Clifton Davis hosts Tom Junod & Joanne Rogers from Los Angeles, CA | TBN

Clifton Davis hosts Tom Junod & Joanne Rogers from Los Angeles, CA

Watch Clifton Davis hosts Tom Junod & Joanne Rogers from Los Angeles, CA
November 20, 2019
28:39

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Clifton Davis hosts Tom Junod & Joanne Rogers from Los Angeles, CA

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  • MUSIC
  • 00:00:18.140 --> 00:00:21.140
  • - HI, I'M CLIFTON DAVIS I'M
  • 00:00:21.140 --> 00:00:24.030
  • HERE WITH A HIND HIND BEHIND THK
  • 00:00:29.060 --> 00:00:32.060
  • OF MR. ROGERS WHOSE LIFE IS
  • 00:00:32.210 --> 00:00:35.210
  • BEING DEPICTED IN A FILM A
  • 00:00:35.210 --> 00:00:37.150
  • BEAUTIFUL DAY IN THE
  • 00:00:37.150 --> 00:00:39.010
  • NEIGHBORHOOD STARRING TOM HANG .
  • 00:00:47.070 --> 00:00:50.070
  • TAKE A LOOK.
  • 00:00:50.070 --> 00:00:51.080
  • - DO NOW WHAT THAT MEANS TO
  • 00:00:51.200 --> 00:00:54.200
  • FORGIVE?
  • 00:00:54.200 --> 00:00:55.000
  • IT IS A DECISION WE MAKE TO
  • 00:00:55.130 --> 00:00:58.130
  • RELEASE A PERSON FROM THE
  • 00:00:58.250 --> 00:01:01.270
  • FEELINGS OF ANGER WE HAVE AT
  • 00:01:01.270 --> 00:01:04.070
  • THEM.
  • 00:01:04.070 --> 00:01:04.250
  • - FRED ROGERS GREW UP OUTSIDE
  • 00:01:05.290 --> 00:01:08.290
  • PITS BERG.
  • 00:01:10.220 --> 00:01:13.220
  • PITTSBURGH.
  • 00:01:13.220 --> 00:01:14.040
  • HE WENT TO SEMINARY SCHOOL.
  • 00:01:14.040 --> 00:01:16.190
  • - I ASKED THEM TO PRAY FOR ME.
  • 00:01:16.190 --> 00:01:18.290
  • ANYONE WHO IS GOING THROUGH WHAT
  • 00:01:18.290 --> 00:01:20.120
  • HE IS GOING THROUGH WILL BE
  • 00:01:20.120 --> 00:01:22.270
  • CLOSE TO GOD.
  • 00:01:22.270 --> 00:01:24.120
  • - HE HAD THAT AMAZING GIFT OF
  • 00:01:24.120 --> 00:01:26.190
  • LOOKING AT A PERSON AND SEEING
  • 00:01:27.020 --> 00:01:30.020
  • WHAT THAT PERSON NEEDED HE WAS
  • 00:01:30.020 --> 00:01:32.170
  • GOING TO MINISTER TO.
  • 00:01:32.170 --> 00:01:34.140
  • THAT PERSON IN THIS CASE WAS ME.
  • 00:01:34.230 --> 00:01:37.230
  • - WE ARE TRYING TO GIVE THE
  • 00:01:37.230 --> 00:01:39.230
  • WORLD POSITIVE WAYS TO DEAL WITH
  • 00:01:40.110 --> 00:01:43.110
  • THEIR FEELINGS.
  • 00:01:44.290 --> 00:01:47.290
  • THIS IS KEEPING YOURSELF A HERO.
  • 00:01:48.260 --> 00:01:51.260
  • - THIS IS LIKE AN EPISODE OF
  • 00:01:51.260 --> 00:01:54.080
  • MR. ROGERS FOR ADULTS.
  • 00:01:59.270 --> 00:02:02.290
  • - I'M HERE-- THAT IS WHAT WE
  • 00:02:02.290 --> 00:02:05.050
  • DO,.
  • 00:02:05.050 --> 00:02:05.170
  • - THE ABILITY FOR EMPATHY WAS
  • 00:02:05.170 --> 00:02:08.110
  • ENORMOUS.
  • 00:02:08.110 --> 00:02:08.230
  • WHAT WE DO TO ANY PERSON WHO HAS
  • 00:02:08.230 --> 00:02:11.230
  • A PROBLEM WITH A HUMAN CONDITION
  • 00:02:11.230 --> 00:02:13.070
  • WE RELATE TO IT.
  • 00:02:13.070 --> 00:02:14.240
  • - HE USED TO SAY I THINK OF
  • 00:02:14.240 --> 00:02:16.270
  • MYSELF AS AN EMOTIONAL
  • 00:02:17.120 --> 00:02:20.120
  • ARCHAEOLOGIST.
  • 00:02:20.120 --> 00:02:20.250
  • I'M FASCINATED BY THE STORIES
  • 00:02:20.250 --> 00:02:23.120
  • PEOPLE BRING.
  • 00:02:23.120 --> 00:02:24.010
  • - THERE IS A MISSION THERE.
  • 00:02:24.010 --> 00:02:25.200
  • A NEED TO TURN THE LIGHTS ON.
  • 00:02:30.120 --> 00:02:33.120
  • IT IS MANAGEABLE.
  • 00:02:33.120 --> 00:02:35.150
  • - MY HOPE IS THAT THIS IS NOT
  • 00:02:35.150 --> 00:02:37.100
  • ABOUT TELLING A STORY OF
  • 00:02:37.100 --> 00:02:39.120
  • MR. ROGERS OR TELLING A BIOPIC.
  • 00:02:39.120 --> 00:02:42.080
  • I HOPE PEOPLE REFLECT ON
  • 00:02:42.200 --> 00:02:45.200
  • THEMSELVES AND THR THEIR OWN
  • 00:02:46.000 --> 00:02:49.000
  • EMOTIONAL WELL-BEING THROUGH
  • 00:02:49.000 --> 00:02:50.190
  • WATCHING THE MOVIE WHICH IS A
  • 00:02:50.190 --> 00:02:53.110
  • BIGGER CHALLENGE FOR THE
  • 00:02:53.110 --> 00:02:54.260
  • AUDIENCE OF WHAT WE WILL BE
  • 00:02:54.270 --> 00:02:57.270
  • EXPECTING.
  • 00:02:57.270 --> 00:02:58.080
  • - PEOPLE LINE UP TO TELL YOU
  • 00:02:58.080 --> 00:03:00.020
  • THEIR PROBLEMS.
  • 00:03:01.010 --> 00:03:04.010
  • IT SEEMS IT WOULD BE A BURDEN ON
  • 00:03:09.130 --> 00:03:12.130
  • YOU.
  • 00:03:12.130 --> 00:03:12.210
  • THERE IS NO NORMAL LIFE THAT IS
  • 00:03:12.280 --> 00:03:15.280
  • FREE FROM PAIN.
  • 00:03:15.280 --> 00:03:17.230
  • - WHEN I THINK OF FOREVER I
  • 00:03:17.230 --> 00:03:19.100
  • THINK OF HIM IN TERMS OF WHAT HE
  • 00:03:19.100 --> 00:03:21.180
  • DID EVERY MORNING HE WOULD PRAY
  • 00:03:22.100 --> 00:03:25.100
  • AND THINK OF THE PEOPLE HE
  • 00:03:25.100 --> 00:03:26.220
  • NEEDED TO PRAY FOR AND WRITE TO
  • 00:03:28.000 --> 00:03:31.000
  • THOSE PEOPLE.
  • 00:03:35.100 --> 00:03:38.100
  • - (NAMING NAMES).
  • 00:03:38.100 --> 00:03:40.180
  • - HE GOT MORE MAIL THAN ANYBODY
  • 00:03:40.180 --> 00:03:42.220
  • IN THE UNITED STATES.
  • 00:03:45.120 --> 00:03:48.120
  • - I THINK OF HIM AS A SAINT.
  • 00:03:48.120 --> 00:03:51.050
  • AND HIS WAY OF BEING.
  • 00:03:51.060 --> 00:03:54.060
  • HE WORKS AT IT ALL THE TIME.
  • 00:03:54.070 --> 00:03:57.070
  • IT TAKES PRACTICE.
  • 00:03:57.070 --> 00:03:57.270
  • HE IS NOT A PERFECT PERSON.
