.262
  • ABOUT MEETING ME, BUT--[laughing]- I REMEMBER YOU HAD
  • 00:36:14.262 --> 00:36:16.931
  • [laughing]- I REMEMBER YOU HADTHAT FUNNY-LOOKING HAIRCUT.
  • 00:36:16.931 --> 00:36:18.199
  • - I REMEMBER YOU HADTHAT FUNNY-LOOKING HAIRCUT.- THAT WASN'T FUNNY.
  • 00:36:18.199 --> 00:36:19.200
  • THAT FUNNY-LOOKING HAIRCUT.- THAT WASN'T FUNNY.IT WAS A CREW CUT.
  • 00:36:19.200 --> 00:36:20.368
  • - THAT WASN'T FUNNY.IT WAS A CREW CUT.WE--
  • 00:36:20.368 --> 00:36:22.236
  • IT WAS A CREW CUT.WE--- IT WAS FUNNY.
  • 00:36:22.236 --> 00:36:22.937
  • WE--- IT WAS FUNNY.IT LOOKED KIND OF LIKE
  • 00:36:22.937 --> 00:36:24.839
  • - IT WAS FUNNY.IT LOOKED KIND OF LIKEA SUEDE BOWLING BALL.
  • 00:36:24.839 --> 00:36:28.342
  • IT LOOKED KIND OF LIKEA SUEDE BOWLING BALL.[laughing]
  • 00:36:28.342 --> 00:36:30.211
  • A SUEDE BOWLING BALL.[laughing]NO, REALLY WHAT HAPPENED IS
  • 00:36:30.211 --> 00:36:30.711
  • [laughing]NO, REALLY WHAT HAPPENED ISYOU ASKED ME
  • 00:36:30.711 --> 00:36:32.246
  • NO, REALLY WHAT HAPPENED ISYOU ASKED MEIF I'D LIKE TO GO TO LUNCH.
  • 00:36:32.246 --> 00:36:32.947
  • YOU ASKED MEIF I'D LIKE TO GO TO LUNCH.- IN FACT, WE WENT OUT,
  • 00:36:32.947 --> 00:36:34.248
  • IF I'D LIKE TO GO TO LUNCH.- IN FACT, WE WENT OUT,WHAT, EVERY DAY FOR--
  • 00:36:34.248 --> 00:36:34.849
  • - IN FACT, WE WENT OUT,WHAT, EVERY DAY FOR--- EVERY DAY
  • 00:36:34.849 --> 00:36:35.950
  • WHAT, EVERY DAY FOR--- EVERY DAYFOR TWO OR THREE WEEKS.
  • 00:36:35.950 --> 00:36:37.685
  • - EVERY DAYFOR TWO OR THREE WEEKS.WE HAD THE NICEST TALKS.
  • 00:36:37.685 --> 00:36:39.654
  • FOR TWO OR THREE WEEKS.WE HAD THE NICEST TALKS.AFTER A COUPLE OF WEEKS,
  • 00:36:39.654 --> 00:36:40.788
  • WE HAD THE NICEST TALKS.AFTER A COUPLE OF WEEKS,I THOUGHT YOU WAS GETTING
  • 00:36:40.788 --> 00:36:42.623
  • AFTER A COUPLE OF WEEKS,I THOUGHT YOU WAS GETTINGTO LIKE ME,
  • 00:36:42.623 --> 00:36:44.191
  • I THOUGHT YOU WAS GETTINGTO LIKE ME,BECAUSE THEN THAT ONE DAY
  • 00:36:44.191 --> 00:36:45.860
  • TO LIKE ME,BECAUSE THEN THAT ONE DAYYOU OFFERED TO PAY FOR LUNCH.
  • 00:36:45.860 --> 00:36:52.566
  • BECAUSE THEN THAT ONE DAYYOU OFFERED TO PAY FOR LUNCH.[laughing]
  • 00:36:52.566 --> 00:36:53.534
  • YOU OFFERED TO PAY FOR LUNCH.[laughing]SO WE WENT TO THE RESTAURANT,
  • 00:36:53.534 --> 00:36:56.304
  • [laughing]SO WE WENT TO THE RESTAURANT,AND THE LADY BROUGHT THE MENUS,
  • 00:36:56.304 --> 00:36:57.004
  • SO WE WENT TO THE RESTAURANT,AND THE LADY BROUGHT THE MENUS,AND SHE OPENED THEM
  • 00:36:57.004 --> 00:36:57.872
  • AND THE LADY BROUGHT THE MENUS,AND SHE OPENED THEMAND PUT THEM IN FRONT OF US,
  • 00:36:57.872 --> 00:36:58.539
  • AND SHE OPENED THEMAND PUT THEM IN FRONT OF US,AND I NOTICED
  • 00:36:58.539 --> 00:37:00.875
  • AND PUT THEM IN FRONT OF US,AND I NOTICEDBILL CLOSED HIS RIGHT AWAY.
  • 00:37:00.875 --> 00:37:03.210
  • AND I NOTICEDBILL CLOSED HIS RIGHT AWAY.AND HE SAID, "I THINK
  • 00:37:03.210 --> 00:37:04.812
  • BILL CLOSED HIS RIGHT AWAY.AND HE SAID, "I THINKI'LL JUST HAVE A GRILLED CHEESE.
  • 00:37:04.812 --> 00:37:08.883
  • AND HE SAID, "I THINKI'LL JUST HAVE A GRILLED CHEESE.WHAT WILL YOU JUST HAVE?"
  • 00:37:08.883 --> 00:37:10.484
  • I'LL JUST HAVE A GRILLED CHEESE.WHAT WILL YOU JUST HAVE?"I KNEW THERE WAS CHARM AND WIT
  • 00:37:10.484 --> 00:37:12.586
  • WHAT WILL YOU JUST HAVE?"I KNEW THERE WAS CHARM AND WITBURIED UNDER THERE SOMEPLACE.
  • 00:37:12.586 --> 00:37:14.121
  • I KNEW THERE WAS CHARM AND WITBURIED UNDER THERE SOMEPLACE.- HOW RIGHT YOU WERE.
  • 00:37:14.121 --> 00:37:16.557
  • BURIED UNDER THERE SOMEPLACE.- HOW RIGHT YOU WERE.[laughing]
  • 00:37:16.557 --> 00:37:19.026
  • - HOW RIGHT YOU WERE.[laughing]- AND HUMILITY.
  • 00:37:19.026 --> 00:37:19.860
  • [laughing]- AND HUMILITY.AND YOU KNOW,
  • 00:37:19.860 --> 00:37:21.062
  • - AND HUMILITY.AND YOU KNOW,WHEN WE STARTED DATING,
  • 00:37:21.062 --> 00:37:21.962
  • AND YOU KNOW,WHEN WE STARTED DATING,WE STARTED DATING
  • 00:37:21.962 --> 00:37:23.230
  • WHEN WE STARTED DATING,WE STARTED DATINGPRETTY SERIOUSLY THEN,
  • 00:37:23.230 --> 00:37:23.964
  • WE STARTED DATINGPRETTY SERIOUSLY THEN,AND I REALLY--
  • 00:37:23.964 --> 00:37:25.633
  • PRETTY SERIOUSLY THEN,AND I REALLY--ABOUT THE TIME I THOUGHT
  • 00:37:25.633 --> 00:37:26.701
  • AND I REALLY--ABOUT THE TIME I THOUGHTI COULDN'T LIVE WITHOUT YOU,
  • 00:37:26.701 --> 00:37:27.568
  • ABOUT THE TIME I THOUGHTI COULDN'T LIVE WITHOUT YOU,REMEMBER, I HAD TO GO HOME
  • 00:37:27.568 --> 00:37:28.369
  • I COULDN'T LIVE WITHOUT YOU,REMEMBER, I HAD TO GO HOMEFOR THE WHOLE SUMMER.
  • 00:37:28.369 --> 00:37:29.403
  • REMEMBER, I HAD TO GO HOMEFOR THE WHOLE SUMMER.- THAT WAS REALLY HARD ON YOU.
  • 00:37:29.403 --> 00:37:31.939
  • FOR THE WHOLE SUMMER.- THAT WAS REALLY HARD ON YOU.[laughing]
  • 00:37:31.939 --> 00:37:32.773
  • - THAT WAS REALLY HARD ON YOU.[laughing]- NO, IT WAS.
  • 00:37:32.773 --> 00:37:34.775
  • [laughing]- NO, IT WAS.I HAD TO--
  • 00:37:34.775 --> 00:37:36.077
  • - NO, IT WAS.I HAD TO--BUT I HAD A REALLY GOOD JOB AT--
  • 00:37:36.077 --> 00:37:38.312
  • I HAD TO--BUT I HAD A REALLY GOOD JOB AT--UP AT HOME, AND I NEEDED
  • 00:37:38.312 --> 00:37:39.680
  • BUT I HAD A REALLY GOOD JOB AT--UP AT HOME, AND I NEEDEDTHE MONEY FOR MY SENIOR YEAR.
  • 00:37:39.680 --> 00:37:40.548
  • UP AT HOME, AND I NEEDEDTHE MONEY FOR MY SENIOR YEAR.- TELL THEM WHAT YOU DID.
  • 00:37:40.548 --> 00:37:41.782
  • THE MONEY FOR MY SENIOR YEAR.- TELL THEM WHAT YOU DID.- IT WAS A REALLY GOOD JOB.
  • 00:37:41.782 --> 00:37:42.683
  • - TELL THEM WHAT YOU DID.- IT WAS A REALLY GOOD JOB.- TELL THEM WHAT YOU DID,
  • 00:37:42.683 --> 00:37:43.217
  • - IT WAS A REALLY GOOD JOB.- TELL THEM WHAT YOU DID,GLORIA.
  • 00:37:43.217 --> 00:37:44.185
  • - TELL THEM WHAT YOU DID,GLORIA.- I WORKED AT--
  • 00:37:44.185 --> 00:37:48.622
  • GLORIA.- I WORKED AT--[laughing]
  • 00:37:48.622 --> 00:37:50.424
  • - I WORKED AT--[laughing]KELLOGG'S IN BATTLE CREEK.
  • 00:37:50.424 --> 00:37:51.525
  • [laughing]KELLOGG'S IN BATTLE CREEK.- TELL THEM WHAT YOU DID
  • 00:37:51.525 --> 00:37:56.330
  • KELLOGG'S IN BATTLE CREEK.- TELL THEM WHAT YOU DIDAT KELLOGG'S IN BATTLE CREEK.
  • 00:37:56.330 --> 00:37:57.031
  • - TELL THEM WHAT YOU DIDAT KELLOGG'S IN BATTLE CREEK.GO ON.
  • 00:37:57.031 --> 00:37:58.799
  • AT KELLOGG'S IN BATTLE CREEK.GO ON.TELL THEM WHAT YOU DID, GLORIA.
  • 00:37:58.799 --> 00:38:00.301
  • GO ON.TELL THEM WHAT YOU DID, GLORIA.- I PICKED THE BURNT CORN
  • 00:38:00.301 --> 00:38:02.002
  • TELL THEM WHAT YOU DID, GLORIA.- I PICKED THE BURNT CORNFLAKES OFF THE CONVEYER BELT.
  • 00:38:02.002 --> 00:38:08.542
  • - I PICKED THE BURNT CORNFLAKES OFF THE CONVEYER BELT.[laughing]
  • 00:38:08.542 --> 00:38:10.711
  • FLAKES OFF THE CONVEYER BELT.[laughing]- ♪ AND IF HE SEES ♪
  • 00:38:10.711 --> 00:38:12.947
  • [laughing]- ♪ AND IF HE SEES ♪♪ THAT LITTLE SPARROW... ♪
  • 00:38:12.947 --> 00:38:17.485
  • - ♪ AND IF HE SEES ♪♪ THAT LITTLE SPARROW... ♪- [Lowry screaming]
  • 00:38:17.485 --> 00:38:18.085
  • ♪ THAT LITTLE SPARROW... ♪- [Lowry screaming]THAT'S A BIG BIRD
  • 00:38:18.085 --> 00:38:21.822
  • - [Lowry screaming]THAT'S A BIG BIRDCOME THROUGH HERE.