  • 00:03:57.270 --> 00:03:59.290
  • HE HAS A TEMPER.
  • 00:04:03.030 --> 00:04:06.030
  • - MY FAVORITE FRED MOMENT IS
  • 00:04:06.030 --> 00:04:08.190
  • WHEN FRED DID THE MOMENT OF
  • 00:04:08.190 --> 00:04:11.020
  • SILENCE.
  • 00:04:11.020 --> 00:04:11.120
  • JUST TAKE A MINUTE AND THINK
  • 00:04:11.120 --> 00:04:13.260
  • ABOUT ALL THE PEOPLE WHO LOVED
  • 00:04:15.040 --> 00:04:18.040
  • US INTO BEING.
  • 00:04:18.040 --> 00:04:20.210
  • JUST FOR A MINUTE OF SILENCE.
  • 00:04:26.040 --> 00:04:29.040
  • - ONE OF THE MOST IMPORTANT
  • 00:04:29.040 --> 00:04:31.010
  • SCENES IN THE MOVIE IT EMBODIES
  • 00:04:31.010 --> 00:04:33.240
  • WHAT FRED CAN DO IS THINK ABOUT
  • 00:04:33.240 --> 00:04:35.140
  • YOUR OWN LIFE.
  • 00:04:39.160 --> 00:04:42.160
  • - IF YOU GET SOMETHING RIGHT IT
  • 00:04:43.180 --> 00:04:46.180
  • CAN CHANGE YOUR LIFE.
  • 00:04:47.100 --> 00:04:50.100
  • - THE WORLD NEEDS IT.
  • 00:04:50.100 --> 00:04:53.010
  • - IT IS A VERY NEEDED FILM
  • 00:04:54.190 --> 00:04:57.190
  • RIGHT NOW.
  • 00:04:57.190 --> 00:04:58.160
  • I HOPE PEOPLE FEEL THEY CAN BE
  • 00:05:00.270 --> 00:05:03.270
  • FRED ROGERS.
  • 00:05:03.270 --> 00:05:04.170
  • WE ALL HAVE A FRED ROGERS IN US.
  • 00:05:06.080 --> 00:05:09.080
  • - THE MESSAGE IS SIMPLE.
  • 00:05:09.080 --> 00:05:11.030
  • THE MESSAGE OF HIS LIFE IS NOT
  • 00:05:11.030 --> 00:05:13.000
  • SIMPLE.
  • 00:05:13.000 --> 00:05:13.260
  • THE MESSAGE OF HIS LIFE IS
  • 00:05:13.260 --> 00:05:16.120
  • GOODNESS IN ACTION.
  • 00:05:16.120 --> 00:05:18.030
  • - I THINK THE BEST THING WE CAN
  • 00:05:18.030 --> 00:05:20.170
  • DO IS TO LET PEOPLE KNOW THAT
  • 00:05:21.020 --> 00:05:24.020
  • EACH ONE OF THEM IS PRECIOUS.
  • 00:05:29.010 --> 00:05:32.010
  • - YOU GOT AN ASSIGNMENT FROM
  • 00:05:32.010 --> 00:05:34.280
  • ESQUIRE.
  • 00:05:34.280 --> 00:05:35.180
  • YOU APPROACHED THIS INTERVIEW
  • 00:05:35.180 --> 00:05:38.000
  • WITH YOUR OWN JOURNALIST IC
  • 00:05:40.250 --> 00:05:43.250
  • IDENTITY AND PRIDE AND
  • 00:05:43.250 --> 00:05:46.170
  • CONFIDENCE.
  • 00:05:46.170 --> 00:05:46.290
  • AND HERE WAS THIS SOFT SPOKEN
  • 00:05:47.010 --> 00:05:50.010
  • MAN YOU WERE GOING TO INTERVIEW.
  • 00:05:50.010 --> 00:05:52.190
  • WHAT WAS YOUR ACTUAL FIRST
  • 00:05:52.190 --> 00:05:54.200
  • IMPRESSION OF HIM WHEN YOU SAT
  • 00:05:54.200 --> 00:05:57.000
  • DOWN TO MEET MR. ROGERS?
  • 00:05:57.000 --> 00:05:59.200
  • - MY FIRST IMPRESSION HE WAS A
  • 00:05:59.200 --> 00:06:01.220
  • MAN IN ROBE AND SLIPPERS.
  • 00:06:01.220 --> 00:06:04.150
  • I CALLED HIM FROM THE ESQUIRE
  • 00:06:04.150 --> 00:06:07.070
  • OFFICE.
  • 00:06:07.070 --> 00:06:07.170
  • I'M AROUND THE CORNER.
  • 00:06:07.170 --> 00:06:08.200
  • HE HAD A AN APARTMENT IN NEW
  • 00:06:08.200 --> 00:06:10.240
  • YORK CITY.
  • 00:06:10.240 --> 00:06:11.150
  • HE SAID I'M IN MY ROBE AND
  • 00:06:11.150 --> 00:06:14.000
  • SLIPPERS.
  • 00:06:14.000 --> 00:06:14.110
  • I'M TRYING TO TAKE A NASM HE NA.
  • 00:06:15.210 --> 00:06:18.210
  • HE WAS THERE IN HIS ROBE AND
  • 00:06:18.210 --> 00:06:21.130
  • SLIPPERS.
  • 00:06:21.130 --> 00:06:22.040
  • IT WAS DIFFERENT THAN ANYTHING I
  • 00:06:22.040 --> 00:06:23.180
  • HAD DONE BEFORE.
  • 00:06:23.180 --> 00:06:24.260
  • - THAT MUST HAVE BEEN
  • 00:06:24.260 --> 00:06:27.020
  • DIFFERENT.
  • 00:06:27.020 --> 00:06:27.130
  • HE IMMEDIATELY WAS DOWN TO
  • 00:06:27.130 --> 00:06:29.040
  • EARTH, WASN'T HE?
  • 00:06:29.040 --> 00:06:30.130
  • - HE WAS IMMEDIATELY DOWN TO
  • 00:06:30.130 --> 00:06:32.060
  • EARTH.
  • 00:06:32.060 --> 00:06:32.210
  • HE ALSO IMMEDIATELY, I GUESS IN
  • 00:06:33.150 --> 00:06:36.150
  • THE LONG RUN I GUESS HE DID ME
  • 00:06:36.150 --> 00:06:38.280
  • THE FAVOR OF NOT ANSWERING A
  • 00:06:38.280 --> 00:06:40.280
  • SINGLE ONE OF MY QUESTIONS.
  • 00:06:41.070 --> 00:06:44.070
  • AND OF ANSWERING, OF ASKING
  • 00:06:44.070 --> 00:06:46.130
  • QUESTIONS OF HIS OWN.
  • 00:06:46.130 --> 00:06:47.260
  • NOT ONLY ASKING QUESTIONS, BUT
  • 00:06:47.260 --> 00:06:50.240
  • EXPECTING ANSWERS.
  • 00:06:50.240 --> 00:06:51.260
  • THAT IS ONE OF THE THINGS THE
  • 00:06:51.260 --> 00:06:53.190
  • MOVIE CAPTURES SO WELL.
  • 00:06:53.190 --> 00:06:55.020
  • HE WAS NOT JUST ASKING QUESTIONS
  • 00:06:55.020 --> 00:06:58.010
  • JUST TO MAC MAKE CONVERSATIONS T
  • 00:07:01.160 --> 00:07:04.160
  • TO GET ANSWERS.
  • 00:07:04.160 --> 00:07:05.120
  • THAT IS A BIG DIFFERENCE.
  • 00:07:05.200 --> 00:07:08.200
  • - THIS PIECE IS ABOUT HER HEROO
  • 00:07:09.170 --> 00:07:12.170
  • YOU THINK OF YOURSELF AS A HERO?
  • 00:07:12.170 --> 00:07:15.150
  • - NOT AT ALL.
  • 00:07:15.150 --> 00:07:17.190
  • - WHAT ABOUT MR. ROGERS, HE IS'
  • 00:07:19.050 --> 00:07:22.050
  • HERO?
  • 00:07:22.050 --> 00:07:22.140
  • - I DON'T UNDERSTAND THE
  • 00:07:23.050 --> 00:07:26.050
  • QUESTION.
  • 00:07:26.050 --> 00:07:26.170
  • - THE CHARACTER YOU PLAY,
  • 00:07:37.030 --> 00:07:40.030
  • MR. ROGERS.
  • 00:07:40.030 --> 00:07:40.220
  • - IS THAT WHAT HAPPENED TO YOU?
  • 00:07:40.220 --> 00:07:43.090
  • - I'M HERE TO INTERVIEW YOU,
  • 00:07:43.090 --> 00:07:45.130
  • MR. ROGERS.
  • 00:07:45.130 --> 00:07:45.250
  • - THAT IS WHAT WE ARE DOING,
  • 00:07:45.250 --> 00:07:47.130
  • ISN'T IT?
  • 00:07:47.130 --> 00:07:49.200
  • - A WONDERFUL SKILL THAT
  • 00:07:49.200 --> 00:07:51.240
  • MINISTERS SOMETIMES HAVE IN THAT
  • 00:07:51.240 --> 00:07:54.170
  • OF SEEING A PROBLEM AND HELPING
  • 00:07:54.170 --> 00:07:57.040
  • US TO SOLVE IT FOR OURSELVES.
  • 00:07:57.100 --> 00:08:00.120
  • DO YOU FEEL HE WAS EMPLOYING
  • 00:08:00.120 --> 00:08:03.050
  • THOSE PSYCHOLOGICAL TACTICS?
  • 00:08:03.050 --> 00:08:05.210
  • - WELL, I MEAN, IT IS A GREAT
  • 00:08:05.210 --> 00:08:08.070
  • QUESTION.
  • 00:08:08.070 --> 00:08:08.180
  • I DIDN'T KNOW THAT IS A SKILL
  • 00:08:08.180 --> 00:08:10.110
  • MINISTERS HAVE.
  • 00:08:10.110 --> 00:08:12.090
  • AND I TALKED TO HIS WIFE.
  • 00:08:14.200 --> 00:08:17.200
  • SINCE FRED DIED IN 2003 I KEPT
  • 00:08:18.020 --> 00:08:21.020
  • UP MY RELATIONSHIP WITH JOANNE.
  • 00:08:21.020 --> 00:08:23.140
  • SHE TOLD ME HE LOOKED AT IT ALL
  • 00:08:24.060 --> 00:08:27.060
  • AS MINTERRING T MINTERRING MINI.
  • 00:08:34.180 --> 00:08:37.180
  • I KNEW I NEEDED MAYBE SOME HELP
  • 00:08:37.250 --> 00:08:40.250
  • AT THE TIME THAT MAYBE I WAS IN
  • 00:08:40.250 --> 00:08:43.170
  • MY HEART OF HEARTS ANGRY IN A
  • 00:08:44.080 --> 00:08:47.080
  • FUNDAMENTAL WAY.
  • 00:08:47.080 --> 00:08:48.000
  • AND HE WAS WORKING ON THAT.
  • 00:08:49.090 --> 00:08:52.090
  • HE WAS LEADING ME IN DIRECTIONS
  • 00:08:52.090 --> 00:08:55.000
  • I DID NOT KNOW I WAS BEING LED.
  • 00:08:55.000 --> 00:08:57.030
  • - IT IS A WONDERFUL THING.
  • 00:08:57.260 --> 00:09:00.280
  • THIS FILM.
  • 00:09:00.280 --> 00:09:01.190
  • - IT IS AN AMAZING EXPERIENCE.
  • 00:09:01.190 --> 00:09:04.010
  • - SO POWERFUL BECAUSE IT
  • 00:09:05.070 --> 00:09:08.070
  • EMBODIED THE CONCEPTS OF
  • 00:09:08.070 --> 00:09:10.110
  • KINDNESS AND PATIENCE, GIVEN AN
  • 00:09:11.230 --> 00:09:14.230
  • EMPATHY.
  • 00:09:14.230 --> 00:09:15.030
  • - WHAT WAS THE LAST MOVIE YOU
  • 00:09:15.030 --> 00:09:17.180
  • SAW THAT YOU HEARD WHAT IS
  • 00:09:18.140 --> 00:09:21.140
  • FORGIVENESS?
  • 00:09:21.140 --> 00:09:21.260
  • IN TODAY'S LANDSCAPE IT SEEMS
  • 00:09:21.260 --> 00:09:24.180
  • ALMOST IMPOSSIBLE BUT THERE IT
  • 00:09:24.180 --> 00:09:26.030
  • IS.
  • 00:09:26.030 --> 00:09:26.120
  • - YOU SHARED THIS SOFT SPOKEN
  • 00:09:26.140 --> 00:09:29.140
  • MAN HAD REALLY AN ASTONISHING
  • 00:09:30.110 --> 00:09:33.110
  • STRENGTH.
  • 00:09:33.110 --> 00:09:33.220
  • WOULD YOU TALK TO US?
  • 00:09:33.220 --> 00:09:36.140
  • - I 'E EMPHASIZED THAT ALL ALO.
  • 00:09:36.180 --> 00:09:39.180
  • THERE ARE DIFFERENCES IN THE
  • 00:09:39.180 --> 00:09:41.170
  • RELATIONSHIP BETWEEN MY DAD AND
  • 00:09:42.100 --> 00:09:45.100
  • ME THAT IS WHAT IS EVIDENCE IN N
  • 00:09:47.090 --> 00:09:50.090
  • THE MOVIE.
  • 00:09:50.090 --> 00:09:51.050
  • MY FATHER HAD A VERY SPECIFIC
  • 00:09:51.050 --> 00:09:54.050
  • WAY OF VERY, VERY SPECIFIC
  • 00:09:54.050 --> 00:09:56.280
  • EXPECTATIONS OF WHAT BEING A MAN
  • 00:09:56.280 --> 00:09:59.230
  • MEANT AND WHAT STRENGTH MEANT.
  • 00:09:59.230 --> 00:10:02.100
  • HE TALKED ABOUT IT ALL THE TIME.
  • 00:10:02.100 --> 00:10:05.100
  • HERE COMES FRED UP ENDING THOSE
  • 00:10:06.140 --> 00:10:09.140
  • THING, TURNING THEM UP SIDE DOWN
  • 00:10:09.140 --> 00:10:11.050
  • AND ALL OF A SUDDEN AFTER SOME
  • 00:10:11.050 --> 00:10:13.290
  • TIME THIS SOFT SPOKEN PERSON
  • 00:10:15.040 --> 00:10:18.040
  • ENTERED THE DOOR IN A ROBE,
  • 00:10:18.040 --> 00:10:20.040
  • WEARS A SWEATER ON TV, IS MAYBE
  • 00:10:20.040 --> 00:10:22.240
  • THE STRONGEST MAN I'VE EVER MET.
  • 00:10:22.240 --> 00:10:25.230
  • - WHAT ASPECTS OF MR. ROGER'S
  • 00:10:25.230 --> 00:10:28.200
  • LIFE DID YOU COME TO ADMIRE THE
  • 00:10:28.200 --> 00:10:31.020
  • MOST?
  • 00:10:31.020 --> 00:10:31.220
  • - THE DISCIPLINE OF IT.
  • 00:10:31.220 --> 00:10:32.260
  • I THINK HE HAD SOME-- ONE OF THE
  • 00:10:33.090 --> 00:10:36.090
  • GREATEST LEVELS OF DISCIPLINE.
  • 00:10:36.090 --> 00:10:38.200
  • HE WOKE UP FIVE O'CLOCK EVERY
  • 00:10:38.200 --> 00:10:41.020
  • MORNING IN ORDER TO READ AND
  • 00:10:41.020 --> 00:10:42.220
  • WRITE AND PRAY.
  • 00:10:42.220 --> 00:10:45.050
  • HE TOLD ME THAT HE WAS PRAYING
  • 00:10:45.050 --> 00:10:47.150
  • FOR ME.
  • 00:10:47.150 --> 00:10:48.270
  • AND WE HAD A LONG FRIENDSHIP.
  • 00:10:48.290 --> 00:10:51.290
  • OUR FRIENDSHIP DID NOT END WHEN
  • 00:10:51.290 --> 00:10:54.130
  • THE STORY CAME OUT.
  • 00:10:54.130 --> 00:10:55.170
  • WE WERE FRIENDS UNTIL HE DIED.
  • 00:10:55.170 --> 00:10:57.190
  • HE WAS TELLING ME HE WAS PRAYING
  • 00:10:57.210 --> 00:11:00.230
  • FOR ME.