  • 00:38:21.822 --> 00:38:22.656
  • THAT'S A BIG BIRDCOME THROUGH HERE.I KNOW, BUT A BIRD
  • 00:38:22.656 --> 00:38:23.591
  • COME THROUGH HERE.I KNOW, BUT A BIRDCAME THROUGH AND NEARLY LANDED
  • 00:38:23.591 --> 00:38:28.162
  • I KNOW, BUT A BIRDCAME THROUGH AND NEARLY LANDEDIN YOUR NEST.
  • 00:38:28.162 --> 00:38:30.898
  • CAME THROUGH AND NEARLY LANDEDIN YOUR NEST.- DON'T MESS UP MY SONG, OKAY?
  • 00:38:30.898 --> 00:38:31.866
  • IN YOUR NEST.- DON'T MESS UP MY SONG, OKAY?- I DIDN'T DO IT.
  • 00:38:31.866 --> 00:38:32.833
  • - DON'T MESS UP MY SONG, OKAY?- I DIDN'T DO IT.- YES, YOU DID DO IT.
  • 00:38:32.833 --> 00:38:33.367
  • - I DIDN'T DO IT.- YES, YOU DID DO IT.- NO, I DIDN'T.
  • 00:38:33.367 --> 00:38:34.268
  • - YES, YOU DID DO IT.- NO, I DIDN'T.- I HEARD YOU DO IT.
  • 00:38:34.268 --> 00:38:34.835
  • - NO, I DIDN'T.- I HEARD YOU DO IT.YOU DID IT.
  • 00:38:34.835 --> 00:38:35.703
  • - I HEARD YOU DO IT.YOU DID IT.- HE DID IT!
  • 00:38:35.703 --> 00:38:36.704
  • YOU DID IT.- HE DID IT!- Hess: ME?
  • 00:38:36.704 --> 00:38:37.972
  • - HE DID IT!- Hess: ME?- YEAH.
  • 00:38:37.972 --> 00:38:40.708
  • - Hess: ME?- YEAH.YOU CAN BE REPLACED.
  • 00:38:40.708 --> 00:38:42.076
  • - YEAH.YOU CAN BE REPLACED.I CAN WEAR THAT WIG.
  • 00:38:42.076 --> 00:38:44.311
  • YOU CAN BE REPLACED.I CAN WEAR THAT WIG.[audience roaring]
  • 00:38:44.311 --> 00:38:47.014
  • I CAN WEAR THAT WIG.[audience roaring]- Bill: OOOH!
  • 00:38:47.014 --> 00:38:48.315
  • [audience roaring]- Bill: OOOH![Lowry imitating Hess]
  • 00:38:48.315 --> 00:38:50.551
  • - Bill: OOOH![Lowry imitating Hess]♪ I'M GONNA KEEP ♪
  • 00:38:50.551 --> 00:38:52.119
  • [Lowry imitating Hess]♪ I'M GONNA KEEP ♪♪ ON SINGING ♪
  • 00:38:52.119 --> 00:38:53.154
  • ♪ I'M GONNA KEEP ♪♪ ON SINGING ♪♪ AND TELLING ♪
  • 00:38:53.154 --> 00:38:54.155
  • ♪ ON SINGING ♪♪ AND TELLING ♪♪ FOLKS ABOUT JESUS. ♪
  • 00:38:54.155 --> 00:38:57.291
  • ♪ AND TELLING ♪♪ FOLKS ABOUT JESUS. ♪♪ I'M GONNA KEEP...♪ ♪
  • 00:38:57.291 --> 00:38:58.292
  • ♪ FOLKS ABOUT JESUS. ♪♪ I'M GONNA KEEP...♪ ♪- Bill: THE FIRST REAL BIG SONG
  • 00:38:58.292 --> 00:38:59.827
  • ♪ I'M GONNA KEEP...♪ ♪- Bill: THE FIRST REAL BIG SONGTHAT WE GOT PLAYED
  • 00:38:59.827 --> 00:39:00.761
  • - Bill: THE FIRST REAL BIG SONGTHAT WE GOT PLAYEDALL OVER THE COUNTRY WAS
  • 00:39:00.761 --> 00:39:02.730
  • THAT WE GOT PLAYEDALL OVER THE COUNTRY WASTHERE'S SOMETHING
  • 00:39:02.730 --> 00:39:03.431
  • ALL OVER THE COUNTRY WASTHERE'S SOMETHINGABOUT THAT NAME.
  • 00:39:03.431 --> 00:39:04.498
  • THERE'S SOMETHINGABOUT THAT NAME.AND THAT WAS MAINLY BECAUSE OF
  • 00:39:04.498 --> 00:39:08.068
  • ABOUT THAT NAME.AND THAT WAS MAINLY BECAUSE OFDANNY'S BEAUTIFUL TENOR SINGING,
  • 00:39:08.068 --> 00:39:10.604
  • AND THAT WAS MAINLY BECAUSE OFDANNY'S BEAUTIFUL TENOR SINGING,AND WE STILL HAVE PEOPLE TODAY
  • 00:39:10.604 --> 00:39:12.673
  • DANNY'S BEAUTIFUL TENOR SINGING,AND WE STILL HAVE PEOPLE TODAYWHO ASK ABOUT DANNY,
  • 00:39:12.673 --> 00:39:15.109
  • AND WE STILL HAVE PEOPLE TODAYWHO ASK ABOUT DANNY,AND WHY ISN'T HE SINGING?
  • 00:39:15.109 --> 00:39:16.010
  • WHO ASK ABOUT DANNY,AND WHY ISN'T HE SINGING?AND WE TRY TO TELL THEM,
  • 00:39:16.010 --> 00:39:17.511
  • AND WHY ISN'T HE SINGING?AND WE TRY TO TELL THEM,"RIGHT NOW HE'S LIMITED,
  • 00:39:17.511 --> 00:39:18.212
  • AND WE TRY TO TELL THEM,"RIGHT NOW HE'S LIMITED,BUT HE'S COMING BACK.
  • 00:39:18.212 --> 00:39:19.280
  • "RIGHT NOW HE'S LIMITED,BUT HE'S COMING BACK.HE'S GETTING BETTER."
  • 00:39:19.280 --> 00:39:19.947
  • BUT HE'S COMING BACK.HE'S GETTING BETTER."HERE, AGAIN, I THINK
  • 00:39:19.947 --> 00:39:20.981
  • HE'S GETTING BETTER."HERE, AGAIN, I THINKHE'S A LITTLE TOUGH ON HIMSELF.
  • 00:39:20.981 --> 00:39:21.916
  • HERE, AGAIN, I THINKHE'S A LITTLE TOUGH ON HIMSELF.[slow tempo music]
  • 00:39:21.916 --> 00:39:22.450
  • HE'S A LITTLE TOUGH ON HIMSELF.[slow tempo music][1977]
  • 00:39:22.450 --> 00:39:27.221
  • [slow tempo music][1977]♪ IN GOD'S TOMORROW ♪
  • 00:39:27.221 --> 00:39:34.195
  • [1977]♪ IN GOD'S TOMORROW ♪♪ SOME HAPPY DAY, ♪
  • 00:39:34.195 --> 00:39:37.131
  • ♪ IN GOD'S TOMORROW ♪♪ SOME HAPPY DAY, ♪♪ GOD SHALL WIPE ♪
  • 00:39:37.131 --> 00:39:42.169
  • ♪ SOME HAPPY DAY, ♪♪ GOD SHALL WIPE ♪♪ ALL TEARS AWAY ♪
  • 00:39:42.169 --> 00:39:45.539
  • ♪ GOD SHALL WIPE ♪♪ ALL TEARS AWAY ♪♪ FROM DIMMED EYES. ♪
  • 00:39:45.539 --> 00:39:51.111
  • ♪ ALL TEARS AWAY ♪♪ FROM DIMMED EYES. ♪♪ THERE'LL BE NO SORROW. ♪
  • 00:39:51.111 --> 00:39:57.318
  • ♪ FROM DIMMED EYES. ♪♪ THERE'LL BE NO SORROW. ♪♪ LOVE WILL EVER REIGN. ♪
  • 00:39:57.318 --> 00:40:00.221
  • ♪ THERE'LL BE NO SORROW. ♪♪ LOVE WILL EVER REIGN. ♪♪ GONE WILL BE ♪
  • 00:40:00.221 --> 00:40:07.928
  • ♪ LOVE WILL EVER REIGN. ♪♪ GONE WILL BE ♪♪ ALL HEARTACHES AND PAIN. ♪ ♪
  • 00:40:07.928 --> 00:40:09.797
  • ♪ GONE WILL BE ♪♪ ALL HEARTACHES AND PAIN. ♪ ♪WHEN I STARTED HAVING
  • 00:40:09.797 --> 00:40:11.131
  • ♪ ALL HEARTACHES AND PAIN. ♪ ♪WHEN I STARTED HAVINGVOICE PROBLEMS, THEN I KNEW
  • 00:40:11.131 --> 00:40:12.766
  • WHEN I STARTED HAVINGVOICE PROBLEMS, THEN I KNEWI COULDN'T SING ANYMORE,
  • 00:40:12.766 --> 00:40:13.701
  • VOICE PROBLEMS, THEN I KNEWI COULDN'T SING ANYMORE,THAT WAS--
  • 00:40:13.701 --> 00:40:15.302
  • I COULDN'T SING ANYMORE,THAT WAS--THAT WAS A REAL PROBLEM FOR ME
  • 00:40:15.302 --> 00:40:16.670
  • THAT WAS--THAT WAS A REAL PROBLEM FOR METHAT I HAD TO WORK THROUGH,
  • 00:40:16.670 --> 00:40:18.539
  • THAT WAS A REAL PROBLEM FOR METHAT I HAD TO WORK THROUGH,AND I WORKED THROUGH IT
  • 00:40:18.539 --> 00:40:20.241
  • THAT I HAD TO WORK THROUGH,AND I WORKED THROUGH ITBY JUST GETTING INVOLVED
  • 00:40:20.241 --> 00:40:21.876
  • AND I WORKED THROUGH ITBY JUST GETTING INVOLVEDWITH A BUNCH OF THINGS.
  • 00:40:21.876 --> 00:40:25.880
  • BY JUST GETTING INVOLVEDWITH A BUNCH OF THINGS.ALTHOUGH I STILL MISS SINGING,
  • 00:40:25.880 --> 00:40:26.580
  • WITH A BUNCH OF THINGS.ALTHOUGH I STILL MISS SINGING,AND OF COURSE,
  • 00:40:26.580 --> 00:40:27.281
  • ALTHOUGH I STILL MISS SINGING,AND OF COURSE,THAT'S A VERY IMPORTANT
  • 00:40:27.281 --> 00:40:28.115
  • AND OF COURSE,THAT'S A VERY IMPORTANTPART OF MY LIFE.
  • 00:40:28.115 --> 00:40:29.083
  • THAT'S A VERY IMPORTANTPART OF MY LIFE.- IT'S A WONDERFUL STORY
  • 00:40:29.083 --> 00:40:29.984
  • PART OF MY LIFE.- IT'S A WONDERFUL STORYTHE WORLD OUGHT TO KNOW ABOUT.
  • 00:40:29.984 --> 00:40:32.419
  • - IT'S A WONDERFUL STORYTHE WORLD OUGHT TO KNOW ABOUT.- WELL, DANNY HAD ONE
  • 00:40:32.419 --> 00:40:34.021
  • THE WORLD OUGHT TO KNOW ABOUT.- WELL, DANNY HAD ONEOF THE MOST INCREDIBLE VOICES,
  • 00:40:34.021 --> 00:40:34.889
  • - WELL, DANNY HAD ONEOF THE MOST INCREDIBLE VOICES,BUT THERE WAS A WHOLE LOT,
  • 00:40:34.889 --> 00:40:35.723
  • OF THE MOST INCREDIBLE VOICES,BUT THERE WAS A WHOLE LOT,ALWAYS,
  • 00:40:35.723 --> 00:40:37.124
  • BUT THERE WAS A WHOLE LOT,ALWAYS,MORE TO DANNY THAN A VOICE.
  • 00:40:37.124 --> 00:40:38.058
  • ALWAYS,MORE TO DANNY THAN A VOICE.- Bill: YOU KNOW, ONE OF
  • 00:40:38.058 --> 00:40:40.027
  • MORE TO DANNY THAN A VOICE.- Bill: YOU KNOW, ONE OFTHE MOST BEAUTIFUL MOMENTS
  • 00:40:40.027 --> 00:40:41.595
  • - Bill: YOU KNOW, ONE OFTHE MOST BEAUTIFUL MOMENTSON A VIDEO WAS SOMETHING THAT
  • 00:40:41.595 --> 00:40:44.064
  • THE MOST BEAUTIFUL MOMENTSON A VIDEO WAS SOMETHING THATWE DID AT THE PRAISE GATHERING,
  • 00:40:44.064 --> 00:40:45.733
  • ON A VIDEO WAS SOMETHING THATWE DID AT THE PRAISE GATHERING,AND YOU INSTIGATED IT, BECAUSE
  • 00:40:45.733 --> 00:40:49.670
  • WE DID AT THE PRAISE GATHERING,AND YOU INSTIGATED IT, BECAUSEPART OF HIS VOICE PROBLEM WAS
  • 00:40:49.670 --> 00:40:52.373
  • AND YOU INSTIGATED IT, BECAUSEPART OF HIS VOICE PROBLEM WASJUST THE TENSENESS OF, YOU KNOW,
  • 00:40:52.373 --> 00:40:54.441
  • PART OF HIS VOICE PROBLEM WASJUST THE TENSENESS OF, YOU KNOW,KNOWING HE HAD TO SING.
  • 00:40:54.441 --> 00:40:55.643
  • JUST THE TENSENESS OF, YOU KNOW,KNOWING HE HAD TO SING.AND SO YOU SAID,
  • 00:40:55.643 --> 00:40:56.710
  • KNOWING HE HAD TO SING.AND SO YOU SAID,"LET'S HAVE HIM SING ON
  • 00:40:56.710 --> 00:40:58.245
  • AND SO YOU SAID,"LET'S HAVE HIM SING ONTHE LONGER I SERVE HIM,
  • 00:40:58.245 --> 00:41:01.248
  • "LET'S HAVE HIM SING ONTHE LONGER I SERVE HIM,AND I SAID, "WHATEVER YOU DO,
  • 00:41:01.248 --> 00:41:02.383
  • THE LONGER I SERVE HIM,AND I SAID, "WHATEVER YOU DO,DON'T TELL HIM.
  • 00:41:02.383 --> 00:41:04.318
  • AND I SAID, "WHATEVER YOU DO,DON'T TELL HIM.JUST YOU AND I WILL BE THE"--
  • 00:41:04.318 --> 00:41:05.486
  • DON'T TELL HIM.JUST YOU AND I WILL BE THE"--AND YOU DIDN'T EVEN KNOW IT.
  • 00:41:05.486 --> 00:41:06.420
  • JUST YOU AND I WILL BE THE"--AND YOU DIDN'T EVEN KNOW IT.JUST MARK AND I WILL BE
  • 00:41:06.420 --> 00:41:07.288
  • AND YOU DIDN'T EVEN KNOW IT.JUST MARK AND I WILL BETHE ONLY TWO THAT KNOW IT.
  • 00:41:07.288 --> 00:41:08.055
  • JUST MARK AND I WILL BETHE ONLY TWO THAT KNOW IT.SO YOU KNOW MARK--
  • 00:41:08.055 --> 00:41:09.023
  • THE ONLY TWO THAT KNOW IT.SO YOU KNOW MARK--HE'S A BIGMOUTH.
  • 00:41:09.023 --> 00:41:09.990
  • SO YOU KNOW MARK--HE'S A BIGMOUTH.AND HE WAS HAVING FUN
  • 00:41:09.990 --> 00:41:11.091
  • HE'S A BIGMOUTH.AND HE WAS HAVING FUNWITH THE CROWD.
  • 00:41:11.091 --> 00:41:12.393
  • AND HE WAS HAVING FUNWITH THE CROWD."ANYBODY ELSE KNOW THIS VERSE?"
  • 00:41:12.393 --> 00:41:13.093
  • WITH THE CROWD."ANYBODY ELSE KNOW THIS VERSE?"AND FINALLY HE SAID,
  • 00:41:13.093 --> 00:41:14.094
  • "ANYBODY ELSE KNOW THIS VERSE?"AND FINALLY HE SAID,"I KNOW SOMEBODY
  • 00:41:14.094 --> 00:41:15.029
  • AND FINALLY HE SAID,"I KNOW SOMEBODYWHO KNOWS IT."
  • 00:41:15.029 --> 00:41:15.596
  • "I KNOW SOMEBODYWHO KNOWS IT."AND WENT DOWN
  • 00:41:15.596 --> 00:41:17.298
  • WHO KNOWS IT."AND WENT DOWNON THE FRONT ROW,
  • 00:41:17.298 --> 00:41:18.399
  • AND WENT DOWNON THE FRONT ROW,AND THOSE 11.000 PEOPLE
  • 00:41:18.399 --> 00:41:18.933
  • ON THE FRONT ROW,AND THOSE 11.000 PEOPLECAME TO THEIR FEET
  • 00:41:18.933 --> 00:41:19.466
  • AND THOSE 11.000 PEOPLECAME TO THEIR FEETWHEN HE SANG IT.
  • 00:41:19.466 --> 00:41:21.535
  • CAME TO THEIR FEETWHEN HE SANG IT.[moderate tempo music]
  • 00:41:21.535 --> 00:41:22.603
  • WHEN HE SANG IT.[moderate tempo music][Praise Gathering 1994]
  • 00:41:22.603 --> 00:41:26.206
  • [moderate tempo music][Praise Gathering 1994]- ♪ THE LONGER I SERVE HIM, ♪
  • 00:41:26.206 --> 00:41:32.680
  • [Praise Gathering 1994]- ♪ THE LONGER I SERVE HIM, ♪♪ THE SWEETER HE GROWS. ♪
  • 00:41:32.680 --> 00:41:33.714
  • - ♪ THE LONGER I SERVE HIM, ♪♪ THE SWEETER HE GROWS. ♪- BILL, I SAW SOMEBODY ELSE
  • 00:41:33.714 --> 00:41:38.152
  • ♪ THE SWEETER HE GROWS. ♪- BILL, I SAW SOMEBODY ELSEWHO MIGHT KNOW A VERSE.
  • 00:41:38.152 --> 00:41:39.853
  • - BILL, I SAW SOMEBODY ELSEWHO MIGHT KNOW A VERSE.STAND UP.
  • 00:41:39.853 --> 00:41:44.191
  • WHO MIGHT KNOW A VERSE.STAND UP.[applause]
  • 00:41:44.191 --> 00:41:46.794
  • STAND UP.[applause]- Bill: EVERY NEED
  • 00:41:46.794 --> 00:41:49.997
  • [applause]- Bill: EVERY NEEDHE IS SUPPLYING.
  • 00:41:49.997 --> 00:41:55.135
  • - Bill: EVERY NEEDHE IS SUPPLYING.- ♪ EVERY NEED ♪
  • 00:41:55.135 --> 00:42:01.041
  • HE IS SUPPLYING.- ♪ EVERY NEED ♪♪ HE IS SUPPLYING. ♪
  • 00:42:01.041 --> 00:42:10.918
  • - ♪ EVERY NEED ♪♪ HE IS SUPPLYING. ♪♪ PLENTEOUS GRACE HE BESTOWS. ♪
  • 00:42:10.918 --> 00:42:15.889
  • ♪ HE IS SUPPLYING. ♪♪ PLENTEOUS GRACE HE BESTOWS. ♪♪ EVERY DAY, ♪
  • 00:42:15.889 --> 00:42:20.861
  • ♪ PLENTEOUS GRACE HE BESTOWS. ♪♪ EVERY DAY, ♪♪ MY WAY GETS BRIGHTER. ♪
  • 00:42:20.861 --> 00:42:25.799
  • ♪ EVERY DAY, ♪♪ MY WAY GETS BRIGHTER. ♪♪ THE LONGER I SERVE HIM, ♪
  • 00:42:25.799 --> 00:42:31.872
  • ♪ MY WAY GETS BRIGHTER. ♪♪ THE LONGER I SERVE HIM, ♪♪ THE SWEETER HE GROWS. ♪
  • 00:42:31.872 --> 00:42:33.774
  • ♪ THE LONGER I SERVE HIM, ♪♪ THE SWEETER HE GROWS. ♪- Homecoming Friends:
  • 00:42:33.774 --> 00:42:39.046
  • ♪ THE SWEETER HE GROWS. ♪- Homecoming Friends:♪ THE LONGER I SERVE HIM, ♪
  • 00:42:39.046 --> 00:42:43.884
  • - Homecoming Friends:♪ THE LONGER I SERVE HIM, ♪♪ THE SWEETER HE GROWS. ♪ ♪
  • 00:42:43.884 --> 00:42:44.718
  • ♪ THE LONGER I SERVE HIM, ♪♪ THE SWEETER HE GROWS. ♪ ♪- Danny:
  • 00:42:44.718 --> 00:42:45.586
  • ♪ THE SWEETER HE GROWS. ♪ ♪- Danny:WHEN I FIRST WAS DIAGNOSED,
  • 00:42:45.586 --> 00:42:47.388
  • - Danny:WHEN I FIRST WAS DIAGNOSED,AND WE WENT THROUGH
  • 00:42:47.388 --> 00:42:52.159
  • WHEN I FIRST WAS DIAGNOSED,AND WE WENT THROUGHONE TREATMENT OF CHEMICALS,
  • 00:42:52.159 --> 00:42:53.894
  • AND WE WENT THROUGHONE TREATMENT OF CHEMICALS,AND THEN WE WENT THROUGH
  • 00:42:53.894 --> 00:42:55.062
  • ONE TREATMENT OF CHEMICALS,AND THEN WE WENT THROUGHTHE FIRST BONE MARROW,
  • 00:42:55.062 --> 00:42:55.696
  • AND THEN WE WENT THROUGHTHE FIRST BONE MARROW,AND I REMEMBER
  • 00:42:55.696 --> 00:42:58.532
  • THE FIRST BONE MARROW,AND I REMEMBERWE WERE IN ATLANTA, GEORGIA,
  • 00:42:58.532 --> 00:43:00.167
  • AND I REMEMBERWE WERE IN ATLANTA, GEORGIA,AND JANET PASCHAL CAME UP TO ME,
  • 00:43:00.167 --> 00:43:01.335
  • WE WERE IN ATLANTA, GEORGIA,AND JANET PASCHAL CAME UP TO ME,AND SHE SAID, "HOW YA DOING?"
  • 00:43:01.335 --> 00:43:03.704
  • AND JANET PASCHAL CAME UP TO ME,AND SHE SAID, "HOW YA DOING?"AND I SAID, "YOU KNOW,
  • 00:43:03.704 --> 00:43:05.406
  • AND SHE SAID, "HOW YA DOING?"AND I SAID, "YOU KNOW,I'M REALLY DOING WELL."
  • 00:43:05.406 --> 00:43:06.340
  • AND I SAID, "YOU KNOW,I'M REALLY DOING WELL."I SAID,
  • 00:43:06.340 --> 00:43:07.241
  • I'M REALLY DOING WELL."I SAID,"I WOULDN'T WANT ANYBODY
  • 00:43:07.241 --> 00:43:08.308
  • I SAID,"I WOULDN'T WANT ANYBODYTO HAVE TO GO THROUGH
  • 00:43:08.308 --> 00:43:12.079
  • "I WOULDN'T WANT ANYBODYTO HAVE TO GO THROUGHWHAT I'VE GONE THROUGH,
  • 00:43:12.079 --> 00:43:14.214
  • TO HAVE TO GO THROUGHWHAT I'VE GONE THROUGH,BUT I REALLY FEEL
  • 00:43:14.214 --> 00:43:16.250
  • WHAT I'VE GONE THROUGH,BUT I REALLY FEELTHAT I'M MUCH RICHER
  • 00:43:16.250 --> 00:43:18.118
  • BUT I REALLY FEELTHAT I'M MUCH RICHERFOR HAVING GONE THROUGH IT."