  • 00:11:00.230 --> 00:11:03.170
  • HE WAS DOING IT FOR OTHERS,
  • 00:11:03.170 --> 00:11:05.270
  • BEING PART OF THAT, I'M PRAYING
  • 00:11:06.270 --> 00:11:09.270
  • FOR YOU EVERY MORNING, KNOWING
  • 00:11:10.010 --> 00:11:13.010
  • FRED ROGERS IS PRAYING FOR YOU
  • 00:11:13.010 --> 00:11:15.240
  • IT IS BEYOND ADMIRATION.
  • 00:11:15.240 --> 00:11:17.220
  • THERE IS SOMETHING DIFFERENT TO
  • 00:11:17.220 --> 00:11:20.080
  • THAT.
  • 00:11:20.080 --> 00:11:20.220
  • - WHAT POSITIVE WAYS TO DEAL
  • 00:11:20.220 --> 00:11:22.030
  • WITH YOUR FEELINGS DID YOU LEARN
  • 00:11:22.030 --> 00:11:24.020
  • FROM MR. ROGERS?
  • 00:11:24.020 --> 00:11:26.080
  • - FRED TAUGHT ME THAT AS A
  • 00:11:26.080 --> 00:11:29.040
  • WRITER, I'M A WRITER.
  • 00:11:29.040 --> 00:11:31.150
  • I REMAINED A JOURNALIST.
  • 00:11:31.150 --> 00:11:34.150
  • WHAT FRED TOLD ME, TAUGHT ME WAS
  • 00:11:36.180 --> 00:11:39.180
  • GOODNESS, THE ESSENCE OF
  • 00:11:39.180 --> 00:11:41.090
  • GOODNESS IS AS MYSTERIOUS AND
  • 00:11:41.140 --> 00:11:44.140
  • INTERESTING AND AS WORTHY OF
  • 00:11:44.140 --> 00:11:47.020
  • WRITING ABOUT AS EVIL.
  • 00:11:47.020 --> 00:11:49.050
  • IT DOES NOT MEAN YOU SHOULD TURN
  • 00:11:50.140 --> 00:11:53.140
  • AWAY FROM THE OBLIGATIONS WE
  • 00:11:53.140 --> 00:11:55.040
  • HAVE AS WITNESSES AS
  • 00:11:56.090 --> 00:11:59.090
  • JOURNALISTS.
  • 00:11:59.090 --> 00:11:59.210
  • YOU SHOULD NOT TURN AWAY THAT
  • 00:11:59.210 --> 00:12:02.060
  • PEOPLE DO TERRIBLE THINGS TO
  • 00:12:02.060 --> 00:12:03.210
  • EACH OTHER EVERY DAY.
  • 00:12:03.210 --> 00:12:05.150
  • FRED TAUGHT ME THAT GOODNESS IS
  • 00:12:05.150 --> 00:12:07.170
  • WORTH LOOKING AT AS WELL AND
  • 00:12:07.170 --> 00:12:10.010
  • WORTH WRITING ABOUT SERIOUSLY.
  • 00:12:10.010 --> 00:12:12.080
  • IN TERMS OF MY WORK, THAT'S THE
  • 00:12:12.080 --> 00:12:14.150
  • THING THAT CHANGED THE MOST.
  • 00:12:14.220 --> 00:12:17.220
  • - WHY DID MR. ROGERS FEEL SO
  • 00:12:19.090 --> 00:12:22.090
  • STRONGLY ABOUT TEACHING US TO BE
  • 00:12:23.270 --> 00:12:26.270
  • NEIGHBORS?
  • 00:12:26.270 --> 00:12:27.090
  • - I THINK ONCE AGAIN, FRED HAD
  • 00:12:27.090 --> 00:12:29.240
  • ALL THESE SEEMINGLY SIMPLE
  • 00:12:30.100 --> 00:12:33.100
  • THINGS THAT WERE REALLY
  • 00:12:33.100 --> 00:12:35.070
  • EXPRESSIONS OF SACRED THINGS.
  • 00:12:35.070 --> 00:12:37.200
  • YOU ARE SPECIAL.
  • 00:12:37.200 --> 00:12:39.070
  • PEOPLE MISINTERPRET THAT.
  • 00:12:39.070 --> 00:12:40.170
  • OH, YOU ARE CREATING A CULTURE
  • 00:12:40.260 --> 00:12:43.260
  • OF ENTITLEMENT SAYING YOU ARE
  • 00:12:43.260 --> 00:12:45.020
  • SPECIAL.
  • 00:12:45.020 --> 00:12:45.120
  • HE IS NOT SAYING THAT.
  • 00:12:45.120 --> 00:12:46.200
  • WHAT HE WAS REALLY SAYING, YOU
  • 00:12:46.200 --> 00:12:49.120
  • AS A CREATED BEING ARE LOVED BY
  • 00:12:50.020 --> 00:12:53.020
  • GOD AND THAT THAT IS ETERNAL.
  • 00:12:53.260 --> 00:12:56.260
  • THAT RELATIONSHIP IS ETERNAL.
  • 00:12:56.260 --> 00:12:58.210
  • SO YOU ARE SPECIAL, HAH HAH, BUT
  • 00:13:00.100 --> 00:13:03.100
  • HE WAS FINDING SECULAR LANGUAGE
  • 00:13:03.100 --> 00:13:06.100
  • FOR VERY SACRED CONCEPTS.
  • 00:13:06.290 --> 00:13:09.290
  • THE NEIGHBORHOOD WAS THE EXACT
  • 00:13:09.290 --> 00:13:12.260
  • SAME THING.
  • 00:13:12.260 --> 00:13:14.110
  • LET'S BE NEIGHBORS, THAT MEANT
  • 00:13:14.110 --> 00:13:17.020
  • LET'S LIVE IN THE COMMUNITY OF
  • 00:13:17.020 --> 00:13:18.200
  • GRACE IS WHAT HE WAS GETTING AT.
  • 00:13:18.200 --> 00:13:21.060
  • - THAT'S WONDERFUL.
  • 00:13:21.060 --> 00:13:23.060
  • - WHY WAS WRITING THIS ARTICLE
  • 00:13:23.060 --> 00:13:24.270
  • SO IMPORTANT TO YOU?
  • 00:13:24.270 --> 00:13:27.020
  • HOW DID IT CHANGE YOUR LIFE?
  • 00:13:29.290 --> 00:13:32.290
  • - AT THE TIME-- I WAS DOING A
  • 00:13:32.290 --> 00:13:34.140
  • LOT OF DARK WORK.
  • 00:13:34.270 --> 00:13:37.270
  • I THINK FRED MADE ME SORT OF
  • 00:13:38.050 --> 00:13:41.050
  • LOOK AT WHY I WAS DOING IT AND
  • 00:13:42.020 --> 00:13:45.020
  • WHERE I WANTED TO GO.
  • 00:13:45.020 --> 00:13:46.230
  • DID I WANT TO BE A DARK PERSON
  • 00:13:49.110 --> 00:13:52.110
  • OR DID I WANT TO SOMEHOW SEE A
  • 00:13:54.040 --> 00:13:57.040
  • PERSON STRUGGLING TOWARDS SOME
  • 00:13:57.040 --> 00:13:58.280
  • SORT OF LIGHT?
  • 00:13:58.280 --> 00:14:00.170
  • AND I THINK THAT HE MADE ME SORT
  • 00:14:01.130 --> 00:14:04.130
  • OF THINK THAT WAY.
  • 00:14:04.130 --> 00:14:06.040
  • I THINK THAT FRED, WHAT I ALWAYS
  • 00:14:06.040 --> 00:14:08.090
  • SAY ABOUT FRED IS THAT HE SAW
  • 00:14:08.090 --> 00:14:10.160
  • SOMETHING IN ME THAT MAYBE AT
  • 00:14:10.160 --> 00:14:11.240
  • THE TIME I DID NOT SEE IN
  • 00:14:11.240 --> 00:14:14.190
  • MYSELF.
  • 00:14:14.190 --> 00:14:14.290
  • MAYBE HE SAW SOME HURT.
  • 00:14:15.080 --> 00:14:18.080
  • MAYBE HE SAW SOME POTENTIAL AS
  • 00:14:18.080 --> 00:14:20.130
  • WELL.