  • 00:43:18.118 --> 00:43:19.720
  • THAT I'M MUCH RICHERFOR HAVING GONE THROUGH IT."AND JANET SAID,
  • 00:43:19.720 --> 00:43:22.156
  • FOR HAVING GONE THROUGH IT."AND JANET SAID,"YOU MEAN--YOU MEAN, YOU
  • 00:43:22.156 --> 00:43:25.693
  • AND JANET SAID,"YOU MEAN--YOU MEAN, YOUCAME AWAY WITH A LOT OF STUFF?"
  • 00:43:25.693 --> 00:43:26.326
  • "YOU MEAN--YOU MEAN, YOUCAME AWAY WITH A LOT OF STUFF?"AND I SAID, "YEAH,
  • 00:43:26.326 --> 00:43:28.128
  • CAME AWAY WITH A LOT OF STUFF?"AND I SAID, "YEAH,BUT I THINK MORE IMPORTANT IS,
  • 00:43:28.128 --> 00:43:31.565
  • AND I SAID, "YEAH,BUT I THINK MORE IMPORTANT IS,I LEFT A LOT OF STUFF."
  • 00:43:31.565 --> 00:43:33.634
  • BUT I THINK MORE IMPORTANT IS,I LEFT A LOT OF STUFF."[applause]
  • 00:43:33.634 --> 00:43:42.910
  • I LEFT A LOT OF STUFF."[applause]- THAT'S MY BROTHER.
  • 00:43:42.910 --> 00:43:45.412
  • [applause]- THAT'S MY BROTHER.[Lela "Mom" Gaither]
  • 00:43:45.412 --> 00:43:45.979
  • - THAT'S MY BROTHER.[Lela "Mom" Gaither][app
  • 00:43:45.979 --> 00:43:47.981
  • - Mark: HOW ARE YOU DOING?
  • 00:43:49.416 --> 00:43:50.651
  • - Mark: HOW ARE YOU DOING?WHAT IS THE PROGNOSIS?
  • 00:43:50.651 --> 00:43:52.419
  • - Mark: HOW ARE YOU DOING?WHAT IS THE PROGNOSIS?I MEAN, WHAT HAVE YOU LEARNED
  • 00:43:52.419 --> 00:43:55.756
  • WHAT IS THE PROGNOSIS?I MEAN, WHAT HAVE YOU LEARNEDTHROUGH ALL THAT?
  • 00:43:55.756 --> 00:43:56.824
  • I MEAN, WHAT HAVE YOU LEARNEDTHROUGH ALL THAT?- WHEN I FIRST WAS DIAGNOSED--
  • 00:43:56.824 --> 00:43:59.093
  • THROUGH ALL THAT?- WHEN I FIRST WAS DIAGNOSED--BE THREE YEARS IN THANKSGIVING,
  • 00:43:59.093 --> 00:44:00.027
  • - WHEN I FIRST WAS DIAGNOSED--BE THREE YEARS IN THANKSGIVING,WON'T IT?
  • 00:44:00.027 --> 00:44:00.794
  • BE THREE YEARS IN THANKSGIVING,WON'T IT?I WENT THROUGH
  • 00:44:00.794 --> 00:44:05.632
  • WON'T IT?I WENT THROUGHONE TREATMENT OF CHEMICALS,
  • 00:44:05.632 --> 00:44:07.367
  • I WENT THROUGHONE TREATMENT OF CHEMICALS,AND THEN WE WENT THROUGH
  • 00:44:07.367 --> 00:44:08.335
  • ONE TREATMENT OF CHEMICALS,AND THEN WE WENT THROUGHTHE FIRST BONE MARROW,
  • 00:44:08.335 --> 00:44:09.770
  • AND THEN WE WENT THROUGHTHE FIRST BONE MARROW,AND I REMEMBER
  • 00:44:09.770 --> 00:44:11.972
  • THE FIRST BONE MARROW,AND I REMEMBERWE WERE IN ATLANTA, GEORGIA,
  • 00:44:11.972 --> 00:44:13.173
  • AND I REMEMBERWE WERE IN ATLANTA, GEORGIA,AND JANET PASCHAL CAME UP TO ME
  • 00:44:13.173 --> 00:44:15.042
  • WE WERE IN ATLANTA, GEORGIA,AND JANET PASCHAL CAME UP TO MEAND ASKED ME THE SAME QUESTION:
  • 00:44:15.042 --> 00:44:16.243
  • AND JANET PASCHAL CAME UP TO MEAND ASKED ME THE SAME QUESTION:"WHAT'S THE PROGNOSIS?"
  • 00:44:16.243 --> 00:44:17.344
  • AND ASKED ME THE SAME QUESTION:"WHAT'S THE PROGNOSIS?"AND AT THAT TIME,
  • 00:44:17.344 --> 00:44:18.979
  • "WHAT'S THE PROGNOSIS?"AND AT THAT TIME,THE PROGNOSIS WAS "IT'S GONE."
  • 00:44:18.979 --> 00:44:21.115
  • AND AT THAT TIME,THE PROGNOSIS WAS "IT'S GONE."AND SHE SAID, "HOW YA DOING?"
  • 00:44:21.115 --> 00:44:23.317
  • THE PROGNOSIS WAS "IT'S GONE."AND SHE SAID, "HOW YA DOING?"AND I SAID, "YOU KNOW,
  • 00:44:23.317 --> 00:44:25.085
  • AND SHE SAID, "HOW YA DOING?"AND I SAID, "YOU KNOW,I'M REALLY DOING WELL."
  • 00:44:25.085 --> 00:44:25.786
  • AND I SAID, "YOU KNOW,I'M REALLY DOING WELL."I SAID,
  • 00:44:25.786 --> 00:44:27.321
  • I'M REALLY DOING WELL."I SAID,"I WOULDN'T WANT ANYBODY
  • 00:44:27.321 --> 00:44:29.289
  • I SAID,"I WOULDN'T WANT ANYBODYTO HAVE TO GO THROUGH
  • 00:44:29.289 --> 00:44:32.092
  • "I WOULDN'T WANT ANYBODYTO HAVE TO GO THROUGHWHAT I'VE GONE THROUGH,
  • 00:44:32.092 --> 00:44:33.961
  • TO HAVE TO GO THROUGHWHAT I'VE GONE THROUGH,BUT I REALLY FEEL
  • 00:44:33.961 --> 00:44:36.096
  • WHAT I'VE GONE THROUGH,BUT I REALLY FEELTHAT I'M MUCH RICHER
  • 00:44:36.096 --> 00:44:38.132
  • BUT I REALLY FEELTHAT I'M MUCH RICHERFOR HAVING GONE THROUGH IT."
  • 00:44:38.132 --> 00:44:39.500
  • THAT I'M MUCH RICHERFOR HAVING GONE THROUGH IT."AND JANET SAID,
  • 00:44:39.500 --> 00:44:42.169
  • FOR HAVING GONE THROUGH IT."AND JANET SAID,"YOU MEAN--YOU MEAN, YOU
  • 00:44:42.169 --> 00:44:44.705
  • AND JANET SAID,"YOU MEAN--YOU MEAN, YOUCAME AWAY WITH A LOT OF STUFF?"
  • 00:44:44.705 --> 00:44:46.440
  • "YOU MEAN--YOU MEAN, YOUCAME AWAY WITH A LOT OF STUFF?"AND I SAID, "YEAH,
  • 00:44:46.440 --> 00:44:48.208
  • CAME AWAY WITH A LOT OF STUFF?"AND I SAID, "YEAH,BUT I THINK MORE IMPORTANT IS,
  • 00:44:48.208 --> 00:44:50.844
  • AND I SAID, "YEAH,BUT I THINK MORE IMPORTANT IS,I LEFT A LOT OF STUFF."
  • 00:44:50.844 --> 00:44:51.912
  • BUT I THINK MORE IMPORTANT IS,I LEFT A LOT OF STUFF."[March 1995]
  • 00:44:51.912 --> 00:44:57.351
  • I LEFT A LOT OF STUFF."[March 1995]- ♪ IF THERE EVER WERE DREAMS ♪
  • 00:44:57.351 --> 00:45:02.656
  • [March 1995]- ♪ IF THERE EVER WERE DREAMS ♪♪ THAT WERE LOFTY AND NOBLE, ♪
  • 00:45:02.656 --> 00:45:07.995
  • - ♪ IF THERE EVER WERE DREAMS ♪♪ THAT WERE LOFTY AND NOBLE, ♪♪ THEY WERE MY DREAMS ♪
  • 00:45:07.995 --> 00:45:11.298
  • ♪ THAT WERE LOFTY AND NOBLE, ♪♪ THEY WERE MY DREAMS ♪♪ AT THE START. ♪
  • 00:45:11.298 --> 00:45:13.133
  • ♪ THEY WERE MY DREAMS ♪♪ AT THE START. ♪♪ AND THE HOPES ♪
  • 00:45:13.133 --> 00:45:15.369
  • ♪ AT THE START. ♪♪ AND THE HOPES ♪♪ FOR LIFE'S BEST ♪
  • 00:45:15.369 --> 00:45:16.270
  • ♪ AND THE HOPES ♪♪ FOR LIFE'S BEST ♪♪ WERE THE HOPES ♪
  • 00:45:16.270 --> 00:45:20.574
  • ♪ FOR LIFE'S BEST ♪♪ WERE THE HOPES ♪♪ THAT I'VE HARBORED ♪
  • 00:45:20.574 --> 00:45:30.884
  • ♪ WERE THE HOPES ♪♪ THAT I'VE HARBORED ♪♪ DOWN DEEP IN MY HEART. ♪
  • 00:45:30.884 --> 00:45:32.319
  • ♪ THAT I'VE HARBORED ♪♪ DOWN DEEP IN MY HEART. ♪♪ BUT MY DREAMS ♪
  • 00:45:32.319 --> 00:45:34.855
  • ♪ DOWN DEEP IN MY HEART. ♪♪ BUT MY DREAMS ♪♪ TURNED TO ASHES, ♪
  • 00:45:34.855 --> 00:45:39.960
  • ♪ BUT MY DREAMS ♪♪ TURNED TO ASHES, ♪♪ MY CASTLES ALL CRUMBLED, ♪
  • 00:45:39.960 --> 00:45:41.829
  • ♪ TURNED TO ASHES, ♪♪ MY CASTLES ALL CRUMBLED, ♪♪ AND MY FORTUNE ♪
  • 00:45:41.829 --> 00:45:48.302
  • ♪ MY CASTLES ALL CRUMBLED, ♪♪ AND MY FORTUNE ♪♪ TURNED TO LOSS, ♪
  • 00:45:48.302 --> 00:45:52.739
  • ♪ AND MY FORTUNE ♪♪ TURNED TO LOSS, ♪♪ SO I JUST WRAPPED IT ALL ♪
  • 00:45:52.739 --> 00:45:56.310
  • ♪ TURNED TO LOSS, ♪♪ SO I JUST WRAPPED IT ALL ♪♪ IN THE RAGS OF MY LIFE ♪
  • 00:45:56.310 --> 00:45:59.012
  • ♪ SO I JUST WRAPPED IT ALL ♪♪ IN THE RAGS OF MY LIFE ♪♪ AND I LAID IT ♪
  • 00:45:59.012 --> 00:46:03.183
  • ♪ IN THE RAGS OF MY LIFE ♪♪ AND I LAID IT ♪♪ AT THAT OLD CROSS. ♪
  • 00:46:03.183 --> 00:46:03.884
  • ♪ AND I LAID IT ♪♪ AT THAT OLD CROSS. ♪- Homecoming Friends:
  • 00:46:03.884 --> 00:46:10.657
  • ♪ AT THAT OLD CROSS. ♪- Homecoming Friends:♪ SOMETHING BEAUTIFUL, ♪
  • 00:46:10.657 --> 00:46:18.866
  • - Homecoming Friends:♪ SOMETHING BEAUTIFUL, ♪♪ SOMETHING GOOD; ♪
  • 00:46:18.866 --> 00:46:25.172
  • ♪ SOMETHING BEAUTIFUL, ♪♪ SOMETHING GOOD; ♪♪ ALL MY CONFUSION, ♪
  • 00:46:25.172 --> 00:46:32.112
  • ♪ SOMETHING GOOD; ♪♪ ALL MY CONFUSION, ♪♪ HE UNDERSTOOD. ♪
  • 00:46:32.112 --> 00:46:38.585
  • ♪ ALL MY CONFUSION, ♪♪ HE UNDERSTOOD. ♪♪ ALL I HAD TO OFFER HIM ♪
  • 00:46:38.585 --> 00:46:44.591
  • ♪ HE UNDERSTOOD. ♪♪ ALL I HAD TO OFFER HIM ♪♪ WAS BROKENNESS AND STRIFE, ♪
  • 00:46:44.591 --> 00:46:49.529
  • ♪ ALL I HAD TO OFFER HIM ♪♪ WAS BROKENNESS AND STRIFE, ♪♪ BUT HE MADE SOMETHING ♪
  • 00:46:49.529 --> 00:46:58.438
  • ♪ WAS BROKENNESS AND STRIFE, ♪♪ BUT HE MADE SOMETHING ♪♪ BEAUTIFUL OF MY LIFE. ♪
  • 00:46:58.438 --> 00:47:03.710
  • ♪ BUT HE MADE SOMETHING ♪♪ BEAUTIFUL OF MY LIFE. ♪♪ HE MADE SOMETHING ♪
  • 00:47:03.710 --> 00:47:10.717
  • ♪ BEAUTIFUL OF MY LIFE. ♪♪ HE MADE SOMETHING ♪♪ BEAUTIFUL OF MY LIFE. ♪
  • 00:47:10.717 --> 00:47:17.891
  • ♪ HE MADE SOMETHING ♪♪ BEAUTIFUL OF MY LIFE. ♪♪ LET'S JUST PRAISE THE LORD, ♪
  • 00:47:17.891 --> 00:47:22.629
  • ♪ BEAUTIFUL OF MY LIFE. ♪♪ LET'S JUST PRAISE THE LORD, ♪♪ PRAISE THE LORD. ♪
  • 00:47:22.629 --> 00:47:25.666
  • ♪ LET'S JUST PRAISE THE LORD, ♪♪ PRAISE THE LORD. ♪♪ LET'S JUST LIFT ♪
  • 00:47:25.666 --> 00:47:28.669
  • ♪ PRAISE THE LORD. ♪♪ LET'S JUST LIFT ♪♪ OUR HANDS TOWARD HEAVEN ♪
  • 00:47:28.669 --> 00:47:33.307
  • ♪ LET'S JUST LIFT ♪♪ OUR HANDS TOWARD HEAVEN ♪♪ AND PRAISE THE LORD. ♪
  • 00:47:33.307 --> 00:47:39.546
  • ♪ OUR HANDS TOWARD HEAVEN ♪♪ AND PRAISE THE LORD. ♪♪ LET'S JUST PRAISE THE LORD, ♪
  • 00:47:39.546 --> 00:47:44.217
  • ♪ AND PRAISE THE LORD. ♪♪ LET'S JUST PRAISE THE LORD, ♪♪ PRAISE THE LORD. ♪
  • 00:47:44.217 --> 00:47:46.887
  • ♪ LET'S JUST PRAISE THE LORD, ♪♪ PRAISE THE LORD. ♪♪ LET'S JUST LIFT ♪
  • 00:47:46.887 --> 00:47:49.723
  • ♪ PRAISE THE LORD. ♪♪ LET'S JUST LIFT ♪♪ OUR HANDS TOWARD HEAVEN ♪
  • 00:47:49.723 --> 00:47:53.894
  • ♪ LET'S JUST LIFT ♪♪ OUR HANDS TOWARD HEAVEN ♪♪ AND PRAISE THE LORD. ♪ ♪
  • 00:47:53.894 --> 00:47:54.895
  • ♪ OUR HANDS TOWARD HEAVEN ♪♪ AND PRAISE THE LORD. ♪ ♪TO THE VERY BEGINNING.