  • 00:14:20.130 --> 00:14:20.220
  • HE DEFINITELY RESOLUTELY FROM
  • 00:14:20.220 --> 00:14:23.010
  • THE MOMENT I MET HIM TO OUR LAST
  • 00:14:23.180 --> 00:14:26.180
  • CONVERSATION TRIED TO STEER ME
  • 00:14:26.180 --> 00:14:27.280
  • TO THAT.
  • 00:14:27.280 --> 00:14:29.280
  • - CLEARLY, HIS IMPACT ON YOUR
  • 00:14:29.280 --> 00:14:32.210
  • LIFE IS POSITIVE.
  • 00:14:32.210 --> 00:14:34.170
  • - YES, VERY POSITIVE.
  • 00:14:34.170 --> 00:14:36.000
  • - DO YOU FEEL THAT IT BROUGHT
  • 00:14:36.000 --> 00:14:37.250
  • ABOUT A HEALING MOMENT FOR YOU?
  • 00:14:39.050 --> 00:14:42.050
  • - HIS IMPACT-- IT CONTINUES TO
  • 00:14:42.050 --> 00:14:44.130
  • THIS MOMENT.
  • 00:14:44.130 --> 00:14:45.040
  • I'M SITTING HERE TALKING TO YOU
  • 00:14:45.040 --> 00:14:47.080
  • LOOKING YOU STRAIGHT IN THE EYE
  • 00:14:47.080 --> 00:14:48.230
  • TALKING ABOUT FRED ROGERS AND
  • 00:14:48.230 --> 00:14:51.010
  • ABOUT FORGIVENESS AND FORGIVING
  • 00:14:51.010 --> 00:14:53.140
  • MYSELF AS WELL.
  • 00:14:53.140 --> 00:14:54.280
  • SO, YEAH.
  • 00:14:54.280 --> 00:14:56.200
  • IT IS AMAZING TO ME.
  • 00:14:56.200 --> 00:14:58.230
  • IT IS SOMETHING I COULD NEVER
  • 00:14:58.230 --> 00:15:01.040
  • HAVE PREDICTED AND SOMETHING I
  • 00:15:01.040 --> 00:15:02.250
  • COULD NEVER EXPLAIN.
  • 00:15:02.250 --> 00:15:05.140
  • - MUSIC
  • 00:15:05.140 --> 00:15:07.090
  • - HELLO, NEIGHBOR.
  • 00:15:07.090 --> 00:15:08.060
  • GOOD TO SEE YOU AGAIN TODAY.
  • 00:15:09.090 --> 00:15:12.090
  • - MR. ROGERS HOSTED A SHOW
  • 00:15:12.090 --> 00:15:13.230
  • CALLED MR. ROGERS NEIGHBORHOOD
  • 00:15:13.230 --> 00:15:15.220
  • HE CALMLY AND PATIENTLY SENT OUT
  • 00:15:15.220 --> 00:15:18.020
  • A MESSAGE IT IS OKAY TO BE
  • 00:15:18.020 --> 00:15:21.000
  • CONFUSED AND I LIKE YOU JUST THE
  • 00:15:21.000 --> 00:15:22.150
  • WAY YOU ARE.
  • 00:15:22.150 --> 00:15:23.200
  • THERE IS ALWAYS SOMETHING YOU
  • 00:15:23.200 --> 00:15:25.280
  • CAN DO WITH THE MAD YOU FEEL.
  • 00:15:25.280 --> 00:15:28.060
  • - HE HAD A MISSION TO ENGENDER
  • 00:15:28.060 --> 00:15:30.200
  • UNDERSTANDING AND KINDNESS.
  • 00:15:30.260 --> 00:15:33.260
  • - WE ARE TO GIVE THE WORLD
  • 00:15:36.050 --> 00:15:39.050
  • POSITIVE WAYS OF DEALING WITH
  • 00:15:39.050 --> 00:15:39.280
  • THEIR FEELING LINKS.
  • 00:15:40.040 --> 00:15:43.040
  • - CONFUSED THINKING OF PROBLEMS
  • 00:15:43.040 --> 00:15:44.140
  • AND HUMAN CONDITIONS THAT
  • 00:15:44.140 --> 00:15:46.120
  • RELATES TO IT.
  • 00:15:46.120 --> 00:15:47.290
  • - WE HAVE TO ASK FOR HELP.
  • 00:15:48.000 --> 00:15:51.000
  • - I THINK OF MYSELF AS AN
  • 00:15:51.050 --> 00:15:54.050
  • EMOTIONAL ARCHAEOLOGIST.
  • 00:15:54.050 --> 00:15:55.050
  • I'M FASCINATED BY THE STORY THAT
  • 00:15:55.050 --> 00:15:57.120
  • PEOPLE BRING.
  • 00:15:57.120 --> 00:15:58.010
  • - THERE IS A MISSION THERE.
  • 00:15:58.010 --> 00:16:00.090
  • THEY NEED TO TURN THE LIGHTS ON
  • 00:16:01.190 --> 00:16:04.190
  • IN EVERY HUMAN BEING.
  • 00:16:06.050 --> 00:16:09.050
  • - ANYTHING ME MENTIONABLE IS
  • 00:16:10.070 --> 00:16:13.070
  • MANAGEABLE.
  • 00:16:13.070 --> 00:16:13.190
  • - HE FOUND GOODNESS IN
  • 00:16:13.190 --> 00:16:16.140
  • EVERYBODY.
  • 00:16:16.140 --> 00:16:16.250
  • - I DON'T THINK YOU ARE BROKEN.
  • 00:16:16.250 --> 00:16:18.020
  • - HE ALWAYS GAVE SOMEBODY A
  • 00:16:18.020 --> 00:16:19.130
  • CHANCE TO JUST BE SPECIAL ON
  • 00:16:20.020 --> 00:16:23.020
  • THEIR OWN WITHOUT ANY
  • 00:16:23.020 --> 00:16:25.170
  • EXPECTATION.
  • 00:16:25.170 --> 00:16:26.000
  • - THANK YOU FOR THAT
  • 00:16:26.000 --> 00:16:27.170
  • PERSPECTIVE.
  • 00:16:27.170 --> 00:16:28.000
  • - SOME PEOPLE SAID IT IS LIKE
  • 00:16:28.000 --> 00:16:30.080
  • AN EPISODE OF MR. ROGERS FOR
  • 00:16:30.080 --> 00:16:33.050
  • ADULTSES.
  • 00:16:33.050 --> 00:16:33.160
  • - I THINK YOU HAVE A LOT OF
  • 00:16:33.160 --> 00:16:34.210
  • FEELINGS, WHERE DO THEY COME
  • 00:16:35.100 --> 00:16:38.100
  • FROM?
  • 00:16:38.100 --> 00:16:38.260
  • - I'M HERE TO INTERVIEW YOU,
  • 00:16:38.260 --> 00:16:40.230
  • MR. ROGERS.
  • 00:16:40.230 --> 00:16:41.250
  • - THAT'S WHAT W WE ARE DOING,
  • 00:16:44.180 --> 00:16:47.180
  • ISN'T IT?
  • 00:16:47.180 --> 00:16:50.070
  • - THERE WELL-BEING AND
  • 00:16:50.070 --> 00:16:51.240
  • REFLECTING ON HUMANITY.
  • 00:16:52.070 --> 00:16:55.070
  • HEARING FRED'S VOICE IS
  • 00:16:55.070 --> 00:16:57.210
  • REASSURING.
  • 00:16:57.210 --> 00:16:58.030
  • IT FEELS MORE IMPORTANT NOW THAN
  • 00:16:58.030 --> 00:17:00.110
  • EVER.
  • 00:17:00.110 --> 00:17:00.200
  • - I THINK THE BEST THING WE CAN
  • 00:17:00.200 --> 00:17:02.140
  • DO IS TO LET PEOPLE KNOW THAT
  • 00:17:02.140 --> 00:17:05.020
  • EACH ONE OF THEM IS PRECIOUS.