  • 00:47:54.895 --> 00:47:56.296
  • ♪ AND PRAISE THE LORD. ♪ ♪TO THE VERY BEGINNING.I WANT TO KNOW
  • 00:47:56.296 --> 00:47:58.699
  • TO THE VERY BEGINNING.I WANT TO KNOWWHAT THE FIRST BIG SONG WAS
  • 00:47:58.699 --> 00:48:00.400
  • I WANT TO KNOWWHAT THE FIRST BIG SONG WASTHAT REALLY LET US
  • 00:48:00.400 --> 00:48:01.468
  • WHAT THE FIRST BIG SONG WASTHAT REALLY LET USIN HOUSTON, TEXAS,
  • 00:48:01.468 --> 00:48:02.402
  • THAT REALLY LET USIN HOUSTON, TEXAS,AND AROUND THE WORLD, KNOW WHO
  • 00:48:02.402 --> 00:48:05.906
  • IN HOUSTON, TEXAS,AND AROUND THE WORLD, KNOW WHOBILL AND GLORIA GAITHER WERE.
  • 00:48:05.906 --> 00:48:07.574
  • AND AROUND THE WORLD, KNOW WHOBILL AND GLORIA GAITHER WERE.- IN ALL FAIRNESS,
  • 00:48:07.574 --> 00:48:08.575
  • BILL AND GLORIA GAITHER WERE.- IN ALL FAIRNESS,IT HAD TO BE HE TOUCHED ME.
  • 00:48:08.575 --> 00:48:09.843
  • - IN ALL FAIRNESS,IT HAD TO BE HE TOUCHED ME.WE HAD WRITTEN ABOUT--
  • 00:48:09.843 --> 00:48:11.211
  • IT HAD TO BE HE TOUCHED ME.WE HAD WRITTEN ABOUT--WHAT, 50 SONGS BEFORE THEN,
  • 00:48:11.211 --> 00:48:12.679
  • WE HAD WRITTEN ABOUT--WHAT, 50 SONGS BEFORE THEN,AND I THINK HAD WRITTEN SOME
  • 00:48:12.679 --> 00:48:13.880
  • WHAT, 50 SONGS BEFORE THEN,AND I THINK HAD WRITTEN SOMEPRETTY NICE SONGS.
  • 00:48:13.880 --> 00:48:15.382
  • AND I THINK HAD WRITTEN SOMEPRETTY NICE SONGS.THEY DIDN'T HAPPEN TO BE BIG.
  • 00:48:15.382 --> 00:48:16.216
  • PRETTY NICE SONGS.THEY DIDN'T HAPPEN TO BE BIG.WE WROTE A SONG CALLED--
  • 00:48:16.216 --> 00:48:17.284
  • THEY DIDN'T HAPPEN TO BE BIG.WE WROTE A SONG CALLED--[playing piano]
  • 00:48:17.284 --> 00:48:19.886
  • WE WROTE A SONG CALLED--[playing piano]♪ IN THE UPPER ROOM ♪
  • 00:48:19.886 --> 00:48:21.888
  • [playing piano]♪ IN THE UPPER ROOM ♪♪ WITH JESUS. ♪ ♪
  • 00:48:21.888 --> 00:48:22.923
  • ♪ IN THE UPPER ROOM ♪♪ WITH JESUS. ♪ ♪- Mark: THAT ONE DIDN'T HAPPEN
  • 00:48:22.923 --> 00:48:23.790
  • ♪ WITH JESUS. ♪ ♪- Mark: THAT ONE DIDN'T HAPPENTO MAKE IT TO TEXAS.
  • 00:48:23.790 --> 00:48:25.359
  • - Mark: THAT ONE DIDN'T HAPPENTO MAKE IT TO TEXAS.- THAT DIDN'T MAKE IT TO TEXAS.
  • 00:48:25.359 --> 00:48:27.461
  • TO MAKE IT TO TEXAS.- THAT DIDN'T MAKE IT TO TEXAS.AND THEN WE WROTE SONG CALLED
  • 00:48:27.461 --> 00:48:29.129
  • - THAT DIDN'T MAKE IT TO TEXAS.AND THEN WE WROTE SONG CALLED♪ LOVEST THOU ME ♪
  • 00:48:29.129 --> 00:48:32.366
  • AND THEN WE WROTE SONG CALLED♪ LOVEST THOU ME ♪♪ MORE THAN THESE, MY CHILD? ♪
  • 00:48:32.366 --> 00:48:35.168
  • ♪ LOVEST THOU ME ♪♪ MORE THAN THESE, MY CHILD? ♪♪ WHAT WILL YOUR ANSWER BE? ♪ ♪
  • 00:48:35.168 --> 00:48:36.103
  • ♪ MORE THAN THESE, MY CHILD? ♪♪ WHAT WILL YOUR ANSWER BE? ♪ ♪AND SOME GOOD SONGS.
  • 00:48:36.103 --> 00:48:37.304
  • ♪ WHAT WILL YOUR ANSWER BE? ♪ ♪AND SOME GOOD SONGS.DALE OLDHAM SANG
  • 00:48:37.304 --> 00:48:38.405
  • AND SOME GOOD SONGS.DALE OLDHAM SANGA BEAUTIFUL SONG
  • 00:48:38.405 --> 00:48:39.272
  • DALE OLDHAM SANGA BEAUTIFUL SONGTHAT WE WROTE CALLED
  • 00:48:39.272 --> 00:48:41.875
  • A BEAUTIFUL SONGTHAT WE WROTE CALLED♪ HAVE YOU HAD A GETHSEMANE? ♪
  • 00:48:41.875 --> 00:48:42.776
  • THAT WE WROTE CALLED♪ HAVE YOU HAD A GETHSEMANE? ♪♪ HAVE YOU PRAYED ♪
  • 00:48:42.776 --> 00:48:45.379
  • ♪ HAVE YOU HAD A GETHSEMANE? ♪♪ HAVE YOU PRAYED ♪♪ THE NIGHT THROUGH? ♪ ♪
  • 00:48:45.379 --> 00:48:48.181
  • ♪ HAVE YOU PRAYED ♪♪ THE NIGHT THROUGH? ♪ ♪BUT PROBABLY HE TOUCHED ME,
  • 00:48:48.181 --> 00:48:48.982
  • ♪ THE NIGHT THROUGH? ♪ ♪BUT PROBABLY HE TOUCHED ME,AND THEN WE WROTE
  • 00:48:48.982 --> 00:48:50.017
  • BUT PROBABLY HE TOUCHED ME,AND THEN WE WROTEABOUT 40, 50 OTHER SONGS,
  • 00:48:50.017 --> 00:48:52.519
  • AND THEN WE WROTEABOUT 40, 50 OTHER SONGS,AND ABOUT 54 OR 55--
  • 00:48:52.519 --> 00:48:53.520
  • ABOUT 40, 50 OTHER SONGS,AND ABOUT 54 OR 55--THAT OUGHT TO BE ENCOURAGING
  • 00:48:53.520 --> 00:48:54.821
  • AND ABOUT 54 OR 55--THAT OUGHT TO BE ENCOURAGINGTO YOUNG SONGWRITERS--
  • 00:48:54.821 --> 00:48:55.589
  • THAT OUGHT TO BE ENCOURAGINGTO YOUNG SONGWRITERS--WROTE A SONG CALLED
  • 00:48:55.589 --> 00:48:56.656
  • TO YOUNG SONGWRITERS--WROTE A SONG CALLEDHE TOUCHED ME.
  • 00:48:56.656 --> 00:48:58.191
  • WROTE A SONG CALLEDHE TOUCHED ME.AND DOUG WAS THE FIRST PERSON
  • 00:48:58.191 --> 00:49:00.160
  • HE TOUCHED ME.AND DOUG WAS THE FIRST PERSONTO TAKE THAT SONG TO THE WORLD.
  • 00:49:00.160 --> 00:49:01.061
  • AND DOUG WAS THE FIRST PERSONTO TAKE THAT SONG TO THE WORLD.- SO IT WAS--
  • 00:49:01.061 --> 00:49:03.363
  • TO TAKE THAT SONG TO THE WORLD.- SO IT WAS--HE MADE IT BIG BEFORE ELVIS DID.
  • 00:49:03.363 --> 00:49:05.766
  • - SO IT WAS--HE MADE IT BIG BEFORE ELVIS DID.- Bill: OH, YES, AND IN FACT,
  • 00:49:05.766 --> 00:49:08.001
  • HE MADE IT BIG BEFORE ELVIS DID.- Bill: OH, YES, AND IN FACT,HIS DAD SUGGESTED THE TITLE.
  • 00:49:08.001 --> 00:49:09.169
  • - Bill: OH, YES, AND IN FACT,HIS DAD SUGGESTED THE TITLE.IT'S STILL ON OUR SHEET MUSIC.
  • 00:49:09.169 --> 00:49:10.837
  • HIS DAD SUGGESTED THE TITLE.IT'S STILL ON OUR SHEET MUSIC."HE TOUCHED ME--
  • 00:49:10.837 --> 00:49:11.772
  • IT'S STILL ON OUR SHEET MUSIC."HE TOUCHED ME--TITLE SUGGESTED
  • 00:49:11.772 --> 00:49:12.973
  • "HE TOUCHED ME--TITLE SUGGESTEDBY DALE OLDHAM."
  • 00:49:12.973 --> 00:49:13.840
  • TITLE SUGGESTEDBY DALE OLDHAM."HE SANG IT, AND THEN
  • 00:49:13.840 --> 00:49:15.108
  • BY DALE OLDHAM."HE SANG IT, AND THENTHE IMPERIALS DID IT.
  • 00:49:15.108 --> 00:49:16.910
  • HE SANG IT, AND THENTHE IMPERIALS DID IT.THE SPEER FAMILY SANG IT.
  • 00:49:16.910 --> 00:49:17.844
  • THE IMPERIALS DID IT.THE SPEER FAMILY SANG IT.- I REMEMBER DALE SAID
  • 00:49:17.844 --> 00:49:19.212
  • THE SPEER FAMILY SANG IT.- I REMEMBER DALE SAIDTHERE WAS SOMETHING WONDERFUL
  • 00:49:19.212 --> 00:49:21.448
  • - I REMEMBER DALE SAIDTHERE WAS SOMETHING WONDERFULABOUT THE WORD █ TOUCH.
  • 00:49:21.448 --> 00:49:21.815
  • THERE WAS SOMETHING WONDERFULABOUT THE WORD █ TOUCH.- YEAH.
  • 00:49:21.815 --> 00:49:22.816
  • ABOUT THE WORD █ TOUCH.- YEAH.- THAT AN ALMIGHTY GOD WOULD
  • 00:49:22.816 --> 00:49:24.017
  • - YEAH.- THAT AN ALMIGHTY GOD WOULDACTUALLY TOUCH A HUMAN BEING
  • 00:49:24.017 --> 00:49:26.186
  • - THAT AN ALMIGHTY GOD WOULDACTUALLY TOUCH A HUMAN BEINGAND THOUGHT THAT THERE SHOULD BE
  • 00:49:26.186 --> 00:49:26.987
  • ACTUALLY TOUCH A HUMAN BEINGAND THOUGHT THAT THERE SHOULD BEA SONG ABOUT THAT.
  • 00:49:26.987 --> 00:49:27.687
  • AND THOUGHT THAT THERE SHOULD BEA SONG ABOUT THAT.- Bill: AND IT'S BEEN
  • 00:49:27.687 --> 00:49:28.555
  • A SONG ABOUT THAT.- Bill: AND IT'S BEENAN IMPORTANT PART OF THE VOCAL
  • 00:49:28.555 --> 00:49:29.890
  • - Bill: AND IT'S BEENAN IMPORTANT PART OF THE VOCALBAND'S REPERTOIRE.
  • 00:49:29.890 --> 00:49:30.690
  • AN IMPORTANT PART OF THE VOCALBAND'S REPERTOIRE.IN FACT,
  • 00:49:30.690 --> 00:49:32.159
  • BAND'S REPERTOIRE.IN FACT,WE JUST SANG IT AGAIN RECENTLY
  • 00:49:32.159 --> 00:49:33.427
  • IN FACT,WE JUST SANG IT AGAIN RECENTLYON A BILLY GRAHAM CRUSADE,
  • 00:49:33.427 --> 00:49:34.761
  • WE JUST SANG IT AGAIN RECENTLYON A BILLY GRAHAM CRUSADE,SO IT'S BEEN A VERY IMPORTANT--
  • 00:49:34.761 --> 00:49:35.629
  • ON A BILLY GRAHAM CRUSADE,SO IT'S BEEN A VERY IMPORTANT--- Gloria: IN FACT, I HAVE
  • 00:49:35.629 --> 00:49:36.496
  • SO IT'S BEEN A VERY IMPORTANT--- Gloria: IN FACT, I HAVEA LETTER UPSTAIRS THAT BILL
  • 00:49:36.496 --> 00:49:37.431
  • - Gloria: IN FACT, I HAVEA LETTER UPSTAIRS THAT BILLWROTE WHEN THE IMPERIALS
  • 00:49:37.431 --> 00:49:38.698
  • A LETTER UPSTAIRS THAT BILLWROTE WHEN THE IMPERIALSFINALLY RECORDED THAT SONG,
  • 00:49:38.698 --> 00:49:40.801
  • WROTE WHEN THE IMPERIALSFINALLY RECORDED THAT SONG,AND SAID, "HONEY, WE SHOULDN'T
  • 00:49:40.801 --> 00:49:42.069
  • FINALLY RECORDED THAT SONG,AND SAID, "HONEY, WE SHOULDN'THAVE TO BE DOING THIS TRAVELING
  • 00:49:42.069 --> 00:49:44.004
  • AND SAID, "HONEY, WE SHOULDN'THAVE TO BE DOING THIS TRAVELINGFOR MORE THAN MAYBE ANOTHER YEAR
  • 00:49:44.004 --> 00:49:45.772
  • HAVE TO BE DOING THIS TRAVELINGFOR MORE THAN MAYBE ANOTHER YEAROR TWO, BECAUSE I JUST FOUND OUT
  • 00:49:45.772 --> 00:49:47.274
  • FOR MORE THAN MAYBE ANOTHER YEAROR TWO, BECAUSE I JUST FOUND OUTTHE IMPERIALS RECORDED
  • 00:49:47.274 --> 00:49:48.742
  • OR TWO, BECAUSE I JUST FOUND OUTTHE IMPERIALS RECORDEDHE TOUCHED ME, ██ AND NOW,
  • 00:49:48.742 --> 00:49:50.110
  • THE IMPERIALS RECORDEDHE TOUCHED ME, ██ AND NOW,YOU KNOW, WE CAN PROBABLY
  • 00:49:50.110 --> 00:49:51.645
  • HE TOUCHED ME, ██ AND NOW,YOU KNOW, WE CAN PROBABLYJUST STAY HOME AND WRITE SONGS."
  • 00:49:51.645 --> 00:49:55.649
  • YOU KNOW, WE CAN PROBABLYJUST STAY HOME AND WRITE SONGS."THAT WAS 33 YEARS AGO.
  • 00:49:55.649 --> 00:49:56.349
  • JUST STAY HOME AND WRITE SONGS."THAT WAS 33 YEARS AGO.[slow piano music]
  • 00:49:56.349 --> 00:49:57.050
  • THAT WAS 33 YEARS AGO.[slow piano music]- The Gaither Trio:
  • 00:49:57.050 --> 00:49:59.086
  • [slow piano music]- The Gaither Trio:♪ HE TOUCHED ME. ♪
  • 00:49:59.086 --> 00:50:05.892
  • - The Gaither Trio:♪ HE TOUCHED ME. ♪♪ OH, HE TOUCHED ME, ♪
  • 00:50:05.892 --> 00:50:12.365
  • ♪ HE TOUCHED ME. ♪♪ OH, HE TOUCHED ME, ♪♪ AND OH, THE JOY ♪
  • 00:50:12.365 --> 00:50:18.572
  • ♪ OH, HE TOUCHED ME, ♪♪ AND OH, THE JOY ♪♪ THAT FLOODS MY SOUL. ♪
  • 00:50:18.572 --> 00:50:23.877
  • ♪ AND OH, THE JOY ♪♪ THAT FLOODS MY SOUL. ♪♪ SOMETHING HAPPENED, ♪
  • 00:50:23.877 --> 00:50:29.082
  • ♪ THAT FLOODS MY SOUL. ♪♪ SOMETHING HAPPENED, ♪♪ AND NOW I KNOW ♪
  • 00:50:29.082 --> 00:50:31.818
  • ♪ SOMETHING HAPPENED, ♪♪ AND NOW I KNOW ♪♪ HE TOUCHED ME ♪
  • 00:50:31.818 --> 00:50:37.424
  • ♪ AND NOW I KNOW ♪♪ HE TOUCHED ME ♪♪ AND MADE ME WHOLE. ♪ ♪
  • 00:50:37.424 --> 00:50:38.925
  • ♪ HE TOUCHED ME ♪♪ AND MADE ME WHOLE. ♪ ♪- WELL, HERE'S ONE VERY LUCKY
  • 00:50:38.925 --> 00:50:42.896
  • ♪ AND MADE ME WHOLE. ♪ ♪- WELL, HERE'S ONE VERY LUCKYLEGAL PAD AND THIS VERY--
  • 00:50:42.896 --> 00:50:45.532
  • - WELL, HERE'S ONE VERY LUCKYLEGAL PAD AND THIS VERY--ONE LEGAL PAD--WE HAVE
  • 00:50:45.532 --> 00:50:48.535
  • LEGAL PAD AND THIS VERY--ONE LEGAL PAD--WE HAVEBECAUSE HE LIVES, █ RIGHT HERE,
  • 00:50:48.535 --> 00:50:50.103
  • ONE LEGAL PAD--WE HAVEBECAUSE HE LIVES, █ RIGHT HERE,THE SECOND VERSE:
  • 00:50:50.103 --> 00:50:51.738
  • BECAUSE HE LIVES, █ RIGHT HERE,THE SECOND VERSE:"HOW SWEET TO HOLD OUR NEWBORN
  • 00:50:51.738 --> 00:50:54.407
  • THE SECOND VERSE:"HOW SWEET TO HOLD OUR NEWBORNBABY AND FEEL THE PRIDE AND JOY
  • 00:50:54.407 --> 00:50:57.477
  • "HOW SWEET TO HOLD OUR NEWBORNBABY AND FEEL THE PRIDE AND JOYHE GIVES, BUT GREATER STILL"--
  • 00:50:57.477 --> 00:50:58.712
  • BABY AND FEEL THE PRIDE AND JOYHE GIVES, BUT GREATER STILL"--THOUGH SHE SCRATCHES THROUGH
  • 00:50:58.712 --> 00:51:00.113
  • HE GIVES, BUT GREATER STILL"--THOUGH SHE SCRATCHES THROUGHWORDS, "SWEET ASSURANCE--
  • 00:51:00.113 --> 00:51:01.014
  • THOUGH SHE SCRATCHES THROUGHWORDS, "SWEET ASSURANCE--GREATER STILL
  • 00:51:01.014 --> 00:51:04.784
  • WORDS, "SWEET ASSURANCE--GREATER STILLTHAT SWEET ASSURANCE THIS CHILD
  • 00:51:04.784 --> 00:51:06.853
  • GREATER STILLTHAT SWEET ASSURANCE THIS CHILDCAN FACE UNCERTAIN DAYS,
  • 00:51:06.853 --> 00:51:09.055
  • THAT SWEET ASSURANCE THIS CHILDCAN FACE UNCERTAIN DAYS,BECAUSE HE LIVES."
  • 00:51:09.055 --> 00:51:09.990
  • CAN FACE UNCERTAIN DAYS,BECAUSE HE LIVES."AND YOU HAD "THIS"--
  • 00:51:09.990 --> 00:51:11.024
  • BECAUSE HE LIVES."AND YOU HAD "THIS"--SOMETHING, YOU SCRATCHED THROUGH
  • 00:51:11.024 --> 00:51:13.260
  • AND YOU HAD "THIS"--SOMETHING, YOU SCRATCHED THROUGHTHIS "FIRST BORN" OR SOMETHING.
  • 00:51:13.260 --> 00:51:14.895
  • SOMETHING, YOU SCRATCHED THROUGHTHIS "FIRST BORN" OR SOMETHING."THE WAR," AND THEN DOWN HERE
  • 00:51:14.895 --> 00:51:19.199
  • THIS "FIRST BORN" OR SOMETHING."THE WAR," AND THEN DOWN HERE"I--SILVER LINING SHE FOUGHT,
  • 00:51:19.199 --> 00:51:20.367
  • "THE WAR," AND THEN DOWN HERE"I--SILVER LINING SHE FOUGHT,THE FINAL PAIN"--
  • 00:51:20.367 --> 00:51:22.269
  • "I--SILVER LINING SHE FOUGHT,THE FINAL PAIN"--THIS, THIS, THIS PIECE OF
  • 00:51:22.269 --> 00:51:24.804
  • THE FINAL PAIN"--THIS, THIS, THIS PIECE OFPAPER'S WORTH SOMETHING HERE.