  • 00:17:07.130 --> 00:17:10.130
  • - HE DID HAVE I THINK A
  • 00:17:10.160 --> 00:17:13.160
  • SELF-IMPOSED SPIRITUAL MANDATE
  • 00:17:13.160 --> 00:17:16.040
  • TO ENGENDER UNDERSTANDING,
  • 00:17:16.040 --> 00:17:19.010
  • KINDNESS IN THE WORLD AND IN A
  • 00:17:19.010 --> 00:17:21.220
  • MEDIUM, TELEVISION IN WHICH THE
  • 00:17:22.070 --> 00:17:25.070
  • MEDIUM PUT LITTLE INPUT ON KIND
  • 00:17:25.070 --> 00:17:27.240
  • MESS AND UNDERSTANDING AND THE
  • 00:17:27.240 --> 00:17:29.160
  • WORLD ITSELF SEEMS TO BE A PLACE
  • 00:17:29.160 --> 00:17:32.070
  • WHERE WHEN YOU FIND THAT IT IS
  • 00:17:32.070 --> 00:17:33.240
  • PRECIOUS AND FEW AND FAR
  • 00:17:33.260 --> 00:17:36.260
  • BETWEEN.
  • 00:17:36.260 --> 00:17:37.070
  • - I THINK HE IS MORE TIMELESS
  • 00:17:37.070 --> 00:17:38.200
  • THAN WE KNEW.
  • 00:17:38.200 --> 00:17:39.240
  • I THINK HE IS MORE NECESSARY
  • 00:17:39.240 --> 00:17:41.070
  • THAN WE KNEW.
  • 00:17:41.070 --> 00:17:43.040
  • I THINK WHENEVER THERE IS
  • 00:17:43.040 --> 00:17:45.030
  • SOMEBODY WHO BRINGS THAT LEVEL
  • 00:17:45.030 --> 00:17:46.210
  • OF COMPASSION, TRUTH AND
  • 00:17:46.210 --> 00:17:49.030
  • UNDERSTANDING, PEOPLE WILL FIND
  • 00:17:49.030 --> 00:17:51.110
  • A WAY TO GRAVITATE BACK TO IT.
  • 00:17:52.050 --> 00:17:55.050
  • WITH EVERYTHING GOING ON IN THE
  • 00:17:55.050 --> 00:17:56.260
  • WORWORLD NOW WE ARE STILL HUMANE
  • 00:17:58.140 --> 00:18:01.160
  • STILL NEED THOSE THINGS.
  • 00:18:01.160 --> 00:18:03.020
  • HE IS LIKE THE PERFECT PLACE TO
  • 00:18:03.030 --> 00:18:06.030
  • FIND IT.
  • 00:18:06.030 --> 00:18:07.050
  • IN THE ERA THERE ARE A LOT OF
  • 00:18:07.110 --> 00:18:10.110
  • FALLEN HEROS WE LOOK UP TO AND
  • 00:18:10.110 --> 00:18:12.220
  • FIND OUT ALL THE BACKGROUND AND
  • 00:18:12.220 --> 00:18:15.050
  • YOU ARE LIKE OH, NO.
  • 00:18:15.050 --> 00:18:16.270
  • IT IS LIKE WE HAVE MR. ROGERS
  • 00:18:16.270 --> 00:18:18.250
  • AND THERE IS NO OH, NO.
  • 00:18:18.250 --> 00:18:21.160
  • THERE IS NO OH OH-OH OH, NO.
  • 00:18:33.020 --> 00:18:36.020
  • - I THINK HIS GREATEST MESSAGE
  • 00:18:37.060 --> 00:18:40.060
  • WE HAVE TO LISTEN TO THE OTHER
  • 00:18:40.060 --> 00:18:42.160
  • PERSON AS A RESULT OF THAT OTHER
  • 00:18:42.160 --> 00:18:44.240
  • THINGS CAN UNFOLD IF YOU LISTEN
  • 00:18:45.130 --> 00:18:48.130
  • PROPERLY.
  • 00:18:48.130 --> 00:18:48.240
  • AND I INCLUDE MYSELF IN IT, MY
  • 00:18:49.270 --> 00:18:52.270
  • ABILITIES TO LIFT UP FROM THE
  • 00:18:53.160 --> 00:18:56.160
  • PAST.
  • 00:18:56.160 --> 00:18:57.000
  • - THIRTY-THREE YEARS OF
  • 00:18:57.000 --> 00:18:57.280
  • BEAUTIFUL DAYS IN THE
  • 00:18:57.280 --> 00:19:00.080
  • NEIGHBORHOOD.
  • 00:19:00.080 --> 00:19:01.210
  • - YES.
  • 00:19:01.210 --> 00:19:02.040
  • - THAT LEFT A LASTING LEGACY
  • 00:19:02.040 --> 00:19:04.020
  • FOR MILLIONS OF CHILDREN AND
  • 00:19:04.020 --> 00:19:05.260
  • ADULTS AROUND THE WORLD.
  • 00:19:06.200 --> 00:19:09.200
  • WHAT MAKES MR. ROGERS LEGACY SO
  • 00:19:13.060 --> 00:19:16.060
  • SPECIAL?
  • 00:19:16.060 --> 00:19:16.200
  • - WHEN THE 50TH ANNIVERSARY
  • 00:19:16.200 --> 00:19:19.060
  • CAME UP ON THE TELEVISION SHOW,
  • 00:19:19.060 --> 00:19:21.270
  • IT JUST SUDDENLY, DIFFERENT
  • 00:19:24.040 --> 00:19:27.040
  • THINGS HAPPENED AND PEOPLE SEEM
  • 00:19:27.040 --> 00:19:29.250
  • TO BE READY FOR HIM TO COME BACK
  • 00:19:29.250 --> 00:19:32.070
  • ON THE AIR.
  • 00:19:32.070 --> 00:19:33.120
  • READY TO SEE HIM AGAIN.
  • 00:19:33.120 --> 00:19:35.250
  • WANTING HIM TO BE THERE.
  • 00:19:36.200 --> 00:19:39.200
  • I'VE ALWAYS MAINTAINED IT WAS AN
  • 00:19:41.030 --> 00:19:44.030
  • AGELESS PROGRAM.
  • 00:19:44.030 --> 00:19:46.120
  • AND THAT SEEMED, PEOPLE SAID,
  • 00:19:46.120 --> 00:19:49.070
  • OH, MR. ROGERS, THEY WANTED
  • 00:19:49.070 --> 00:19:50.290
  • THEIR KIDS TO SEE IT AGAIN.
  • 00:19:50.290 --> 00:19:52.260
  • A LOT OF PEOPLE HAVE MADE THE
  • 00:19:53.050 --> 00:19:56.050
  • EFFORT TO GET THE PROGRAM SO
  • 00:19:56.050 --> 00:19:57.220
  • THEIR KIDS CAN SEE WHAT THEY SAW
  • 00:19:58.200 --> 00:20:01.200
  • GROWING UP.
  • 00:20:01.200 --> 00:20:02.100
  • - THAT IS SOME KIND OF LEGACY.
  • 00:20:02.170 --> 00:20:05.170
  • FIFTY YEARS AND FOLKS STILL
  • 00:20:05.170 --> 00:20:07.190
  • CLAMOR FOR IT.
  • 00:20:07.190 --> 00:20:09.100
  • - AND THEN CAME THE DOCUMENTARY
  • 00:20:09.100 --> 00:20:11.040
  • AND NOW THE MOVIE.
  • 00:20:11.040 --> 00:20:13.280
  • FRED SEEMS TO BE EVERYWHERE.
  • 00:20:13.280 --> 00:20:16.230
  • FRED AND TOM HANKS.
  • 00:20:17.080 --> 00:20:20.080
  • FRED ON ONE PART OF THE COVER
  • 00:20:20.080 --> 00:20:22.000
  • AND TOM ON THE OTHER COVER AND
  • 00:20:22.000 --> 00:20:24.140
  • SOMETIMES SIDE-BY-SIDE.
  • 00:20:24.140 --> 00:20:26.020
  • SONY HAS DONE A WONDERFUL JOB.
  • 00:20:26.170 --> 00:20:29.170
  • - ABSOLUTELY.
  • 00:20:29.170 --> 00:20:30.020
  • I BELIEVE THEY CAPTURED SOME OF
  • 00:20:30.060 --> 00:20:33.060
  • THE BEST QUALITY AND PORTRAYED
  • 00:20:33.060 --> 00:20:34.240
  • IT VERY WELL.
  • 00:20:34.240 --> 00:20:35.260
  • I MUST TELL YOU THAT UPON SEEING
  • 00:20:35.260 --> 00:20:38.100
  • THIS FILM, I WAS POWERFULLY
  • 00:20:39.120 --> 00:20:42.120
  • MOVED AND DEEPLY TOUCHED.