  • 00:51:24.804 --> 00:51:25.539
  • THIS, THIS, THIS PIECE OFPAPER'S WORTH SOMETHING HERE.[laughing]
  • 00:51:25.539 --> 00:51:26.306
  • PAPER'S WORTH SOMETHING HERE.[laughing]IN FACT, IF I WERE GOING
  • 00:51:26.306 --> 00:51:27.407
  • [laughing]IN FACT, IF I WERE GOINGTO STEAL A PIECE OF PAPER
  • 00:51:27.407 --> 00:51:28.808
  • IN FACT, IF I WERE GOINGTO STEAL A PIECE OF PAPERIN YOUR HOUSE, THIS WOULD BE
  • 00:51:28.808 --> 00:51:30.110
  • TO STEAL A PIECE OF PAPERIN YOUR HOUSE, THIS WOULD BETHE ONE I'D STEAL AND FRAME IT.
  • 00:51:30.110 --> 00:51:34.748
  • IN YOUR HOUSE, THIS WOULD BETHE ONE I'D STEAL AND FRAME IT.AND THEN JUST A FEW PAGES DOWN,
  • 00:51:34.748 --> 00:51:38.952
  • THE ONE I'D STEAL AND FRAME IT.AND THEN JUST A FEW PAGES DOWN,YOU HAVE THE CHURCH TRIUMPHANT.
  • 00:51:38.952 --> 00:51:40.654
  • AND THEN JUST A FEW PAGES DOWN,YOU HAVE THE CHURCH TRIUMPHANT.THE READING TO THE CHURCH:
  • 00:51:40.654 --> 00:51:42.689
  • YOU HAVE THE CHURCH TRIUMPHANT.THE READING TO THE CHURCH:"GOD HAS ALWAYS HAD A PEOPLE.
  • 00:51:42.689 --> 00:51:43.623
  • THE READING TO THE CHURCH:"GOD HAS ALWAYS HAD A PEOPLE.THERE HAVE BEEN TIMES
  • 00:51:43.623 --> 00:51:44.958
  • "GOD HAS ALWAYS HAD A PEOPLE.THERE HAVE BEEN TIMESOF AFFLUENCE AND PROSPERITY
  • 00:51:44.958 --> 00:51:46.526
  • THERE HAVE BEEN TIMESOF AFFLUENCE AND PROSPERITYWHEN MESSAGES"--
  • 00:51:46.526 --> 00:51:47.494
  • OF AFFLUENCE AND PROSPERITYWHEN MESSAGES"--I MEAN, IT JUST GOES ON--
  • 00:51:47.494 --> 00:51:48.895
  • WHEN MESSAGES"--I MEAN, IT JUST GOES ON--AND COFFEE STAIN.
  • 00:51:48.895 --> 00:51:49.596
  • I MEAN, IT JUST GOES ON--AND COFFEE STAIN.THERE'S A COFFEE STAIN
  • 00:51:49.596 --> 00:51:51.264
  • AND COFFEE STAIN.THERE'S A COFFEE STAINRIGHT THERE.
  • 00:51:51.264 --> 00:51:51.798
  • THERE'S A COFFEE STAINRIGHT THERE.SHE'S ALWAYS GOT
  • 00:51:51.798 --> 00:51:52.499
  • RIGHT THERE.SHE'S ALWAYS GOTA CUP OF COFFEE.
  • 00:51:52.499 --> 00:51:54.067
  • SHE'S ALWAYS GOTA CUP OF COFFEE.[Billy Graham Crusade 1978]
  • 00:51:54.067 --> 00:51:56.069
  • A CUP OF COFFEE.[Billy Graham Crusade 1978]- GOD HAS ALWAYS HAD A PEOPLE.
  • 00:51:56.069 --> 00:51:58.138
  • [Billy Graham Crusade 1978]- GOD HAS ALWAYS HAD A PEOPLE.MANY A FOOLISH CONQUEROR
  • 00:51:58.138 --> 00:52:00.440
  • - GOD HAS ALWAYS HAD A PEOPLE.MANY A FOOLISH CONQUERORHAS MADE THE MISTAKE OF THINKING
  • 00:52:00.440 --> 00:52:01.374
  • MANY A FOOLISH CONQUERORHAS MADE THE MISTAKE OF THINKINGTHAT BECAUSE HE HAD DRIVEN
  • 00:52:01.374 --> 00:52:02.842
  • HAS MADE THE MISTAKE OF THINKINGTHAT BECAUSE HE HAD DRIVENTHE CHURCH OF JESUS CHRIST
  • 00:52:02.842 --> 00:52:03.743
  • THAT BECAUSE HE HAD DRIVENTHE CHURCH OF JESUS CHRISTOUT OF SIGHT,
  • 00:52:03.743 --> 00:52:05.378
  • THE CHURCH OF JESUS CHRISTOUT OF SIGHT,THAT HE HAD STILLED ITS VOICE
  • 00:52:05.378 --> 00:52:07.113
  • OUT OF SIGHT,THAT HE HAD STILLED ITS VOICEAND SNUFFED OUT ITS LIFE,
  • 00:52:07.113 --> 00:52:09.716
  • THAT HE HAD STILLED ITS VOICEAND SNUFFED OUT ITS LIFE,BUT GOD HAS ALWAYS HAD A PEOPLE.
  • 00:52:09.716 --> 00:52:10.584
  • AND SNUFFED OUT ITS LIFE,BUT GOD HAS ALWAYS HAD A PEOPLE.THE POWERFUL CURRENT
  • 00:52:10.584 --> 00:52:11.718
  • BUT GOD HAS ALWAYS HAD A PEOPLE.THE POWERFUL CURRENTOF A RUSHING RIVER
  • 00:52:11.718 --> 00:52:12.652
  • THE POWERFUL CURRENTOF A RUSHING RIVERIS NOT DIMINISHED
  • 00:52:12.652 --> 00:52:13.553
  • OF A RUSHING RIVERIS NOT DIMINISHEDBECAUSE IT IS FORCED
  • 00:52:13.553 --> 00:52:14.254
  • IS NOT DIMINISHEDBECAUSE IT IS FORCEDTO FLOW UNDERGROUND.
  • 00:52:14.254 --> 00:52:15.388
  • BECAUSE IT IS FORCEDTO FLOW UNDERGROUND.THE PUREST WATER
  • 00:52:15.388 --> 00:52:16.723
  • TO FLOW UNDERGROUND.THE PUREST WATERIS THE STREAM THAT BURSTS
  • 00:52:16.723 --> 00:52:18.258
  • THE PUREST WATERIS THE STREAM THAT BURSTSCRYSTAL CLEAR INTO THE SUNLIGHT
  • 00:52:18.258 --> 00:52:20.160
  • IS THE STREAM THAT BURSTSCRYSTAL CLEAR INTO THE SUNLIGHTAFTER IT HAS FORCED
  • 00:52:20.160 --> 00:52:22.896
  • CRYSTAL CLEAR INTO THE SUNLIGHTAFTER IT HAS FORCEDITS WAY THROUGH SOLID ROCK.
  • 00:52:22.896 --> 00:52:23.997
  • AFTER IT HAS FORCEDITS WAY THROUGH SOLID ROCK.THERE HAVE BEEN CHARLATANS WHO,
  • 00:52:23.997 --> 00:52:25.565
  • ITS WAY THROUGH SOLID ROCK.THERE HAVE BEEN CHARLATANS WHO,LIKE SIMON THE MAGICIAN,
  • 00:52:25.565 --> 00:52:26.366
  • THERE HAVE BEEN CHARLATANS WHO,LIKE SIMON THE MAGICIAN,SOUGHT TO BARTER
  • 00:52:26.366 --> 00:52:28.068
  • LIKE SIMON THE MAGICIAN,SOUGHT TO BARTERON THE OPEN MARKET THAT POWER
  • 00:52:28.068 --> 00:52:30.070
  • SOUGHT TO BARTERON THE OPEN MARKET THAT POWERWHICH CANNOT BE BOUGHT OR SOLD.
  • 00:52:30.070 --> 00:52:32.472
  • ON THE OPEN MARKET THAT POWERWHICH CANNOT BE BOUGHT OR SOLD.GOD HAS ALWAYS HAD A PEOPLE:
  • 00:52:32.472 --> 00:52:34.074
  • WHICH CANNOT BE BOUGHT OR SOLD.GOD HAS ALWAYS HAD A PEOPLE:MEN WHO COULD NOT BE BOUGHT
  • 00:52:34.074 --> 00:52:34.975
  • GOD HAS ALWAYS HAD A PEOPLE:MEN WHO COULD NOT BE BOUGHTAND WOMEN
  • 00:52:34.975 --> 00:52:36.543
  • MEN WHO COULD NOT BE BOUGHTAND WOMENWHO WERE BEYOND PURCHASE.
  • 00:52:36.543 --> 00:52:39.212
  • AND WOMENWHO WERE BEYOND PURCHASE.GOD HAS ALWAYS HAD A PEOPLE.
  • 00:52:39.212 --> 00:52:39.913
  • WHO WERE BEYOND PURCHASE.GOD HAS ALWAYS HAD A PEOPLE.[Atlanta 1998]
  • 00:52:39.913 --> 00:52:40.981
  • GOD HAS ALWAYS HAD A PEOPLE.[Atlanta 1998]THERE HAVE BEEN TIMES
  • 00:52:40.981 --> 00:52:42.115
  • [Atlanta 1998]THERE HAVE BEEN TIMESOF AFFLUENCE AND PROSPERITY
  • 00:52:42.115 --> 00:52:43.416
  • THERE HAVE BEEN TIMESOF AFFLUENCE AND PROSPERITYWHEN THE CHURCH'S MESSAGE
  • 00:52:43.416 --> 00:52:44.618
  • OF AFFLUENCE AND PROSPERITYWHEN THE CHURCH'S MESSAGEHAS BEEN NEARLY DILUTED
  • 00:52:44.618 --> 00:52:45.652
  • WHEN THE CHURCH'S MESSAGEHAS BEEN NEARLY DILUTEDINTO OBLIVION
  • 00:52:45.652 --> 00:52:46.820
  • HAS BEEN NEARLY DILUTEDINTO OBLIVIONBY THOSE WHO SOUGHT TO MAKE IT
  • 00:52:46.820 --> 00:52:48.388
  • INTO OBLIVIONBY THOSE WHO SOUGHT TO MAKE ITSOCIALLY ATTRACTIVE,
  • 00:52:48.388 --> 00:52:49.389
  • BY THOSE WHO SOUGHT TO MAKE ITSOCIALLY ATTRACTIVE,NEATLY ORGANIZED,
  • 00:52:49.389 --> 00:52:51.358
  • SOCIALLY ATTRACTIVE,NEATLY ORGANIZED,AND FINANCIALLY PROFITABLE.
  • 00:52:51.358 --> 00:52:52.425
  • NEATLY ORGANIZED,AND FINANCIALLY PROFITABLE.IT'S BEEN GOLD-PLATED,
  • 00:52:52.425 --> 00:52:53.526
  • AND FINANCIALLY PROFITABLE.IT'S BEEN GOLD-PLATED,DRAPED IN PURPLE,
  • 00:52:53.526 --> 00:52:54.861
  • IT'S BEEN GOLD-PLATED,DRAPED IN PURPLE,AND ENCRUSTED WITH JEWELS.
  • 00:52:54.861 --> 00:52:56.062
  • DRAPED IN PURPLE,AND ENCRUSTED WITH JEWELS.IT'S BEEN MISREPRESENTED,
  • 00:52:56.062 --> 00:52:58.031
  • AND ENCRUSTED WITH JEWELS.IT'S BEEN MISREPRESENTED,RIDICULED, FLAUNTED,
  • 00:52:58.031 --> 00:52:59.065
  • IT'S BEEN MISREPRESENTED,RIDICULED, FLAUNTED,AND SCORNED.
  • 00:52:59.065 --> 00:53:00.433
  • RIDICULED, FLAUNTED,AND SCORNED.THESE FOLLOWERS OF JESUS CHRIST
  • 00:53:00.433 --> 00:53:01.134
  • AND SCORNED.THESE FOLLOWERS OF JESUS CHRISTHAVE BEEN, ACCORDING
  • 00:53:01.134 --> 00:53:03.069
  • THESE FOLLOWERS OF JESUS CHRISTHAVE BEEN, ACCORDINGTO THE WHIM OF THE TIMES,
  • 00:53:03.069 --> 00:53:04.604
  • HAVE BEEN, ACCORDINGTO THE WHIM OF THE TIMES,ELEVATED AS SACRED LEADERS
  • 00:53:04.604 --> 00:53:07.007
  • TO THE WHIM OF THE TIMES,ELEVATED AS SACRED LEADERSAND MARTYRED AS HERETICS.
  • 00:53:07.007 --> 00:53:08.308
  • ELEVATED AS SACRED LEADERSAND MARTYRED AS HERETICS.YET THROUGH IT ALL, THERE
  • 00:53:08.308 --> 00:53:09.809
  • AND MARTYRED AS HERETICS.YET THROUGH IT ALL, THEREMARCHES ON THIS POWERFUL ARMY
  • 00:53:09.809 --> 00:53:12.445
  • YET THROUGH IT ALL, THEREMARCHES ON THIS POWERFUL ARMYTO BE GOD'S CHOSEN PEOPLE
  • 00:53:12.445 --> 00:53:13.580
  • MARCHES ON THIS POWERFUL ARMYTO BE GOD'S CHOSEN PEOPLEWHO CANNOT BE BOUGHT, FLATTERED,
  • 00:53:13.580 --> 00:53:15.615
  • TO BE GOD'S CHOSEN PEOPLEWHO CANNOT BE BOUGHT, FLATTERED,MURDERED, OR STILLED.
  • 00:53:15.615 --> 00:53:17.651
  • WHO CANNOT BE BOUGHT, FLATTERED,MURDERED, OR STILLED.ON THROUGH THE AGES THEY MARCH,
  • 00:53:17.651 --> 00:53:18.752
  • MURDERED, OR STILLED.ON THROUGH THE AGES THEY MARCH,THIS CHURCH,
  • 00:53:18.752 --> 00:53:22.355
  • ON THROUGH THE AGES THEY MARCH,THIS CHURCH,GOD'S CHURCH TRIUMPHANT.
  • 00:53:22.355 --> 00:53:23.356
  • THIS CHURCH,GOD'S CHURCH TRIUMPHANT.- Homecoming Friends:
  • 00:53:23.356 --> 00:53:25.025
  • GOD'S CHURCH TRIUMPHANT.- Homecoming Friends:♪ LET THE PEOPLE ♪
  • 00:53:25.025 --> 00:53:28.528
  • - Homecoming Friends:♪ LET THE PEOPLE ♪♪ REJOICE, ♪
  • 00:53:28.528 --> 00:53:30.864
  • ♪ LET THE PEOPLE ♪♪ REJOICE, ♪♪ FOR WE'VE SETTLED ♪
  • 00:53:30.864 --> 00:53:33.867
  • ♪ REJOICE, ♪♪ FOR WE'VE SETTLED ♪♪ THE QUESTION, ♪
  • 00:53:33.867 --> 00:53:38.204
  • ♪ FOR WE'VE SETTLED ♪♪ THE QUESTION, ♪♪ WE'VE MADE OUR CHOICE. ♪
  • 00:53:38.204 --> 00:53:42.509
  • ♪ THE QUESTION, ♪♪ WE'VE MADE OUR CHOICE. ♪♪ LET THE ANTHEMS RING OUT, ♪
  • 00:53:42.509 --> 00:53:47.347
  • ♪ WE'VE MADE OUR CHOICE. ♪♪ LET THE ANTHEMS RING OUT, ♪♪ SONGS OF VICTORY SWELL, ♪
  • 00:53:47.347 --> 00:53:52.419
  • ♪ LET THE ANTHEMS RING OUT, ♪♪ SONGS OF VICTORY SWELL, ♪♪ FOR THE CHURCH TRIUMPHANT ♪
  • 00:53:52.419 --> 00:53:55.355
  • ♪ SONGS OF VICTORY SWELL, ♪♪ FOR THE CHURCH TRIUMPHANT ♪♪ IS ALIVE-- ♪
  • 00:53:55.355 --> 00:53:56.623
  • ♪ FOR THE CHURCH TRIUMPHANT ♪♪ IS ALIVE-- ♪- LISTEN, CHILD OF GOD,
  • 00:53:56.623 --> 00:53:58.391
  • ♪ IS ALIVE-- ♪- LISTEN, CHILD OF GOD,IT'S ALIVE.
  • 00:53:58.391 --> 00:54:01.094
  • - LISTEN, CHILD OF GOD,IT'S ALIVE.DISCOURAGED PASTOR,
  • 00:54:01.094 --> 00:54:02.929
  • IT'S ALIVE.DISCOURAGED PASTOR,IT'S HIS CHURCH,
  • 00:54:02.929 --> 00:54:04.130
  • DISCOURAGED PASTOR,IT'S HIS CHURCH,AND IT'S STILL ALIVE.
  • 00:54:04.130 --> 00:54:05.865
  • IT'S HIS CHURCH,AND IT'S STILL ALIVE.LOWLY MISSIONARY,
  • 00:54:05.865 --> 00:54:08.401
  • AND IT'S STILL ALIVE.LOWLY MISSIONARY,SOW THAT SEED WITH CONFIDENCE.
  • 00:54:08.401 --> 00:54:10.437
  • LOWLY MISSIONARY,SOW THAT SEED WITH CONFIDENCE.THE CHURCH IS STILL ALIVE.
  • 00:54:10.437 --> 00:54:13.073
  • SOW THAT SEED WITH CONFIDENCE.THE CHURCH IS STILL ALIVE.OLD SAINT, YOU'RE NOT ALONE
  • 00:54:13.073 --> 00:54:13.907
  • THE CHURCH IS STILL ALIVE.OLD SAINT, YOU'RE NOT ALONEOR FORGOTTEN.
  • 00:54:13.907 --> 00:54:16.009
  • OLD SAINT, YOU'RE NOT ALONEOR FORGOTTEN.THE CHURCH IS STILL ALIVE.
  • 00:54:16.009 --> 00:54:17.377
  • OR FORGOTTEN.THE CHURCH IS STILL ALIVE.IT'S ALIVE,
  • 00:54:17.377 --> 00:54:19.346
  • THE CHURCH IS STILL ALIVE.IT'S ALIVE,MY BROKENHEARTED FRIEND.
  • 00:54:19.346 --> 00:54:21.247
  • IT'S ALIVE,MY BROKENHEARTED FRIEND.IT'S STILL ALIVE.
  • 00:54:21.247 --> 00:54:22.449
  • MY BROKENHEARTED FRIEND.IT'S STILL ALIVE.BUSY MOTHER,
  • 00:54:22.449 --> 00:54:25.318
  • IT'S STILL ALIVE.BUSY MOTHER,JUST KEEP TRUSTING IN JESUS.
  • 00:54:25.318 --> 00:54:27.520
  • BUSY MOTHER,JUST KEEP TRUSTING IN JESUS.THE CHURCH IS ALIVE.
  • 00:54:27.520 --> 00:54:29.055
  • JUST KEEP TRUSTING IN JESUS.THE CHURCH IS ALIVE.YOU'RE NOT ALONE OUT THERE,
  • 00:54:29.055 --> 00:54:31.324
  • THE CHURCH IS ALIVE.YOU'RE NOT ALONE OUT THERE,YOUNG STUDENT SERVING THE LORD.
  • 00:54:31.324 --> 00:54:33.493
  • YOU'RE NOT ALONE OUT THERE,YOUNG STUDENT SERVING THE LORD.THE CHURCH IS STILL ALIVE.
  • 00:54:33.493 --> 00:54:35.261
  • YOUNG STUDENT SERVING THE LORD.THE CHURCH IS STILL ALIVE.FAITHFUL FATHER,
  • 00:54:35.261 --> 00:54:37.731
  • THE CHURCH IS STILL ALIVE.FAITHFUL FATHER,THERE'S REST IN THE LORD.
  • 00:54:37.731 --> 00:54:40.967
  • FAITHFUL FATHER,THERE'S REST IN THE LORD.GOD'S CHURCH IS STILL ALIVE.
  • 00:54:40.967 --> 00:54:42.202
  • THERE'S REST IN THE LORD.GOD'S CHURCH IS STILL ALIVE.SO CYNICAL SKEPTIC,
  • 00:54:42.202 --> 00:54:44.571
  • GOD'S CHURCH IS STILL ALIVE.SO CYNICAL SKEPTIC,YOU HAVE NOT KILLED GOD
  • 00:54:44.571 --> 00:54:46.706
  • SO CYNICAL SKEPTIC,YOU HAVE NOT KILLED GODWITH YOUR NOISY UNBELIEF.
  • 00:54:46.706 --> 00:54:48.975
  • YOU HAVE NOT KILLED GODWITH YOUR NOISY UNBELIEF.HE'S STILL ALIVE.
  • 00:54:48.975 --> 00:54:51.411
  • WITH YOUR NOISY UNBELIEF.HE'S STILL ALIVE.IT'S ALIVE, MY FRIEND.
  • 00:54:51.411 --> 00:54:53.380
  • HE'S STILL ALIVE.IT'S ALIVE, MY FRIEND.GOD'S CHURCH TRIUMPHANT
  • 00:54:53.380 --> 00:54:56.449
  • IT'S ALIVE, MY FRIEND.GOD'S CHURCH TRIUMPHANTIS ALIVE.
  • 00:54:56.449 --> 00:55:07.427
  • - ♪ BECAUSE HE LIVES, ♪
  • 00:55:19.539 --> 00:55:25.044
  • - ♪ BECAUSE HE LIVES, ♪♪ I CAN FACE TOMORROW. ♪
  • 00:55:25.044 --> 00:55:33.086
  • - ♪ BECAUSE HE LIVES, ♪♪ I CAN FACE TOMORROW. ♪♪ BECAUSE HE LIVES, ♪
  • 00:55:33.086 --> 00:55:41.027
  • ♪ I CAN FACE TOMORROW. ♪♪ BECAUSE HE LIVES, ♪♪ ALL FEAR IS GONE. ♪
  • 00:55:41.027 --> 00:55:49.936
  • ♪ BECAUSE HE LIVES, ♪♪ ALL FEAR IS GONE. ♪♪ BECAUSE I KNOW ♪
  • 00:55:49.936 --> 00:55:56.176
  • ♪ ALL FEAR IS GONE. ♪♪ BECAUSE I KNOW ♪♪ HE HOLDS THE FUTURE, ♪
  • 00:55:56.176 --> 00:56:02.782
  • ♪ BECAUSE I KNOW ♪♪ HE HOLDS THE FUTURE, ♪♪ AND LIFE IS WORTH THE LIVING ♪
  • 00:56:02.782 --> 00:56:08.188
  • Captioning provided by
  • 00:56:09.589 --> 00:56:12.525
  • Captioning by CaptionMax
  • 00:56:13.927 --> 00:56:16.896
  • Captioning by CaptionMaxwww.captionmax.com
  • 00:56:16.896 --> 00:56:53.166
  • Captioning by CaptionMaxwww.captionmax.com
  • 00:56:53.166 --> 00:56:53.666
  • ♪Precious Memories♪
  • 00:56:53.700 --> 00:56:59.472
  • ♪How they linger♪
  • 00:56:59.506 --> 00:57:06.546
  • ♪How they ever flood my soul♪
  • 00:57:06.579 --> 00:57:08.181
  • Thank you for joining Bill andGloria Gaither...
  • 00:57:08.214 --> 00:57:10.683
  • ... and their Homecoming Friendsfor "Precious Memories."
  • 00:57:10.717 --> 00:57:13.753
  • Be sure to watch program asthese legendary gospelartists...
  • 00:57:13.786 --> 00:57:17.190
  • ... share more of your favoritesongs.
  • 00:57:17.223 --> 00:57:20.960
  • ♪In the stillness, of themidnight♪
  • 00:57:20.994 --> 00:57:29.010