  • 00:20:44.220 --> 00:20:47.220
  • MR. ROGERS HAD A STRONG PRAYER
  • 00:20:47.220 --> 00:20:49.120
  • LIFE AND ONE OF THE HIGHLIGHTS
  • 00:20:49.120 --> 00:20:51.160
  • IN THE FILM WAS NOTING THAT HE
  • 00:20:51.200 --> 00:20:54.200
  • HAD A LONG PRAYER LIST OF FOLKS
  • 00:20:55.000 --> 00:20:58.000
  • HE WOULD PRAY FOR AND PRAYED FOR
  • 00:20:58.120 --> 00:21:01.140
  • LLOYD VOGEL AND FAMILY AND NEW
  • 00:21:03.090 --> 00:21:06.090
  • ANDREA BY NAME.
  • 00:21:06.090 --> 00:21:07.240
  • - HE KNOWS MY NAME.
  • 00:21:07.240 --> 00:21:09.210
  • - THAT WAS A GREAT MOMENT.
  • 00:21:09.210 --> 00:21:11.190
  • - IS THIS ANDREA?
  • 00:21:12.160 --> 00:21:15.160
  • THIS IS FRED ROGERS.
  • 00:21:15.160 --> 00:21:17.200
  • - OH, HI.
  • 00:21:18.110 --> 00:21:21.110
  • - ANDREA WHILE I HAVE YOU I
  • 00:21:21.110 --> 00:21:22.240
  • WANT TO THANK YOU SO MUCH FOR
  • 00:21:23.260 --> 00:21:26.260
  • SHARING LORD WITH US.
  • 00:21:26.260 --> 00:21:28.110
  • IT CANNOT BE EASY TRAVELING.
  • 00:21:28.200 --> 00:21:31.200
  • - THANK YOU FOR SAYING THAT.
  • 00:21:31.200 --> 00:21:34.040
  • I WILL GIVE LLOYD TO YOU.
  • 00:21:36.280 --> 00:21:39.280
  • - HIS PRAYER LIFE MADE A
  • 00:21:39.280 --> 00:21:42.200
  • DIFFERENCE IN SO MANY LIVES.
  • 00:21:42.200 --> 00:21:43.280
  • WHAT CAN YOU TELL US ABOUT HIS
  • 00:21:44.180 --> 00:21:47.180
  • PRAYER LIFE?
  • 00:21:47.200 --> 00:21:50.200
  • - IT WAS PART OF HIS MINISTRY.
  • 00:21:54.130 --> 00:21:57.130
  • HE WAS A MINISTER FIRST AND
  • 00:21:57.130 --> 00:21:59.270
  • FOREMOST.
  • 00:21:59.270 --> 00:22:00.100
  • - WHAT I FIND HAVING ALSO HE
  • 00:22:00.100 --> 00:22:02.290
  • DID NOT NEED TO WAVE AND BEAT
  • 00:22:02.290 --> 00:22:05.250
  • PEOPLE WITH THE BIBLE TO
  • 00:22:05.250 --> 00:22:08.150
  • MINISTER.
  • 00:22:08.150 --> 00:22:09.030
  • - NO.
  • 00:22:09.030 --> 00:22:09.150
  • - HE HAD THE LOVE OF GOD IN HIS
  • 00:22:09.150 --> 00:22:12.140
  • HEART.
  • 00:22:12.140 --> 00:22:12.240
  • DID YOU FEEL THE SAME?
  • 00:22:14.100 --> 00:22:17.100
  • - YES.
  • 00:22:17.100 --> 00:22:17.220
  • - HE HAD A SPECIAL SORT OF
  • 00:22:18.050 --> 00:22:21.050
  • PERSPECTIVE AS AN ORDAINED
  • 00:22:21.050 --> 00:22:24.020
  • MINISTER ON THAT SPACE BETWEEN
  • 00:22:24.020 --> 00:22:26.000
  • HIM AND HIS AUDIENCE.
  • 00:22:26.000 --> 00:22:28.170
  • COULD YOU TALK ABOUT THAT?
  • 00:22:28.170 --> 00:22:30.240
  • - HE ALWAYS SAID THE SPACE
  • 00:22:31.050 --> 00:22:34.050
  • BETWEEN THE TELEVISION SCREEN
  • 00:22:35.120 --> 00:22:38.120
  • AND THE WATCHER, THE ONE ON THE
  • 00:22:38.120 --> 00:22:41.040
  • OTHER SIDE WAS HOLY GROUND.
  • 00:22:46.090 --> 00:22:49.090
  • SACRED GROUND.
  • 00:22:49.090 --> 00:22:50.160
  • HE SAID HOLY GROUND.
  • 00:22:51.130 --> 00:22:54.130
  • THAT REALLY-- THAT IS WHAT HE
  • 00:22:56.100 --> 00:22:59.100
  • BELIEVED.
  • 00:22:59.100 --> 00:22:59.260
  • HE PASSED IT ON AS MUCH AS HE
  • 00:22:59.260 --> 00:23:01.240
  • COULD TO OTHER TELEVISION
  • 00:23:01.240 --> 00:23:03.130
  • PEOPLE.
  • 00:23:03.130 --> 00:23:03.230
  • HE SAID THAT WHEN HE WAS
  • 00:23:04.000 --> 00:23:07.000
  • INDUCTED INTO THE TELEVISION
  • 00:23:07.000 --> 00:23:08.080
  • HALL OF FAME.
  • 00:23:10.130 --> 00:23:13.130
  • AND IT MATTERED WHAT YOU PUT IN
  • 00:23:14.090 --> 00:23:17.090
  • FRONT OF PEOPLE.
  • 00:23:17.090 --> 00:23:18.200
  • - IT INSPIRES ME TO RECOGNIZE
  • 00:23:19.250 --> 00:23:22.250
  • THAT SPACE WHEN I'M TRYING TO
  • 00:23:22.250 --> 00:23:24.240
  • CONVEY WHAT I THINK IS A KEY DIE
  • 00:23:27.080 --> 00:23:30.080
  • MESSAGE.
  • 00:23:30.080 --> 00:23:30.180
  • - WHAT DID YOU APPRECIATE OR
  • 00:23:30.180 --> 00:23:32.110
  • ADMIRE MOST ABOUT YOUR HUSBAND?
  • 00:23:33.290 --> 00:23:36.290
  • - HIS ONE OF THE THINGS I
  • 00:23:36.290 --> 00:23:38.290
  • ADMIRED THE MOST WAS HIS FEELING
  • 00:23:41.010 --> 00:23:44.010
  • OF THE FACT HE TRULY FELT THAT
  • 00:23:44.010 --> 00:23:46.270
  • WHAT HE WAS DOING WAS NOT, I'M
  • 00:23:48.050 --> 00:23:51.050
  • DOING IT.
  • 00:23:51.050 --> 00:23:51.250
  • IT WAS ALWAYS WE ARE DOING IT.
  • 00:23:53.050 --> 00:23:56.050
  • HE ALWAYS INCLUDED THE WHOLE
  • 00:23:56.130 --> 00:23:59.130
  • CREW OF HIS PROGRAM.
  • 00:23:59.130 --> 00:24:02.020
  • AND HE WOULD SAY, I'M GLAD YOU
  • 00:24:04.050 --> 00:24:07.050
  • LIKE-- I'M GLAD YOU CAN USE OUR
  • 00:24:08.070 --> 00:24:11.070
  • WORK.
  • 00:24:11.070 --> 00:24:11.160
  • BUT HE ALWAYS SAID, WE.
  • 00:24:11.160 --> 00:24:14.040
  • INSTEAD OF I.
  • 00:24:14.040 --> 00:24:15.290
  • WHICH SAYS TO ME THAT IS THE
  • 00:24:18.060 --> 00:24:21.060
  • HUMBLE WAY, THAT IS THE WAY OF
  • 00:24:22.200 --> 00:24:25.200
  • SHARING.
  • 00:24:25.200 --> 00:24:26.130
  • OF TALKING ABOUT HOW IMPORTANT
  • 00:24:26.130 --> 00:24:29.110
  • IT IS TO HAVE PEOPLE WORKING
  • 00:24:29.110 --> 00:24:31.260
  • WITH YOU.
  • 00:24:31.260 --> 00:24:32.290
  • THE PEOPLE WHO WORK WITH YOU.
  • 00:24:32.290 --> 00:24:35.190
  • ONE PERSON CANNOT DO IT.
  • 00:24:36.090 --> 00:24:39.090
  • - TRUE.
  • 00:24:39.090 --> 00:24:39.210
  • - A WONDERFUL WAY OF RESPECTING
  • 00:24:39.280 --> 00:24:42.280
  • AND APPRECIATING THEM AS WELL.
  • 00:24:42.280 --> 00:24:44.230
  • - THAT'S WONDERFUL.
  • 00:24:44.230 --> 00:24:46.000
  • - HE WAS A GOOD GUY.
  • 00:24:46.000 --> 00:24:47.120
  • - HE WAS.
  • 00:24:47.120 --> 00:24:48.100
  • HE REALLY WAS.
  • 00:24:48.100 --> 00:24:49.230
  • AND THE MORE I LEARN ABOUT HIM
  • 00:24:49.230 --> 00:24:52.090
  • THE MORE I BELIEVE IT.
  • 00:24:52.090 --> 00:24:54.250
  • - YEAH.
  • 00:24:54.250 --> 00:24:55.070
  • HE WOULD HAVE LOVED YOU.
  • 00:24:55.070 --> 00:24:57.010
  • - I WOULD HAVE LOVED HIM BACK.
  • 00:24:57.010 --> 00:24:59.150
  • DON'T MAKE ME CRY.
  • 00:25:00.110 --> 00:25:03.110
  • (LAUGHTER).
  • 00:25:03.110 --> 00:25:03.230
  • - THIS IS A MOVIE ABOUT PUTTING
  • 00:25:06.260 --> 00:25:09.260
  • YOUR CONCENTRATION ON THE OTHER
  • 00:25:10.140 --> 00:25:13.140
  • PERSON.
  • 00:25:13.140 --> 00:25:16.010
  • SELFLESSNESS, EMPATHY,
  • 00:25:16.010 --> 00:25:18.040
  • INCLUSION, UNDERSTANDING,
  • 00:25:18.040 --> 00:25:19.290
  • KINDNESS, GENTLENESS.
  • 00:25:19.290 --> 00:25:22.170
  • DESPERATELY NEEDED NOW.
  • 00:25:22.170 --> 00:25:23.280
  • - EVEN PEOPLE WHO NORMALLY
  • 00:25:23.280 --> 00:25:25.060
  • WOULD THINK THIS IS NOT MY KIND
  • 00:25:25.060 --> 00:25:27.130
  • OF FILM, AT THIS POINT IN THE
  • 00:25:27.130 --> 00:25:29.040
  • WORLD THEY ARE LONGING TO SEE IT
  • 00:25:29.040 --> 00:25:31.030
  • BECAUSE WE JUST WANT TO FACE
  • 00:25:31.030 --> 00:25:33.040
  • WHERE WE CAN ALL COME TOGETHER
  • 00:25:33.040 --> 00:25:35.060
  • IN AN IMREEME AGREEMENT AND COMS
  • 00:25:37.200 --> 00:25:40.200
  • STILL A REALLY STRONG FORCE.
  • 00:25:40.200 --> 00:25:43.080
  • WE CAN ALL USE IT MORE.
  • 00:25:43.190 --> 00:25:46.190
  • - I HOPE IT IS A TIME AND PLACE
  • 00:25:46.190 --> 00:25:49.110
  • TO REFLECT ON THEMSELVES.
  • 00:25:49.110 --> 00:25:51.060
  • IT IS A MOVIE IT IS NOT JUST
  • 00:25:51.060 --> 00:25:53.270
  • ABOUT FEELING GOOD IT IS ALSO
  • 00:25:53.270 --> 00:25:55.290
  • ABOUT DOING THE DEEPER WORK AND
  • 00:25:55.290 --> 00:25:58.080
  • CHOOSING HOW TO ADDRESS YOUR OWN
  • 00:25:58.080 --> 00:26:01.040
  • CHILDHOOD BANE AN PAIN AND BE PS
  • 00:26:03.050 --> 00:26:06.050
  • WITH YOURSELF.
  • 00:26:06.050 --> 00:26:06.190
  • - I HOPE THIS IS SOMETHING THAT
  • 00:26:06.190 --> 00:26:08.000
  • CAN BRING PEOPLE TOGETHER A
  • 00:26:08.000 --> 00:26:09.070
  • LITTLE BIT.
  • 00:26:09.070 --> 00:26:11.230
  • FRED WAS-- THE MOST IMPORTANT
  • 00:26:11.230 --> 00:26:13.030
  • THING TO HIM WAS RECONCILIATION.
  • 00:26:13.030 --> 00:26:15.070
  • ONE OF THE MOST IMPORTANT
  • 00:26:15.070 --> 00:26:18.000
  • THINGS.
  • 00:26:18.000 --> 00:26:19.030
  • THE PROGRAM WAS HIS MINISTRY.
  • 00:26:24.150 --> 00:26:27.150
  • - HI, I'M FRED ROGERS IT'S A
  • 00:26:30.270 --> 00:26:33.270
  • BEAUTIFUL DAY IN THIS
  • 00:26:33.270 --> 00:26:36.060
  • NEIGHBORHOOD.
  • 00:26:36.060 --> 00:26:36.190
  • WOULD YOU BE MIERNG COUL MINE, E
  • 00:26:41.050 --> 00:26:44.050
  • MINE?
  • 00:26:44.050 --> 00:26:44.140
  • PLEASE WON'T YOU BE MY NEIGHBOR
  • 00:26:46.070 --> 00:26:49.070
  • - HELLO, NEIGHBOR.
  • 00:26:52.090 --> 00:26:55.090
  • - MR. ROGERS.
  • 00:26:55.090 --> 00:26:57.170
  • I'M HERE TO--
  • 00:26:57.170 --> 00:26:59.060
  • - IT IS SO NICE TO MEET YOU.
  • 00:27:09.280 --> 00:27:12.280
  • - DO YOU CONSIDER YOURSELF A
  • 00:27:13.270 --> 00:27:16.270
  • HERO?
  • 00:27:16.270 --> 00:27:18.120
  • - WE ARE TRYING TO SEE THE
  • 00:27:18.120 --> 00:27:20.050
  • WORLD IN POSITIVE WAYS OF
  • 00:27:20.050 --> 00:27:22.000
  • DEALING WITH FEELINGS.
  • 00:27:22.000 --> 00:27:24.120
  • - LIKE WHAT?
  • 00:27:25.060 --> 00:27:28.060
  • - IT IS AMAZING WHAT WE CAN DO.
  • 00:27:28.060 --> 00:27:30.220
  • YOU CAN PLAY ALL THE LOWEST KEYS
  • 00:27:30.220 --> 00:27:33.130
  • ON THE PIANO AT THE SAME TIME.
  • 00:27:44.160 --> 00:27:47.160
  • - HE LOVED HELPING PEOPLE LIKE
  • 00:27:51.140 --> 00:27:54.140
  • ME.
  • 00:27:54.140 --> 00:27:54.220
  • - YOU HAVE TO ASK FOR HELP.
  • 00:27:54.220 --> 00:27:56.270
  • DOESN'T IT FEEL GOOD?
  • 00:27:56.270 --> 00:27:59.210
  • - I THINK THE BEST THING WE CAN
  • 00:28:00.160 --> 00:28:03.160
  • DO IS LET PEOPLE KNOW THAT EACH
  • 00:28:04.280 --> 00:28:07.280
  • ONE OF THEM IS SPECIAL.
  • 00:28:11.180 --> 00:28:14.180
  • - HEY, MR. ROGERS.
  • 00:28:14.180 --> 00:28:16.200
  • IT'S A BEAUTIFUL DAY IN THE
  • 00:28:16.200 --> 00:28:18.070
  • NEIGHBORHOODS, A BEAUTIFUL DAY
  • 00:28:18.070 --> 00:28:20.160
  • FOR A NEIGHBOR.
  • 00:28:20.160 --> 00:28:22.170
  • PLEASE WON'T YOU BE MY NEIGHBOR!
  • 00:28:23.220 --> 00:28:26.220
  • - THAT WAS WONDERFUL.
  • 00:28:28.060 --> 00:28:31.060